aglasshouse "...and it's actually pretty good."

This statement to end all statements was bestowed en masse upon the rock community a few days ago as infamous Canadian laughing stock Nickelback dropped their new single, 'Feed the Machine'. Debates raged, collateral damage ensued, "This is metal you dumbass!" and "This is still hard rock and it blows!" being the primary argument fodder to be launched like feces at the opposing side. This verbal warfare brings up once again the time-weathered fact of a sort of ingrained hate for Nickelback, even though they're not nearly the worst band in the rock circuit currently. Many studio albums and singles Nickelback have released in the past haven't managed to break this proverbial mold of dislike, that is until now.

I suppose after over two decades the hate has died down a bit, and it appears Nickelback have become a bit of new outfit as of late. Though they haven't necessarily ditched the pretty-boy grunge atmosphere completely, they have managed to win many over with their more serious and blatantly heavy output. This I mean in most recent terms possible, as in this only applies to this track. Nickelback's 2014 No Fixed Address flew practically unbeknownst past the ears of everyone, and that includes me. So, Nickelback gets another chance to please people, and they manage to do it to a much greater extent than before.

'Feed the Machine' is one of the heaviest songs songs Nickelback has recorded in previous era. You know the renewed debate on Nickelback's metal credibility I mentioned before? Yeah, all sparked by this song. The damn album hasn't even come out and controversy is everywhere. But this spark has a clear cause- 'Feed the Machine' takes the quasi-political alternative metal vibe up to 11 as the the thunderous riffs blow through the the massive sounding double kick to a savage degree. Chad Kroeger has gotten a lot of blow-back and ridicule over the years because of his "golf ball stuck in the throat" technique that inspired countless others, but I and hopefully others believe that it actually fits much better the heavier the band. His voice's melodious yet no-holds-barred style is very good for what the band is currently producing. The song isn't a cop-out either, with a 5-minute runtime packed with a lot of ferocious passion that some of the even most hardened of Nickelback cynics admit exists in much of their music.

There you have it. Check it out if you want. I don't know how to end this review. It's better than the last Machine Head single maybe? Yeah. That'll do.