YNGWIE J. MALMSTEEN
Traditional heavy metal / Metal Related • Sweden

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YNGWIE J. MALMSTEEN picture
Malmsteen was born on June 30, 1963, as the first child of a musically talented family in Stockholm, Sweden. At age seven, he saw a television news report on the death of Jimi Hendrix. To quote his official website, "The day Jimi Hendrix died, the guitar-playing Malmsteen was born". At the age of 10 he took his mother's maiden name Malmsten as his surname, slightly changed it to Malmsteen, and Anglicised his given name Yngve to "Yngwie". Yngwie also created his first band "Track On Earth" at the age of 10, consisting of himself and a friend from school on drums. Malmsteen was a teenager when he first encountered the music of the 19th century violin virtuoso Niccolò Paganini, whom he cites as his biggest classical music influence.

Through his emulation of Paganini concerto pieces on guitar, Malmsteen developed a prodigious technical fluency. Malmsteen's guitar style includes a wide, violin-like
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Mastermind ‎– Volume One SEALED 1990 USA ZNR CD  Yngwie J. Malmsteen Dio Prog Mastermind ‎– Volume One SEALED 1990 USA ZNR CD Yngwie J. Malmsteen Dio Prog USD $32.95 Buy It Now 5 days
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Yngwie J. Malmsteen's Rising Force Odyssey JAPAN CD 1988 12trk P32P-20150 Yngwie J. Malmsteen's Rising Force Odyssey JAPAN CD 1988 12trk P32P-20150 USD $26.79 Buy It Now 7 days
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YNGWIE J. MALMSTEEN'S RISING FORCE  1988 HARD Rock 45RPM W/ PS ... Heaven Tonite YNGWIE J. MALMSTEEN'S RISING FORCE 1988 HARD Rock 45RPM W/ PS ... Heaven Tonite USD $8.77 Buy It Now 10 days
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*JPN w/Obi  ++ Yngwie J. Malmsteen Concerto Suite For Electric Guitar *JPN w/Obi ++ Yngwie J. Malmsteen Concerto Suite For Electric Guitar USD $6.99 Buy It Now 11 days
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YNGWIE J. MALMSTEEN-RISING FORCE-POLYDOR 825 324-1 HOLLAND VG+/VG LP YNGWIE J. MALMSTEEN-RISING FORCE-POLYDOR 825 324-1 HOLLAND VG+/VG LP USD $11.98 Buy It Now 13 days
YNGWIE J. MALMSTEEN'S Rising Force CD Polydor Records 1984 YNGWIE J. MALMSTEEN'S Rising Force CD Polydor Records 1984 USD $5.00 Buy It Now 13 days
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YNGWIE J MALMSTEEN Odyssey LP Polydor 835 451-1 US 1988 VG++ PROMO YNGWIE J MALMSTEEN Odyssey LP Polydor 835 451-1 US 1988 VG++ PROMO USD $15.98 Buy It Now 13 days
YNGWIE J. MALMSTEEN**RISING FORCE**CD YNGWIE J. MALMSTEEN**RISING FORCE**CD USD $5.95 Buy It Now 14 days
Yngwie J. Malmsteen's Rising Force - Odyssey 1988 JAPAN CD P32P-20150 #143-1 Yngwie J. Malmsteen's Rising Force - Odyssey 1988 JAPAN CD P32P-20150 #143-1 USD $18.39 Buy It Now 14 days
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Yngwie Malmsteen - Marching Out by Yngwie J. Malmsteen's  (CD, Nov-1988) Yngwie Malmsteen - Marching Out by Yngwie J. Malmsteen's (CD, Nov-1988) USD $5.84 Buy It Now 14 days
Yngwie J. Malmsteen LP Trilogy Yngwie J. Malmsteen LP Trilogy USD $15.00 Buy It Now 14 days
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SpellboundSpellbound
Yngwie J. Malmsteen 2014
Audio CD$9.98
$14.44 (used)
TrilogyTrilogy
Polydor
Vinyl$49.99
$17.99 (used)
Malmsteen:Rising Force Live 85 [VHS]Malmsteen:Rising Force Live 85 [VHS]
USA 1989
VHS Tape$45.14 (used)
Play Loud 1st Movement: Basics [VHS]Play Loud 1st Movement: Basics [VHS]
Warner Brothers Pub. 2000
VHS Tape$19.99 (used)
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YNGWIE J. MALMSTEEN Discography

YNGWIE J. MALMSTEEN albums / top albums

.. Album Cover 4.10 | 32 ratings
Rising Force
Traditional heavy metal 1984
.. Album Cover 3.29 | 17 ratings
Marching Out
Traditional heavy metal 1985
.. Album Cover 3.05 | 14 ratings
Trilogy
Traditional heavy metal 1986
.. Album Cover 3.27 | 18 ratings
Odyssey
Traditional heavy metal 1988
.. Album Cover 2.77 | 15 ratings
Eclipse
Traditional heavy metal 1990
.. Album Cover 2.63 | 14 ratings
Fire and Ice
Traditional heavy metal 1992
.. Album Cover 2.86 | 11 ratings
The Seventh Sign
Traditional heavy metal 1994
.. Album Cover 2.45 | 9 ratings
Magnum Opus
Traditional heavy metal 1995
.. Album Cover 3.51 | 5 ratings
Inspiration
Traditional heavy metal 1996
.. Album Cover 3.52 | 5 ratings
Facing the Animal
Traditional heavy metal 1997
.. Album Cover 2.87 | 8 ratings
Concerto Suite for Electric Guitar and Orchestra in E Flat Minor: Op. 1
Traditional heavy metal 1998
.. Album Cover 2.23 | 5 ratings
Alchemy
Traditional heavy metal 1999
.. Album Cover 2.39 | 5 ratings
War to End All Wars
Traditional heavy metal 2000
.. Album Cover 3.07 | 6 ratings
Attack!!
Traditional heavy metal 2002
.. Album Cover 2.56 | 6 ratings
Perpetual Flame
Traditional heavy metal 2008
.. Album Cover 2.05 | 3 ratings
Angels of Love
Metal Related 2009
.. Album Cover 2.02 | 2 ratings
Relentless
Traditional heavy metal 2010
.. Album Cover 2.30 | 4 ratings
Spellbound
Traditional heavy metal 2012

YNGWIE J. MALMSTEEN EPs & splits

.. Album Cover 2.00 | 1 ratings
Heaven Tonight
Traditional heavy metal 1988
.. Album Cover 2.00 | 1 ratings
I Can't Wait
Traditional heavy metal 1994
.. Album Cover 2.00 | 1 ratings
Power and Glory
Traditional heavy metal 1994

YNGWIE J. MALMSTEEN live albums

.. Album Cover 2.81 | 7 ratings
Trial by Fire: Live in Leningrad
Traditional heavy metal 1989
.. Album Cover 2.55 | 2 ratings
Live!!
Traditional heavy metal 1998
.. Album Cover 2.50 | 1 ratings
Double Live!!
Traditional heavy metal 1998
.. Album Cover 2.55 | 2 ratings
Concerto Suite For Electric Guitar And Orchestra In E Flat Minor Live With The New Japan Philharmonic
Traditional heavy metal 2002

YNGWIE J. MALMSTEEN demos, promos, fans club and other releases (no bootlegs)

.. Album Cover 2.50 | 1 ratings
Powerhouse
Traditional heavy metal 1978
.. Album Cover 0.00 | 0 ratings
Making Love
Traditional heavy metal 1990
.. Album Cover 0.00 | 0 ratings
Dragonfly
Traditional heavy metal 1992
.. Album Cover 0.00 | 0 ratings
Teaser
Traditional heavy metal 1992
.. Album Cover 0.00 | 0 ratings
Carry on Wayward Son
Traditional heavy metal 1996

YNGWIE J. MALMSTEEN boxset & compilations

.. Album Cover 2.52 | 2 ratings
The Yngwie Malmsteen Collection
Traditional heavy metal 1992
.. Album Cover 0.00 | 0 ratings
The Best of 1990-1999
Traditional heavy metal 2000
.. Album Cover 0.00 | 0 ratings
Anthology 1994-1999
Traditional heavy metal 2001
.. Album Cover 0.00 | 0 ratings
Yngwie Malmsteen Archives
Traditional heavy metal 2001
.. Album Cover 0.00 | 0 ratings
The Genesis
Traditional heavy metal 2003
.. Album Cover 0.00 | 0 ratings
Instrumental Best Album
Traditional heavy metal 2004
.. Album Cover 0.00 | 0 ratings
20th Century Masters: The Millennium Collection: The Best of Yngwie Malmsteen
Traditional heavy metal 2005
.. Album Cover 0.00 | 0 ratings
Complete Box Polydor Years
Traditional heavy metal 2006
.. Album Cover 0.00 | 0 ratings
Far Beyond the Rising Sun
Traditional heavy metal 2008
.. Album Cover 0.00 | 0 ratings
High Impact
Traditional heavy metal 2009

YNGWIE J. MALMSTEEN singles (3)

.. Album Cover
2.00 | 1 ratings
Rising Force Studio / Live '85
Traditional heavy metal 1985
.. Album Cover
2.00 | 1 ratings
I'm A Viking
Traditional heavy metal 1985
.. Album Cover
1.50 | 1 ratings
Heaven Tonight
Traditional heavy metal 1988

YNGWIE J. MALMSTEEN movies (DVD, Blu-Ray or VHS)

.. Album Cover
0.00 | 0 ratings
Rising Force - Live '85
Traditional heavy metal 1985
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Trial by Fire: Live in Leningrad
Traditional heavy metal 1989
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The Yngwie Malmsteen Collection
Traditional heavy metal 1992
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Leo Fender Benefit Live
Traditional heavy metal 1993
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Live at Budokan
Traditional heavy metal 1994
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Yngwie Malmsteen LIVE!!
Traditional heavy metal 1998
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Yngwie Malmsteen Video Clips
Traditional heavy metal 2000
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Concerto Suite Live with Japan Philharmonic
Traditional heavy metal 2001
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Far Beyond the Sun
Traditional heavy metal 2006
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Live Animal
Traditional heavy metal 2009
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Live in Korea
Traditional heavy metal 2009

YNGWIE J. MALMSTEEN Reviews

YNGWIE J. MALMSTEEN Spellbound

Album · 2012 · Traditional heavy metal
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Conor Fynes
'Spellbound' - Yngwie Malmsteen (5/10)

When I was 11 or 12, I came upon a copy of Yngwie Malmsteen's debut "Rising Force". I had never heard anything quite like it before, and within a month of being exposed to Malmsteen's music, I went out and got my first guitar. Although neoclassical shred metal is no longer a significant part of my musical vocabulary, it goes without saying that Malmsteen's music has had a huge influence on me, both as a musician and a listener. With that in mind, it's all the more of a disappointment to hear Malmsteen in such a stagnant place with his career. Although there was that concerto he did with a symphonic orchestra some years back, Yngwie has tended to stick close to his comfort zone when it's come to the release of new music. Perhaps even moreso than the rest of his new millennium material, 2012's "Spellbound" shows him reverting almost entirely to the largely instrumental sound he started with on "Rising Force". Although I would normally be thrilled to here more of the sort of music that first had me really appreciate the guitar as an instrument, it would be a fool's hope to think that, after years of relative mediocrity, he would achieve something anywhere as exciting. No; as could be expected, Malmsteen pulls out the same baroque stops that he's used to cruise on throughout his career. Add that to a less-than-impressive production standard, and you have an album that barely squeezes by on the merit of his legendary skill with guitar.

"Spellbound" kicks things off on its strongest note. The title track instantly plants Malmsteen in familiar territory; baroque shred patterns warm up the album as the rhythm section gradually swells. Before long, Malmsteen has made the dive into brushfire guitar soloing, eventually even tossing a recurring melodic idea the listener's way once he's had his fill of assaulting the fretboard. Particularly when it comes to his sweeps, it's instantly clear why Malmsteen has become such an icon in the shred metal world. His guitar tone is distinctive and rich, and there is an organic quality to the performance that is rarely heard in the next- gen shredders. In other words, there's no sense that the recording has been altered in any significant way to make Yngwie sound better than he actually is. Of course, especially at this point in his career, Yngwie's skill with guitar is not in question. Without a doubt, it's the best thing the album has going for it.

Although Yngwie has almost always flown under his own name, "Spellbound" has a certain honour of being a solo effort in the truest sense. On top of guitar, Yngwie performs everything here, including vocals on a few of the tracks. Normally, this would lead to complaints of the album in question being one-sided- of course, this was always the case for Malmsteen. Contrary to what I would have first thought, the backup arrangements are surprisingly well done. Although there's little complexity to anything outside of the guitars, the drums are effectively performed (or programmed?) and the subtle choral synths give an added classical atmosphere. Although his voice is nothing special, he has a decent mid range, well capable of holding a tune. Even more surprising however, is how weak the production itself has been left. Considering Malmsteen's resources and experience, the production feels decidedly hollow and plain. Barring the omnipresent shred, it's as if Malmsteen was on a strict budget here. Even the guitars fall victim to the subpar production; "Majestic 12 Suite" is filled with audible guitar buzz, the likes of which would be just as annoying in a high school garage jam. On a record from one of the greatest guitar legends though? It raises alot of questions.

Barring his baroque shredding, there's a handful of bluesier moments. However, regardless of style, all of "Spellbound" seems to suffer from the cardinal sin of much shred metal: it's a celebration of flash over substance. While "Rising Force" enjoyed excellent compositions that could have stayed afloat regardless of Yngwie's guitar wizardry, whatever writing that went on here is little more than a showcase for his shredding. Thankfully, that shredding is a great thing to behold. Fans of Malmsteen should check it out if they're in the mood for it, but it offers nothing that wasn't already done on the early albums in greater quality.

YNGWIE J. MALMSTEEN Inspiration

Album · 1996 · Traditional heavy metal
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AtomicCrimsonRush
“Inspiration” is definitely one of my favourite Yngwie Malmsteen albums featuring wonderful cover versions of classic rock and some incredible vocals and special guests. It begins with Kansas’ classic ‘Carry on Wayward Son’ with a heavy treatment of the killer riffs and terrific vocals by Jeff Scott Soto, an old fave singer of Malmsteen’s from the early years. ‘Pictures of Home’ is a metal verision of Deep Purple’s seminal rocker, with vocals by Joe Lynn Turner who also sings lead on ‘Demon’s Eye’, both excellent covers with inventive reimaginings of the lead breaks. Malmsteen is a shredding genius.

The amazing ‘Gates of Babylon’ is an outstanding cover here, with the majestic style captured and fret melting lead work. Hendrix is a major influence on Malmsteen who according to his website was born the day Jimi died. ‘Manic Depression’ is one of my favourite Hendrix tracks and it is a joy to hear Malmsteen launch into that riff and scorching fiery lead break. Mark Boals is the vocalist on this and sounds terrific.

In the Dead of Night’ is a slower song but memorable for its catchy chorus and keyboards of Johansson. Whitesnake’s power blues of ‘Mistreated’ follows and is absolutely brilliant, the riff, the lead break, and the vocals of Soto are outstanding making this a highlight. It is nice to hear Malmsteen’s Rush influences here too with a cover of their ‘Anthem’ sounding bright and heavy.

The piece de resistance of this album though is the astonishing cover of ‘Child in Time’ featuring Malmsteen smoking on the lead break. In fact this lead break is utterly ingenious, with super fast arpeggios, hammer ons, speed sweeps, piercing string bends, adagio and even the odd speeded up scale up and down the frets. I have heard this track the most of all on the album, and it is the best cover of the song without a shadow of a doubt. This is one to get hold of to check out Malmsteen at his most ferocious, he simply takes off into the stratosphere on the Fender strat. When the lead break finishes shredding fiercely there is a stunned silence for a few seconds, before the quiet organ returns, and I always draw out a breath of amazement here every time. It is simply breath taking guitar. The song has some wonderful keyboards too from Johansson and Turner’s vocals are top notch.

“Inspiration” is a sensational cover album and showcases Malmsteen at his absolute best. It is great too as an introduction to the many bands being covered, many of which I had not heard a lot from when I first got hold of this album. I think Malmsteen has paid generous respect to songs and artists that have inspired him over the years, and he poured out all his energy and adoration towards these artists onto this album to create something very special.

YNGWIE J. MALMSTEEN Fire and Ice

Album · 1992 · Traditional heavy metal
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AtomicCrimsonRush
Yngwie J. Malmsteen is of course a legendary guitarist along with Joe satriani and Steve vai that were all the rage in the 90s. I remember this album well back in the 90s as everyone was getting hold of it and I had it on cassette back then. It is a pleasure to finally get the CD but it is not hard to find in bargain bins so it appears many decided to ditch it. Understandably this is very dated and sounds like the 90s neo-classical period.

There are very poppy moments such as 'Teaser' and overall the Whitesnake style power metal, merged with melodic soft rock. I was into it at the time but have since grown completely out of the style. It is not complex music, apart from the lead breaks by maestro Malmsteen. The prog on this is rather hard to find, though occasionally there are interesting orcestrations such as the intro to 'How Many Miles to Babylon'. This is a definitive highlight of the album. The flute and violin with acoustics is quite enchanting. The problem I always had with Malmsteen's albums is the choice of vocalist. On this occasion Goran Edman is actually quite good, adequate at the least but he is always staying on that typical metal note. He can reach a high falsetto and sounds great on the heavier songs.

The best moments for me are the instrumentals such as 'Perpetual', a standout fast lead solo, 'Leviathan', an atmospheric piece with fret melting lead work, and 'Golden Dawn', an acoustically driven piece. Of all these I prefer 'Leviathan' especially the screaming lead break with the odd time sig and constantly shifting tempo. I remember seeing this on video and being amazed at Malmsteen's ferocity on the Fender. It kind of annoys me how the songs fade as Malmsteen continue to shred, it would be better to finish on a huge power chord.

Malmsteen is a genius guitarist and he shreds brilliantly. The lead breaks are incredible, creative and virtuoso as one might expect having a band named after you. He looks great on stage too, and I always enjoyed when tracks from "Fire and Ice" appeared on concert performances. The liner notes of the CD includes that the album was "dedicated in loving memory to Bjorn Malmsteen" which is a nice touch. A clue to his influences are in the personal thanks as Malmsteen mentions the likes of Erika Malmsteen, J.S.Bach, Antonio Vivaldi, Ludwig Van Beethoven, Jimi Hendrix, H.P.Lovecraft, Enzo Ferrari, Leo Fender, Dinsdale, and Monty Python's Flying Circus. An interesting line up there showing where the music stems from. Indeed the classical influences are prevalent among others. Listen to the intro of 'C'est La Vie' with Malmsteen on sitar for an example of Indian Raga.

There are fast metal moments such as 'No Mercy' with a traditional shredding rhythm, and then an orchestra plays Vivaldi or Bach-ian music for a while till Malmsteen performs a blistering lead break. He loves those high string bends and speed picking sweeps as well as massive hammer ons and arpeggios. The album songs are forgettable, indeed I had to listen to the whole thing to remember a single melody, but at the time of listening it is enjoyable. 'Fire and Ice' is a rather pedestrian hard rock song sounding more like glam. At 2 ½ minutes in though we are treated to a brilliant lead break with ferocious arpeggios and classical inlfuences. It leads to a wah-wah sound for a change and it fades out again.

There is huge diversity on the album such as the speed power metal of 'Forever Is A Long Time' which includes symphonic keyboards by Mats Olausson. Edman sounds great here and the violin section is appropriate to usher is another super fast killer lead solo. He trades of with some equally fast keys too and this is fantastic. Malmsteen loves his ballads and here is no exception with 'I'm My Own Enemy' giving Göran Edman a chance to shine though it lasts for 6 minutes and is hard to sit through. This is perhaps one of those lighters in the air concert moments and Malmsteen can relax on 12 string. The string section is a nice embellishment though. 'All I Want Is Everything' follows, and it is okay but the album is tending to drag a bit at this stage and needs a real kick in the guts to bring it up to standard. After the beauty of the acoustic section it ends with 'Final Curtain'. There is a cool riff to begin and thunder rolls across the heavenly striking violins. The pace is slow but the music is intriguing. The obligatory lead break hammers in once more and she is all over with a thunder clap.

This is a long slog to get through the whole album, especially as it sounds so commercial. It was the album that a lot of my friends had in the 90s and I ended up with it but I rarely played it due to the lack of interest in the neo classical feel, but it is a bit more enjoyable these days with the prog references. Though I admit I won't be returning to this often as there is so much better out there, that leaves this outdated music for dead.

YNGWIE J. MALMSTEEN The Seventh Sign

Album · 1994 · Traditional heavy metal
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UMUR
"The Seventh Sign" is the 7th full-length studio album by Swedish heavy metal/power metal artist Yngwie J. Malmsteen. The album was released through Pony Canyon in May 1994. After releasing what is arguably one of his weakest albums in "Fire and Ice (1992)", Yngwie was in a situation where he had to prove himself again and he certainly delivers a bounce back album with "The Seventh Sign".

...not all is perfect on "The Seventh Sign", but the album features some of Yngwie J. Malmsteen´s most kickass material in the opening power metal "fist in your face" type track "Never Die", the beautiful neo-classical (with a slight springle of the blues) instrumental "Brothers" and the epic power metal title track. The bluesy, hard rocking and funky "I Don´t Know", which reminds me quite a lot of Extreme (the band), is also a nice surprise. The album ends on a high note with the brick heavy "Pyramid of Cheops", the neo-classical themed power metal track "Crash and Burn" and the short and beautiful instrumental "Sorrow". The rest of the material is a bit up and down in quality (with the lowpoint being the saccarine power ballad "Prisoner of Your Love") but the brilliant musicianship, strong vocals by Michael Vescera and a powerful, clean sound production make "The Seventh Sign" an overall very enjoyable listening experience. Even the least memorable or least interesting tracks feature guitar licks and amazing solo work by Yngwie that save the day.

Everyone knows that Yngwie is one of the fastest guitar players, or maybe even THE fastest guitar player, in the world, but not all mention how much feeling he actually puts into the notes he plays. As a child, before venturing into the world of neo-classical heavy metal/power metal, Yngwie played the blues, and it´s audible. His love for Paganini is also very obvious with the high pitched notes that follow fast shredding runs and the combination of his different influences works like a charm when he plays solos (listening to the solo in "Never Die" is a jaw-dropping experience every time). It´s too bad that the core of his music sometimes comes off as a generic Rainbow/Deep Purple clone, but no one should take away from him how talented he is when playing a guitar.

It´s not all Yngwie J. Malmsteen´s albums that I would call worthy purchases but "The Seventh Sign" is definitely one of his better albums and certainly worth a purchase. A 3.5 star (70%) rating is warranted.

YNGWIE J. MALMSTEEN Trial by Fire: Live in Leningrad

Live album · 1989 · Traditional heavy metal
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ydewata
As a fan of the Odyssey record, it is a no brainer that I am also a fan of this live disc from Yngwie and co. Some said the tension in the band was at the peak during this tour, but profesional wise it did not show here. Yngwie blasted through his Fender Stratocaster as usual. Singer Joey Lynn Turnes --even though at times his voice was stretched-- gave his touches here and there. The instrumentals might be the highlight, but tracks like "Heaven Tonight" or "Dreaming" did steal the show from the chubby guitarist. And also you could tell Mr. JLT was not really comfortable doing non Odyssey songs. A recommended release for any Yngwie fans. Or like me, get this if you love Odyssey!

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