Theli
THERION

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THERION - Theli cover
4.09 | 21 ratings | 2 reviews
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Album · 1996

Filed under Symphonic Metal

Tracklist

1. Preludium (1:43)
2. To Mega Therion (6:34)
3. Cults of the Shadow (5:14)
4. In the Desert of Set (5:29)
5. Interludium (1:47)
6. Nightside of Eden (7:31)
7. Opus Eclipse (3:41)
8. Invocation of Naamah (5:31)
9. The Siren of the Woods (9:55)
10. Grand Finale / Postludium (4:04)

Total Time: 51:34

Line-up/Musicians

- Christofer Johnsson / guitars, vocals, keyboards
- Piotr Wawrzeniuk / drums, vocals
- Lars Rosenberg / bass
- Jonas Mellberg / guitar, acoustic guitar, keyboards

Guest Musicians:
- Dan Swano / vocals
- Anja Krenz / soprano
- Axel Patz / bass baritone
- Jan Peter Genkel / grand piano, keyboards- Gottfried Koch / keyboards
North German Radio Choir:
- Raphaela Mayhaus / soprano
- Bettina Stumm / soprano
- Ursula Ritters / alto
- Ergin Onat / tenor
- Joachim Gebhardt / bass
- Klaus Bulow / bass

Siren Choir:
- Anja Krenz / soprano
- Constanze Arens / soprano
- Riekje Weber / alto
- Stephan Gade / tenor
- Axel Patz / bass baritone

The orchestra is The Barmbek Symphony Orchestra, samples and keyboards.

About this release

Released by Nuclear Blast

Thanks to The Block for the updates

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Specialists/Collaborators Reviews

bonnek
Before they started a blooming business in cloning themselves, Therion made quite an interesting appearance on the extensive 90's metal scene. With Theli, Therion reached the end of their progression from a Celtic Frost replica into a highly influential blend of Celtic Frost's pioneering theatrical tendencies with an equal amount of Metallica thrash metal and Sisters of Mercy gothic rock.

Therion will probably not charm you much if you expect great musicianship, both the riffing and the song writing is fairly straightforward. But it is applied to maximum effect: they don’t repeat too much here, change tempo and melodies frequently enough and had plenty of ideas to keep your attention to the proceedings. Both the inspiration and the passion for what they were doing ran high in those days. The element that could make them appealing to progressive rock audiences is the addition of Beethoven-era classical influences and symphonic choruses. Celtic Frost pioneered this in metal but Therion apply it very effectively.

As happened with every remarkable heavy metal album from the 90's, also this one sprouted a multitude of look-alikes that would ape the style and clutter the metal scene for years to come. Nightwish, Within Temptation, After Forever and Therion themselves would turn this exciting approach into a commercially successful but artistically deficient self-parody. Before it got so far, Therion made this essential piece of music.
The Block
To Mega Therion

I picked this one up at my local record store for $0.99 because I thought I recognized the name of the band. And, for $0.99 how could I go wrong? At first I was a little disappointed wit hit because I wasn’t big into symphonic metal. But after a few listens I grew to enjoy the album very much.

One of the best parts of this album are the vocalists. I like how Therion included the choirs since it adds a real nice tough to the tracks. The harmonies that the choirs offer are really cool, too. I prefer the choirs, actually, more than the voice of the main vocalist, Christofer Johnsson. Especially on the track “To Mega Therion” where Christofer Johnsson just fells like he’s straining to get the vocals out of his throat. But, on the other hand, the choirs always seem to fir in well with the band. Christofer Johnsson’s style also reminds me a little of modern Mastodon’s. Another thing that I didn’t know about when I bought this album was that Dan Swanö was featured on “Cults of the Shadow” and “Nightside of Eden”. Liking Swanö as much as I do, those two songs mad me enjoy this album even more.

“Cults of the Shadow” might just be my favorite song on the album. It starts off with a cool bas and keyboard rhythm which carries over into the wicked vocals of Dan Swanö. Throughout the track the guitars and drums are very solid. Near the end of the song, The North German Radio Choir takes up the same bass and keyboard riff that started the song, except they sing it, not play it.

Overall this is a very solid album by Therion. The instrumental sections are great, along with great guest vocalists; Dan Swanö, The North German Radio Choir, and The Siren. The only thing I can find wrong with this album is that the guest singers are better than those that the band has to offer. One other thing is that most of the songs sound similar. This may be because the choirs all sound the same, but nonetheless this is an album well worth picking up. Therion gets 3.5 stars for one of their first symphonic metal albums.

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