ACCEPT
Traditional heavy metal • Germany

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Accept is a German heavy metal band from the town of Solingen, originally assembled in the early 1970s by Udo Dirkschneider. They played an important role in the development of speed metal and Teutonic thrash metal, being part of the German heavy/speed/power metal scene to emerge in the early to mid 1980s along with bands such as Helloween, Running Wild, Grave Digger, Sinner, and Rage. The band's 1983 album, Balls to the Wall, subsequently became their most successful release, featuring its well-known hit with the same title.

Early years (1976-1982)

Accept was originally founded in 1968 by Udo Dirkschneider and Michael Wagener under the name Band X. For many years after its founding, Accept went through constant changes to its line-up and was essentially kept on an amateur level, making sporadic appearances in festival concerts. Their professional career began in 1976, when they were invited to play at one of
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Balls to the WallBalls to the Wall
Remastered · Extra tracks
Portrait/Epic/Legacy 2001
Audio CD$4.04
$3.59 (used)
Restless & WildRestless & Wild
SBME SPECIAL MKTS. 1995
Audio CD$3.11
$1.87 (used)
BreakerBreaker
Remastered
Steamhammer Us 2005
Audio CD$6.98
$6.49 (used)
Blood of the NationsBlood of the Nations
Nuclear Blast 2010
Audio CD$6.67
$6.99 (used)
Metal HeartMetal Heart
SBME SPECIAL MKTS. 1985
Audio CD$3.13
$2.82 (used)
Staying A LifeStaying A Life
Import
Bmg Int'l 1997
Audio CD$8.70
$7.45 (used)
Live In JapanLive In Japan
Import
Ariola
Audio CD$15.99
$15.98 (used)
Death RowDeath Row
Import
Music on CD 2013
Audio CD$9.61
$8.00 (used)
Playlist: The Very Best of AcceptPlaylist: The Very Best of Accept
Remastered
Sony Legacy 2013
Audio CD$6.48
$7.30 (used)
All Areas Worldwide LiveAll Areas Worldwide Live
Import
Drakkar 2007
Audio CD$119.98
$23.60 (used)
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ACCEPT Discography

ACCEPT albums / top albums

.. Album Cover 3.81 | 17 ratings
Accept
Traditional heavy metal 1979
.. Album Cover 3.18 | 15 ratings
I'm a Rebel
Traditional heavy metal 1980
.. Album Cover 3.63 | 21 ratings
Breaker
Traditional heavy metal 1981
.. Album Cover 3.96 | 26 ratings
Restless and Wild
Traditional heavy metal 1982
.. Album Cover 3.99 | 31 ratings
Balls to the Wall
Traditional heavy metal 1983
.. Album Cover 3.73 | 24 ratings
Metal Heart
Traditional heavy metal 1985
.. Album Cover 3.91 | 23 ratings
Russian Roulette
Traditional heavy metal 1986
.. Album Cover 2.91 | 10 ratings
Eat the Heat
Traditional heavy metal 1989
.. Album Cover 3.72 | 9 ratings
Objection Overruled
Traditional heavy metal 1993
.. Album Cover 3.15 | 7 ratings
Death Row
Traditional heavy metal 1994
.. Album Cover 3.71 | 7 ratings
Predator
Traditional heavy metal 1996
.. Album Cover 4.22 | 18 ratings
Blood of the Nations
Traditional heavy metal 2010
.. Album Cover 4.14 | 14 ratings
Stalingrad
Traditional heavy metal 2012

ACCEPT EPs & splits

.. Album Cover 0.00 | 0 ratings
Rich And Famous
Traditional heavy metal 2002
.. Album Cover 5.00 | 1 ratings
The Abyss
Traditional heavy metal 2010

ACCEPT live albums

.. Album Cover 3.50 | 2 ratings
Kaizoku-ban: Live in Japan
Traditional heavy metal 1985
.. Album Cover 4.50 | 5 ratings
Staying a Life
Traditional heavy metal 1990
.. Album Cover 0.00 | 0 ratings
All Areas - Worldwide
Traditional heavy metal 1997
.. Album Cover 0.00 | 0 ratings
The Final Chapter
Traditional heavy metal 1998

ACCEPT demos, promos, fans club and other releases (no bootlegs)

ACCEPT boxset & compilations

.. Album Cover 0.00 | 0 ratings
Best of Accept
Traditional heavy metal 1983
.. Album Cover 0.00 | 0 ratings
Metal Masters
Traditional heavy metal 1984
.. Album Cover 0.00 | 0 ratings
Restless & Wild / Balls to the Wall
Traditional heavy metal 1986
.. Album Cover 2.00 | 1 ratings
Hungry Years
Traditional heavy metal 1987
.. Album Cover 4.00 | 1 ratings
The Collection
Traditional heavy metal 1991
.. Album Cover 0.00 | 0 ratings
Restless the Best
Traditional heavy metal 1994
.. Album Cover 0.00 | 0 ratings
No Substitutes
Traditional heavy metal 1995
.. Album Cover 0.00 | 0 ratings
Steel Glove
Traditional heavy metal 1995
.. Album Cover 0.00 | 0 ratings
Hot & Slow: Classics, Rocks 'n' Ballads
Traditional heavy metal 2000
.. Album Cover 0.00 | 0 ratings
Metal Blast From the Past
Traditional heavy metal 2002
.. Album Cover 0.00 | 0 ratings
Sharkbite: The Best of Accept
Traditional heavy metal 2005
.. Album Cover 0.00 | 0 ratings
Best Ballads
Traditional heavy metal 2005

ACCEPT singles (1)

.. Album Cover
0.00 | 0 ratings
I Don't Wanna Be Like You
Traditional heavy metal 1992

ACCEPT movies (DVD, Blu-Ray or VHS)

ACCEPT Reviews

ACCEPT Stalingrad

Album · 2012 · Traditional heavy metal
Cover art Buy this album from MMA partners
Warthur
Accept's Stalingrad: Brothers In Death is a storming traditional heavy metal album which offers few surprises but a decidedly acceptable level of consistency. Aside from the themes lifted from the Soviet national anthem slipped into the title track, there's few radical departures or experiments on Accept's part, but if you are in the market for business as usual, hard-edged 80s metal style with some NWOBHMish traits, that's precisely what you will find here, though if you are averse to cheesiness in your metal you may find it patchy. I'm in two minds about the title track myself: the lyrics evoke the bitter struggle that characterised the actual siege, the music makes me think of Manowar striding through the shelled-out streets of Stalingrad in their loincloths.

ACCEPT Stalingrad

Album · 2012 · Traditional heavy metal
Cover art Buy this album from MMA partners
UMUR
"Stalingrad" is the 13th full-length studio album by German heavy metal act Accept. The album was released through Nuclear Blast Records in April 2012. It´s the second album release after their 2009 reunion and also the second album with new lead vocalist Mark Tornillo. The band have again chosen Andy Sneap to produce the album, which was also the case with "Blood of the Nations (2010)". He has not surprisingly created a dark, heavy yet clean sound production that brings out the best in the music. "Stalingrad" is through and through a really well produced album.

"Stalingrad" features some lyrical themes evolving around World War II, but it´s not as such a concept album. The music is traditional heavy metal done the Accept way. Pounding and raw rythms, heavy and catchy riffing, blistering solos and Mark Tornillo´s raw rusty voice in front. He really has an impressive voice and vocal range. His singing style is more varied and less hard on the ears than Udo´s singing style. While the music is very traditional I´d still like to mention how sophisticated it actually is. The tracks never get dull or sound uninspired, because Accept are able to put in songwriting details, solos and vocal acrobatics (those high pitched screams are just amazing), that keep the music exciting all the way through the 51:34 minutes long album.

Tracks like "Hung, Drawn and Quartered", "Flash to Bang Time" and "Against the World" are killer material, but that can actually be said about the full album, so I guess it´s slightly unfair to the rest of the tracks to mention highlights.

"Blood of the Nations (2010)" was a great album and proof that Accept were back in business with a vengeance, but "Stalingrad" is to my ears an even stronger album. The musicianship are on a very high level, the songwriting is inspired and the sound production powerful, dark and heavy, so "Stalingrad" is through and through a strong album release by Accept, fully deserving a 4 - 4.5 star (85%) rating.

ACCEPT Stalingrad

Album · 2012 · Traditional heavy metal
Cover art Buy this album from MMA partners
adg211288
Stalingrad (subtitled Brothers in Death) is the thirteenth studio album by German heavy metal band Accept. It is the second album since their 2010 comeback with Blood of the Nations, which was the group’s first studio album since 1996’s Predator. Having spent so long on hiatus and returning without vocalist Udo Dirkschneider in the line-up I think Accept generally exceeded any and all expectations in 2010 and 2012 sees them still running on a high with Stalingrad.

Stalingrad is pretty much the logical continuation of Blood of the Nations. The former album was about as strong a dose of traditional heavy metal that you were like to find, and Accept don’t appear to have lost any steam between the two albums. If you were to ask me to choose between them, I would say Blood of the Nations is the better album of this new era of Accept, but that view may be slightly coloured by the fact that Blood of the Nations had that comeback wow factor to it, not to mention the totally killer track Teutonic Terror.

Of course, Stalingrad brings with it many highlights of its own. Hung, Drawn and Quartered kick starts the album, and you really need nothing else to let you know that Blood of the Nations was no fluke, and that bands can return after so many years without their long time frontman, and still deliver the goods. Further tracks such as Against The World and the title track only serve to showcase this even more. This is classic heavy metal done by one of the true masters of the genre. Great riffs, extensive soloing, powerful vocals, is there really anything not to love about Accept? A great album tier rating is easily deserved.

8.2/10

(Originally written for Heavy Metal Haven (http://metaltube.freeforums.org))

ACCEPT Blood of the Nations

Album · 2010 · Traditional heavy metal
Cover art Buy this album from MMA partners
Kingcrimsonprog
Blood Of The Nations is the twelfth studio album by the legendary German Metal band Accept, and their first since reforming and hiring Mark Tornillo, formerly of TT Quick, on lead vocals.

Despite it being the band’s twelfth record, it has all the energy and power of a brand new band’s debut and would serve as a fine introduction to the legendary band for any new fan and could either inspire you to check out the back catalogue, or along with its follow-up record ‘Stalingrad,’ serve as half of an absolutely perfect discography from the theoretical new band. Additionally, for existing fans it has proven to be a damned fine comeback album, getting a lot of rave reviews and positive fan reaction.

Stylistically speaking there really isn’t any better way to describe the material other than as true Heavy Metal, plain and simple. Even if it does risk making you sound a bit like a music snob. Its that part of the Metal spectrum that forms the basis for the early types of Power, Thrash and Progressive Metal without actually leaning especially heavily into the defining characteristics that separate each subgenre from plain old Metal itself, although at the same time occasionally its more powerful, thrashier and even a little proggier than some of the early albums in each of those respective genres before they found their niche.

Regardless of the style however, it is just a remarkably well written and enjoyable Metal album that has a satisfying production job, courtesy of Andy Sneap, as well as a lot of virtuosic displays of musicianship and great vocals all around that can recall Lemmy at one moment, Halford at another and then former Accept singer Udo the next moment.

Crunchy riffs, impressive solos and memorable vocal patterns are what this album is all about, and it delivers them in enough permutations of speed, softness, fun and seriousness to both keep the listener engaged and leave them satisfied at the album’s conclusion. It has a both a fairly instant appeal as well as definitely being a ‘grower’ of a record that rewards repeat listening relatively well, and I highly recommend checking it out.

ACCEPT Stalingrad

Album · 2012 · Traditional heavy metal
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Kingcrimsonprog
Stalingrad is the thirteenth full-length studio album by the German Metal band Accept, and their second since reuniting and working with new frontman Mark Tornillo (of T.T. Quick fame) following up on the critically acclaimed comeback album Blood Of Nations from 2010.

The quality of the songwriting is excellent and the band make a superb job of mixing ballsy up-tempo tracks of purely driving classic Heavy Metal and longer dynamic tracks that shift tempos and explore clean and acoustic territory as well. There is enough variety so it isn’t all just the same, but enough consistency that you’re getting a pure and succinct experience.

Like Blood Of Nations before it, Stalingrad takes the classic Accept sound and modernizes it slightly. Don’t misunderstand, it isn’t overly contrived to be youthful, but it is energetic and vital with any cheesiness removed. The record touches on a few metal styles, with hints of Thrash, Speed and Power Metal all creeping in in small doses alongside the classic Teutonic Metal style off the early Accept albums.

Basically; imagine all the best elements of bands like Judas Priest, Iron Maiden, Motorhead, Megadeth, Overkill, and others condensed down into one album of tasteful guitar melodies and soaring leads, gang-backing-vocals and hard crunchy riffs. Mark’s gravely low voice and occasional high notes come across as a brilliant mid-way point between Lemmy influenced singers and Halford influenced singers and suit the music remarkably well.

The production, from Andy Sneap is also utterly perfect for the album and makes the music sound both powerful and clear, with crunchy feeling on the palm muted riffs and a clean sound on the leads. It isn’t as dynamic as a 70s or 80s production job but it is a fantastic example of what a modern job can sound like when done right.

Overall, if you like Accept and especially their new line-up then this is a must-have record; if you like traditional heavy metal then this is really worth exploring and finally if you like any other metal in general then you should consider giving this record a chance. Its solid, its meaty, it’s the perfect mixture of very Hard Rock and straight-up Metal and I highly recommend it.

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