ACCEPT

Heavy Metal • Germany
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Accept is a German heavy metal band from the town of Solingen, originally assembled in the early 1970s by Udo Dirkschneider. They played an important role in the development of speed metal and Teutonic thrash metal, being part of the German heavy/speed/power metal scene to emerge in the early to mid 1980s along with bands such as Helloween, Running Wild, Grave Digger, Sinner, and Rage. The band's 1983 album, Balls to the Wall, subsequently became their most successful release, featuring its well-known hit with the same title.

Early years (1976-1982)

Accept was originally founded in 1968 by Udo Dirkschneider and Michael Wagener under the name Band X. For many years after its founding, Accept went through constant changes to its line-up and was essentially kept on an amateur level, making sporadic appearances in festival concerts. Their professional career began in 1976, when they were invited to play at one of
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Restless And WildRestless And Wild
Legacy 2008
$3.74
$4.77 (used)
Balls to the WallBalls to the Wall
Remastered · Extra tracks
Portrait/Epic/Legacy 2001
$4.31
$6.38 (used)
The Rise of ChaosThe Rise of Chaos
Nuclear Blast America 2017
$7.21
$1.89 (used)
Metal HeartMetal Heart
Legacy 2008
$3.41
$4.20 (used)
Blood Of The NationsBlood Of The Nations
Nuclear Blast 2012
$4.84
$3.17 (used)
Blinde RageBlinde Rage
Nuclear Blast America 2014
$10.99
$16.62 (used)
Death RowDeath Row
Music on CD 2013
$8.18
$8.44 (used)
Stalingrad (Brothers In Death)Stalingrad (Brothers In Death)
Nuclear Blast America 2012
$4.66
$2.70 (used)
PredatorPredator
Music on CD 2018
$8.19
$8.18 (used)
AcceptAccept
Icar 2008
$20.99
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2h 5m
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ACCEPT Discography

ACCEPT albums / top albums

ACCEPT Accept album cover 3.12 | 27 ratings
Accept
Heavy Metal 1979
ACCEPT I'm a Rebel album cover 3.32 | 22 ratings
I'm a Rebel
Heavy Metal 1980
ACCEPT Breaker album cover 4.33 | 32 ratings
Breaker
Heavy Metal 1981
ACCEPT Restless and Wild album cover 4.25 | 42 ratings
Restless and Wild
Heavy Metal 1982
ACCEPT Balls to the Wall album cover 4.29 | 45 ratings
Balls to the Wall
Heavy Metal 1983
ACCEPT Metal Heart album cover 4.34 | 43 ratings
Metal Heart
Heavy Metal 1985
ACCEPT Russian Roulette album cover 3.90 | 36 ratings
Russian Roulette
Heavy Metal 1986
ACCEPT Eat the Heat album cover 2.82 | 16 ratings
Eat the Heat
Heavy Metal 1989
ACCEPT Objection Overruled album cover 3.76 | 15 ratings
Objection Overruled
Heavy Metal 1993
ACCEPT Death Row album cover 3.06 | 13 ratings
Death Row
Heavy Metal 1994
ACCEPT Predator album cover 3.50 | 12 ratings
Predator
Heavy Metal 1996
ACCEPT Blood of the Nations album cover 3.84 | 27 ratings
Blood of the Nations
Heavy Metal 2010
ACCEPT Stalingrad album cover 3.93 | 23 ratings
Stalingrad
Heavy Metal 2012
ACCEPT Blind Rage album cover 4.33 | 16 ratings
Blind Rage
Heavy Metal 2014
ACCEPT The Rise of Chaos album cover 3.53 | 7 ratings
The Rise of Chaos
Heavy Metal 2017

ACCEPT EPs & splits

ACCEPT Rich And Famous album cover 0.00 | 0 ratings
Rich And Famous
Heavy Metal 2002
ACCEPT The Abyss album cover 5.00 | 1 ratings
The Abyss
Heavy Metal 2010

ACCEPT live albums

ACCEPT Kaizoku-ban: Live in Japan album cover 3.50 | 3 ratings
Kaizoku-ban: Live in Japan
Heavy Metal 1985
ACCEPT Staying a Life album cover 4.56 | 8 ratings
Staying a Life
Heavy Metal 1990
ACCEPT All Areas - Worldwide album cover 0.00 | 0 ratings
All Areas - Worldwide
Heavy Metal 1997
ACCEPT The Final Chapter album cover 3.50 | 1 ratings
The Final Chapter
Heavy Metal 1998
ACCEPT Restless and Live (Blind Rage - Live in Europe 2015) album cover 0.00 | 0 ratings
Restless and Live (Blind Rage - Live in Europe 2015)
Heavy Metal 2017

ACCEPT demos, promos, fans club and other releases (no bootlegs)

ACCEPT re-issues & compilations

ACCEPT Best of Accept album cover 0.00 | 0 ratings
Best of Accept
Heavy Metal 1983
ACCEPT Metal Masters album cover 0.00 | 0 ratings
Metal Masters
Heavy Metal 1984
ACCEPT Restless & Wild / Balls to the Wall album cover 0.00 | 0 ratings
Restless & Wild / Balls to the Wall
Heavy Metal 1986
ACCEPT Hungry Years album cover 2.00 | 1 ratings
Hungry Years
Heavy Metal 1987
ACCEPT The Collection album cover 4.00 | 1 ratings
The Collection
Heavy Metal 1991
ACCEPT Restless the Best album cover 0.00 | 0 ratings
Restless the Best
Heavy Metal 1994
ACCEPT No Substitutes album cover 4.25 | 2 ratings
No Substitutes
Heavy Metal 1995
ACCEPT Steel Glove album cover 0.00 | 0 ratings
Steel Glove
Heavy Metal 1995
ACCEPT Hot & Slow: Classics, Rocks 'n' Ballads album cover 0.00 | 0 ratings
Hot & Slow: Classics, Rocks 'n' Ballads
Heavy Metal 2000
ACCEPT Metal Blast From the Past album cover 0.00 | 0 ratings
Metal Blast From the Past
Heavy Metal 2002
ACCEPT Sharkbite: The Best of Accept album cover 0.00 | 0 ratings
Sharkbite: The Best of Accept
Heavy Metal 2005
ACCEPT Best Ballads album cover 0.00 | 0 ratings
Best Ballads
Heavy Metal 2005

ACCEPT singles (1)

.. Album Cover
0.00 | 0 ratings
I Don't Wanna Be Like You
Heavy Metal 1992

ACCEPT movies (DVD, Blu-Ray or VHS)

.. Album Cover
3.71 | 3 ratings
Restless & Live
Heavy Metal 2017

ACCEPT Reviews

ACCEPT Breaker

Album · 1981 · Heavy Metal
Cover art Buy this album from MMA partners
Unitron
"You are down and out, when you're just being your self. We ain't down and out, MAN TAKE A LOOK AT YOURSELF!"

Like Rush did with the legendary 2112 back in 1976, Accept gave the ultimate middle finger to the record companies and producers that were pushing the band to be commercial and have hit singles. Vocalist Udo has said that the previous album I'm a Rebel was uninspired and had too many people trying to manipulate and influence the band. Biggest claim to infamy is the title track of that album which was written by Alex Young, eldest brother of Angus and Malcolm Young of AC/DC, therefore sounding like a reject AC/DC song.

After the failure of I'm a Rebel, the band said 'fuck it' and did what they wanted to do without any outside influence. They couldn't have made a better choice, as Breaker is the album where they immediately found their sound and cemented Accept as among the metal gods. Udo himself believes Breaker to be among Accept's best albums, and I completely agree with him.

There's a perfect blend of speed metal fury, hard rock swagger, metal ballad beauty, and neo-classical soloing throughout the album. Many credit "Fast as a Shark" from the next album as being the first speed metal song, but I believe this album's title track is actually Accept's first creation of that extra fast heavy metal. This and "Starlight" are fast and furious, with blistering leads that will have you air guitaring before you can sing 'He's a breaker'. Jörg Fischer's melodies and Wolf Hoffmann's solos and leads are absolutely amazing, and with the exception of Scorpions' "Sails of Charon" from '77, this was the first real taste of neoclassical metal before Yngwie Malmsteen. Just take a listen to that short but sweet minstrel sounding part in the middle of "Son of a Bitch", which is hilariously placed right before Udo screams 'COCK SUCKING MOTHERFUCKER I WAS RIGHT'

Bassist Peter Baltes does not get the appreciation he deserves, as his thick and chunky basslines really gives Breaker a heavy as hell bottom end. "Feelings" is where I think it stands out the most, and that's what I call groove. It really gives the song a mean swagger, and gives "Son of a Bitch" that extra thumping stomp. He can sing too, as he takes over the mic on the ballad "Breaking Up Again". Stefan Kaufmann's thunderous drum performance coupled with Baltes' thumping bass gives the band a fantastic rhythm section. Kaufmann really shines on the explosive "Down and Out".

Something I love about Accept is how beautiful they sound even when playing borderline speed metal, the title track and "Run if You Can" are perfect examples of such. This brings me to the voice of Accept, and one of the greatest and most unique vocalists in all of metal. Udo Dirkschneider is up there with Rob Halford and Chris Cornell, as one of the vocalists that can be screaming their heads off and create absolute tear-jerking beauty while doing such. The power ballad "Can't Stand the Night" as well as the aforementioned tracks in the paragraph, show Udo at among his finest moments. Of course, he can also be screaming his head off and just be completely pissed off and out for blood. Nothing is a better showcase than the anti-record label anthem of "Son of a Bitch".

Apart from being an absolute masterpiece and the first of many from Accept in the 80's, Breaker also stands with 2112 as an example of a band becoming bigger and better after a record label tries to meddle, proving that staying true to yourselves and your fans is the best way to go. I think the anger that the artists get just gives the performances that much more energy. It's what gives that extra edge for us to scream along as Geddy Lee shrieks about being a priest at the Temples of Syrinx and as Udo screams expletive after expletive at the labels and tells them to kiss his ass. All the beauty of heavy metal is right here. If you've missed out on Breaker, do yourself a favor and listen to an 80's classic.

https://thewickednest.blogspot.com/2018/04/accept-breaker-review.html

ACCEPT The Rise of Chaos

Album · 2017 · Heavy Metal
Cover art Buy this album from MMA partners
Kingcrimsonprog
2017 saw the legendary German Heavy Metal band Accept releasing their fifteenth studio album. It is their fourth album with former TT-Quick vocalist Mark Tornillo handling the vocals and as with all the albums of this era it features the slick polished production style of Andy Sneap and has been released on Nuclear Blast records.

It is noteworthy in that it has a significant line-up change following the departure of Herman Frank and Stefan Scharzmann, who had both been consistently in the band since 2005. They’ve been replaced by former Grave Digger/Rebellion guitarist Uwe Lulis, and War Within’s Christopher Williams joining in to the anchoring presence of Baltes and Hoffmann.

The music on the album is very much of the same formula that the band found renewed success with on their excellent previous three albums. With the same vocal styles and production job as the last three albums and roughly the same musical direction there are a lot of similarities with those previous three records and so, if you like those and want more of the same then this is a highly recommended album.

If you want some diversity, new ideas, or progression then this album isn’t for you. If you didn’t like the previous ones due to the production or vocals, this isn’t for you. Luckily for me, I am an absolute blind fanboy to the Tornillo era of Accept, and simply can’t get enough. I really enjoyed the recent Restless & Live concert release from this current line-up too.

One thing I would mention is that it is slightly safer and less energetic in terms of performance. I wouldn’t use the phrase ‘firing-on-all-cylinders’ or ‘firecracker’ anymore, although the difference is so slight it will only come up if you are sat directly looking for criticism. This is seriously top quality stuff, don’t be fooled into thinking otherwise.

Album highlights include the firey opener ‘Die By The Sword,’ the nostalgia fueled ‘Analogue Man’ and the uplifting ‘Weight Of The World. ‘ To be fair its all solid, with absolutely no filler.

Overall; The Rise Of Chaos is more of the same from Accept and a very good installment of that. Unless you don’t like them recently as it is, or are actively looking for faults this is a rock solid and very entertaining addition to their catalogue and you’d be mad to miss it.

ACCEPT The Rise of Chaos

Album · 2017 · Heavy Metal
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Kev Rowland


Accept’s last album, ‘Blind Rage’, reached #1 in Germany and Finland, as well as several top 10 positions; Czech Republic, Hungary, Sweden, Switzerland, the UK and last but not least, the US. For a band that released their debut back in the Seventies, and have been following a fairly uncompromising path ever since, that is quite an achievement. So why change something that obviously works? This is straight forward basic heavy metal that wouldn’t have sounded out of place on 1983’s ‘Balls To The Wall’, but they know what their audience wants. One thing I have always liked about Accept is that one knows exactly what the album is going to sound like when the CD gets into the player, and by using Andy Sneap as producer one is also guaranteed that the production quality is going to be of the very highest order.

If you like Accept then you’ll enjoy this, and if you haven’t come across them before as you have been residing down a hobbit hole, then basic HM doesn’t get any better than this. Good and solid without being essential.

ACCEPT Blood of the Nations

Album · 2010 · Heavy Metal
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Warthur
The big question hanging over this album was whether Accept could really be Accept without the legendary Udo Dirkschneider on lead vocals. The brief Eat the Heat era had, previously to this, been the band's only stint without Udo, and they brought him back into the fold after that. 14 years after their last studio album, and some 5 years after they'd reunited briefly with Udo to play some concerts, the question remained: could Accept turn out a good set of new songs, and could they find a vocalist capable of handling them once Udo ruled himself out?

Blood of the Nations answers an emphatic "yes" to both questions; whilst it isn't a groundbreaking classic on the level of their best 1980s output, I think it is certainly no embarrassment when set next to them, and new meat Marc Tornillo gives a deliciously strong and emphatic vocal performance. Musically speaking, the band resist any temptation to chase after current trends, simply going for giving a well-produced update of their classic general sound. The end result is, as far as comeback albums go, pretty decent, though I feel like it's a bit overlong and whilst it's a reasonable enough companion piece to classic-era Accept, it doesn't feel all that essential.

ACCEPT Russian Roulette

Album · 1986 · Heavy Metal
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Warthur
Accept could have kept Dieter Dierks on as producer and cranked out another album or seven rehashing Metal Heart over and over, but that didn't appeal to them and on Russian Roulette they went back to producing their own material.

Props to them to making a firm decision to make records the way they enjoyed and which was creatively satisfying to them, even though the alternative might have made them heaps of money, right? But there's a mild problem, in that they don't seem to have a firm idea on a new direction; at points they seem to be trying to go for the darker tone of something like Breaker, whilst at other stages they seem to be back to the anthemic tone of Balls to the Wall, but whilst Metal Heart sounded like a strong and forceful blending of the two styles here they just don't seem to have a firm idea of where they want to go.

Udo would drop out of the band to get U.D.O. going after this, and perhaps it was time; it's not that Russian Roulette is a bad album, but it isn't a great album either, and it feels like the Accept well was beginning to dry up here.

ACCEPT Movies Reviews

ACCEPT Restless & Live

Movie · 2017 · Heavy Metal
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Kingcrimsonprog
Restless & Live is a concert release from the veteran German Heavy Metal legends Accept. It was released on Nuclear Blast Records in 2017 on several formats; such as a CD set with tracks taken from different concerts across the touring cycle for Blind Rage (their third studio album since being reinvigorated by the joining of new singer Mark Tornillo). It was also released as a Blu Ray of a single entire performance at 2015’s Bang Your Head Festival. If you’ve got a bit more money to splash out you can get a set with the Blu Ray and CD versions, or if you prefer DVDs that’s also an option.

My personal preference for concert movies or albums is that they come from on single concert not a mix of shows, and if available preferably on Blu Ray, so for me this was the version I went for and am most happy with. (which this review will be focusing on).

In terms of specs: The Blu Ray version is in 1080p with PCM Stereo and DTS HD Master 5.1 options, Region:All. There aren’t any bonus features. There’s a booklet with some photos but no linear notes.

So the main reason you are buying this disc is for the concert; which is about an hour and forty-five minutes of blistering classic Heavy Metal. The 18-song tracklisting is pretty heavily focused on the three Tornillo-era albums, with a few of the classic ’80s crowdpleasing tunes added in as well. So if you’ve already got the DVD that came with Blind Rage its still worth checking this out for the different tracklisting and higher production values. (The CD version of Restless & Wild contains 27 songs and more of a mix of material).

The tracklisting is: 1. Stampede 2. Stalingrad 3. London Leatherboys 4. Restless & Wild 5. Dying Breed 6. Final Journey 7. Shadow Soldiers 8. Losers & Winners 9. 200 Years 10. Midnite Mover 11. No Shelter 12. Princess Of The Dawn 14. Pandemic 15. Fast As A Shark 16. Metal Heart 17. Teutonic Terror 18. Balls To The Wall

The performance is tight and professional but still has that ‘live’ feeling and energy, it isn’t all sterile but it isn’t loose and sloppy either, its just right. They all give it gusto and look pretty into it. There’s no complaints on vocals, musicianship or song selection for me. Wolf Hoffman’s guitar solos are as entertaining as you would expect and there’s a fun bass versus guitar trade off section at one point. The camera work, editing, sound and mix are all solid. Nothing jarring or out of place, no sync issues, all instruments audible and in correct balance. The songs sound clear and yet muscular.

Its a pretty simple and honest affair. There’s no gimmicks here; no big show with giant robot crabs on stage or band members catching fire or shooting lazers out of their eyes, and there’s no life changing documentary, no animations weaved into the concert or anything… but if you want to buy an Accept live concert and watch songs like ‘Fast As A Shark’ and ‘Balls To The Wall’ played well by the new line-up and competently captured and prepared for home viewing then it is an absolutely fine product and I highly recommend it to fans of the band, especially to fans of the newer three albums. For me, watching songs like ‘No Shelter,’ ‘Stalingrad’ and ‘Pandemic’ belted out enthusiastically are worth the money.

If you are new to the band, this is a very strong starting place, (if not entirely representative of the overall discography) and if you are a fan already its a worthy addition to your collection.

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