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Immortal is a prominent black metal band from Bergen, Norway. The group began in 1989 as "Amputation", a death metal band. Immortal's early full-length releases were of a traditional, yet complex black metal style, but their acclaimed album At the Heart of Winter saw the band begin to experiment with a fusion of black metal and German thrash. The resulting sound was a style which characterized Immortal's later works. Immortal has been influential to many modern metal artists. Immortal's founders; Abbath and Demonaz, have attained a legendary status in the Scandinavian heavy metal scene. Out of these many bands Immortal has arguably maintained the most occult-mysticism image and way of life traditionally credited to black metal. Their peculiar music style of melodic black metal has guaranteed them a spot on the list of the best bands in the history of the genre, and has most definitely triggered the rise of read more...
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IMMORTAL Discography

IMMORTAL albums / top albums

IMMORTAL Diabolical Fullmoon Mysticism album cover 3.58 | 26 ratings
Diabolical Fullmoon Mysticism
Black Metal 1992
IMMORTAL Pure Holocaust album cover 4.08 | 28 ratings
Pure Holocaust
Black Metal 1993
IMMORTAL Battles in the North album cover 4.20 | 25 ratings
Battles in the North
Black Metal 1995
IMMORTAL Blizzard Beasts album cover 3.61 | 22 ratings
Blizzard Beasts
Black Metal 1997
IMMORTAL At the Heart of Winter album cover 4.49 | 50 ratings
At the Heart of Winter
Black Metal 1999
IMMORTAL Damned in Black album cover 3.91 | 21 ratings
Damned in Black
Black Metal 2000
IMMORTAL Sons of Northern Darkness album cover 4.31 | 38 ratings
Sons of Northern Darkness
Black Metal 2002
IMMORTAL All Shall Fall album cover 4.17 | 33 ratings
All Shall Fall
Black Metal 2009
IMMORTAL Northern Chaos Gods album cover 4.17 | 11 ratings
Northern Chaos Gods
Black Metal 2018

IMMORTAL EPs & splits

IMMORTAL Immortal album cover 3.19 | 4 ratings
Black Metal 1991
IMMORTAL True Kings of Norway album cover 0.00 | 0 ratings
True Kings of Norway
Black Metal 2000
IMMORTAL Valley of the Damned / Hordes of War album cover 0.00 | 0 ratings
Valley of the Damned / Hordes of War
Black Metal 2009

IMMORTAL live albums

IMMORTAL The Seventh Date of Blashyrkh album cover 4.00 | 4 ratings
The Seventh Date of Blashyrkh
Black Metal 2010

IMMORTAL demos, promos, fans club and other releases (no bootlegs)

IMMORTAL Immortal album cover 0.00 | 0 ratings
Death Metal 1991

IMMORTAL re-issues & compilations

IMMORTAL Pure Holocaust / Diabolical Fullmoon Mysticism album cover 0.00 | 0 ratings
Pure Holocaust / Diabolical Fullmoon Mysticism
Black Metal 1999

IMMORTAL singles (1)

.. Album Cover
0.00 | 0 ratings
Northern Chaos Gods
Black Metal 2018

IMMORTAL movies (DVD, Blu-Ray or VHS)

.. Album Cover
0.00 | 0 ratings
Masters of Nebulah Frost
Black Metal 1995
.. Album Cover
4.50 | 2 ratings
The Seventh Date of Blashyrkh
Black Metal 2010


IMMORTAL Northern Chaos Gods

Album · 2018 · Black Metal
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When Norwegian black metal act Immortal first disbanded back in 2003 after seven studio albums, they left behind a pretty great legacy, ending on career high note Sons of Northern Darkness (2002). Their later reunion in 2006 resulted in a solid if not exceptional comeback album, All Shall Fall (2009), but then the band went another long stretch without a new album. Then, in 2015, something unthinkable happened: the band's two key members, Abbath and Demonaz (who hadn't been able to play with them since 1997 due to severe tendinitis, which was surgically corrected in 2013), had some sort of bust up. This resulted in Abbath going off to start his self-titled project, which released its debut album in 2016, and Demonaz officially restarted Immortal again in 2015, consisting of just him and drummer Horgh. Demonaz returns to his original instrument, guitar, and also takes over the lead vocalist role from Abbath, with bass handled by guest musicians Peter Tägtgren (Hypocrisy).

Now I for one was pretty sceptical about this whole thing, I admit it. Demonaz had previous laid down lead vocals in his self-titled project back in 2011 and didn't give the kind of performance that I personally felt would have fit in with Immortal's more aggressive form of black metal music. That's not to say that they were bad, just different, especially considering that Abbath has one of the most distinctive growling voices in the scene and has always been an aspect of Immortal's music that has set them apart from other black metal acts. Sure enough, on Northern Chaos Gods (2018), Immortal's ninth album and first and only without Abbath, Demonaz doesn't deliver anywhere near as distinctive sounding growls as the former frontman. They also fit in here much better than those on Demonaz's March of the Norse (2011) led me to expect they would. Combined with some really furious black metal riffing, Immortal's Abbath-less comeback may just be the most aggressive album they've ever released.

That's the good part. There's also a problem. And that's that with Abbath or without him, lyricist Demonaz has long written extensively about his own Blashyrkh theme and now that we're nine Immortal albums deep, he's starting to really show signs of scraping the barrel. Throughout Northern Chaos Gods and it's eight tracks, you'll continually hear phrases that have been heard before across Immortal records and even though the music itself provides an absolute beast of an album, it does feel just that bit stale now because of the lyrics. Even the title is taken directly from Immortal's popular track One by One, the opener from Sons of Northern Darkness while closer Mighty Ravendark was actually used before as part of Blashyrkh (Mighty Ravendark) on their third album Battles in the North (1995). Furthermore, there's also Gates to Blashyrkh on this album. It all feels a bit of 'been there, done that'.

In spite of that issue, it's clear that Northern Chaos Gods is a far superior album to Abbath's 2016 self-titled effort, so if nothing else, Demonaz most certainly wins round one of their post-collaboration careers. Immortal just needs a bit more originally in their lyrics in the future though, as for the first for me they prove a distraction when listening to their music, summoning memories of past glories with Abbath up front rather than allowing me to fully invest in this Demonaz fronted new incarnation of the legendary band, without otherwise does a damn fine job of proving itself a viable venture for Demonaz and Horgh. For the music alone, Northern Chaos Gods is still worth a respectable four stars though.

IMMORTAL Northern Chaos Gods

Album · 2018 · Black Metal
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siLLy puPPy
IMMORTAL was one of the early pioneers of the second wave of black metal that found the brutal gut wrenching fledgling subgenre spawning from the deathened thrash leanings of the early bird evil ones such as Venom, Bathory, Mercyful Fate and Hellhammer. After all this time though, bands like Mayhem, Darkthrone, Burzum, Emperor, Satyricon and Gorgoroth who launched Norway onto the world’s stage as the most aggressively fearful bands that the music world has ever been subjected to, have pretty much strayed from their roots of the early black metal orthodoxies and either disbanded in search of other musical endeavors (such as Ihsahn spawning a solo career out of Emperor) or have completely jumped into the world of the avant-garde or experimental alternate realities. While a few bands of that era such as Gorgoroth and Sweden’s Marduk have kept a relatively pure form of second wave black metal as their primary focus, none have done it so gracefully and elegantly as Bergen’s IMMORTAL.

As is well known in this sector of the extreme metal universe, all has not been well between founders Abbath and Demonaz who were founders of this darkened nightmare inducing dinfest and parted ways in 2003 after the release of “Sons Of Darkness” but found common grounds long enough to pump out yet one more release in the form of 2007’s “All Shall Fall.” Despite trying to bite the bullet and get along for the sake of the music, the collaborative efforts of Abbath and Demonaz hit a low point and resulted in the ugly legal battles as to who owned the coveted trademark band name. After years of “legalistic battles in the north”, Abbath finally jumped ship permanently and embarked in his own self-penned career move whereas Demonaz continued the legacy of the original band moniker. After nine years of fans’ nail biting and dismay, a new IMMORTAL album has finally hit the market. The band’s ninth studio album NORTHERN CHAOS GODS not only continues their love of a certain direction of geography (uh, “Battles In The North,” “Sons Of Northern Darkness” and this one) but shows a newly energized IMMORTAL on top of their game. Did you really think they went away forever? What exactly does their name mean anyway?!!!

Demonaz stated that this album was to be as grim, dark and cold as possible and that wish has been granted in full black metal grimy regalia. Right from the very first bombastic blast of the opening title track, NORTHERN CHAOS GODS evokes the pure essence of a 90s black metal band catapulted into the modern era. By retaining a sense of the lo-fi bombastic melding of guitar, bass and drums with that classic “shrieking from the depths” vocal outrage, IMMORTAL emerges from the underworld of uncertainty and back into the Earthly plane of existence to reclaim their throne as the most enduring and authentic examples of classic second wave Norwegian black metal. With recognizable and almost downright familiar compositional bombast that evokes their earliest post-death metal years with classics such as “Pure Holocaust” coming to mind, Demonaz unleashes a ferocious fury of guitar riffing, deranged hellfire vocal torture alongside Horgh’s percussive orotundity and the bass bombast of newbie Peter Tägtgren who has played with many extreme metal bands including Hypocrisy, PAIN, Exodus, Therion, Sabaton and Edge Of Sanity, JUST to name a few. He also serves on this one at the helm of the production and mixing room.

I honestly can’t say that IMMORTAL has been anything but consistent. While many claim one album or another is superior to the next, i personally find them all to be compelling and NORTHERN CHAOS GODS, while not deviating significantly from their standard formula of head banging earache inducing black metal from the 90s, still fucking crushes the soul like a ton of bricks. On this release, Demonaz, Horgh and Tägtgren deliver a collection of eight of the most crushingly heavy tracks that the band has unleashed on an unsuspecting world in a long, long time. I, for one, never expected to experience such a fine and quality laden product as this one. This is indeed classic no nonsense black metal that eschews all the frills. No atmospheric touches, no ventures into avant-garde weirdness, no Satanic gimmicks, no none of that.

In fact, this album seems like the perfect recalibration to a more simple return to the roots of the black metal early years. Much like the grunge did to glam metal of the 90s. This is a balls to the wall return to the basics that emphasizes what made second wave black metal so utterly addictive in the first place. With a production that is perfectly balanced between lo-fi middle fingers raised and modern stereophonic bliss dowsed in pyroclastic musical outbursts of black metal fury, NORTHERN CHAOS GODS not only unleashes the frigid wintery ice cold temperatures translated into sonic form but proves that IMMORTAL are the current CHAOS GODS that are living up to their name and are here for eternity. A surprisingly consistent and fiery comeback from one of Norway’s most enduring and constantly kickass black metal bands. Will they return you may wonder? What is their name? Tell me now, WHAT…. IS ….. THEIR…. NAME? I just hope it’s not another nine years.

IMMORTAL Sons of Northern Darkness

Album · 2002 · Black Metal
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Not long ago I said to a friend that I was not interested in Norwegian black metal but that I had ordered Peter Beste's coffee table book of the Norwegian black metal scene because I was interested in the photography and the culture. A month later I was trying to decide which would be good albums as starters into this notorious and dark music scene. Another friend suggested Immortal's “Sons of Northern Darkness” and I decided to take his advice and added it to my first four black metal albums.

As it has turned out, I have become interested in Immortal. Abbath is such a character, and Immortal's fantasy northern winter world is a little more comfortable to me than all the hail Satan lyrics that I imagine are lurking out there in the world of Norwegian black metal. Not that I am offended for religious reasons but rather I quickly tire of any pontificating in music lyrics, be they religious or political. When I read that many of the lyrics of Immortal's songs were inspired by the Norwegian winter scenery, the forests and the mountains, I felt I could understand that much better.

First off, I like the sound of this album. The guitar tone is not really heavy but together with the bass the two instruments weigh in together pretty heavily. The drumming is solid and the double bass is put to good use without being relied upon too much. The opening track, “One by One” is a great way to kick off the album and grab my interest as a new listener. It's a great thundering, epic-sounding track. The album continues in a similar vein with “Demonium” offering some blast beats and a speedy tempo in parts, a style I think is more like their older work based on what I have heard from “Pure Holocaust” and “Battles in the North”.

Each of the eight songs here has its own sound and style, making it easy to differentiate between tracks even after the first couple of listens. I find some extreme metal bands follow the same recipe for destruction song after song and sometimes I wonder what ever happened to making albums like “Screaming for Vengeance” or “Number of the Beast” where each song was a creation independent of other tracks and sounded that way. The songs on this album are distinct enough from one another and I am glad for that.

I will say that by the time we are half way through “Antarctica” the fascination with frost, ice, snow, coldness, and bleakness is starting to wear a little thin for me. This track and the album closer, “Beyond the North Waves” are good enough on their own but listening to the album through, I find myself approaching the “meh” stage before “Antarctica” is over. Still, a consistent album in sound and atmosphere.

Finally, I want to comment on Abbath's vocals. I was surprised at how similar they are to Quorthon's of Bathory. Then later I checked out more black metal bands and I have come to the conclusion that Quorthon inspired a whole movement of vocal style. In one part of “Demonium” when the song is charging along, Abbath vocalizes something that immediately reminded me of Popeye the Sailor. That has stuck with me now, too. And so if death metal vocals can be called Cookie Monster vocals then I think black metal vocals could be called Popeye vocals. Or perhaps they already are. Well, if anything, Immortal made me want to go out and buy another Bathory album.

Anyway, “Sons of Northern Darkness” is good enough that I want to get a couple more Immortal albums. And Abbath is such a funny character to see in interviews!

IMMORTAL Blizzard Beasts

Album · 1997 · Black Metal
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Vim Fuego
Black metal has proved to be an enigmatic music form, constantly being redefined and recreated, while progressing little from the original blueprint. The genre's beauty and brutality make uneasy partners, and often multi-instrumentalism creates the former, which can detract from the latter. Immortal however, use aggression to generate the atmosphere on `Blizzard Beasts', rejecting subtlety and embracing ferocity.

The sound on `Blizzard Beasts' is understated rather than the usual necro black metal low fidelity buzz. The vocals are buried deep, little more than a whisper over the raging metal maelstrom. The band's initial impact harkens to a less technical Morbid Angel, and second track "Nebular Ravens Winter" revisits Morbid Angel's "Maze Of Torment" in it's blast sections. The Morbid Angel reference is only fleeting, but it appears more than once, reoccurring on "Battlefields". That's not to say Immortal did not have their own sound - far from it. In places, there is a groove of sorts, and the band was a lot heavier than their peers in a traditional metal sense. While Darkthrone and Mayhem stripped their sound of bass, Immortal weren't afraid of a bit of bottom end.

Demonaz's guitars are the most outstanding feature of the album, all razor sharp rawness and spiky riffs. This is the final Immortal album Demonaz performed on, retiring from playing music due to a repetitive strain injury. Listening to his playing, the injury is no surprise. "Suns That Sank Below" is all cascading riffs and crashing percussion. In fact, Demonaz never seems to let up, knowing only one speed to play - flat out. The song even features a short solo, played at breakneck speed of course, and is well buried under Horgh's relentless percussion.

Horgh himself is a corpse painted, bullet belted, beer gutted wrecking machine. Laugh at the man's image and appearance all you like, but don't ever question his ability. Want to hear some of the hardest hitting black metal drumming you'll ever hear? Try "Winter Of The Ages", where the percussion simply lays waste to all else.

"Mountains Of Might" is a slight change of pace, providing an atmospheric introduction followed by a more traditional Metal song, with reasonably well defined riffs, and Abbath speaking rather than screaming. A semi-acoustic mid section proved the band could do more than just play fast, and even though the overall tempo is still rapid, it is slower than the tracks surrounding it. The sound is icy and bare, and clocking in at over six and a half minutes, "Mountains Of Might" has almost an epic feel to it. Almost.

Abbath's demonic croak is early Quorthon all over. Many passages of the album sound Bathory-esque, but at the same time the vocals sound almost chillingly inhuman.

While the moments of subtlety are few and far between, they provide enough contrast on this album to break up what could have been a monotonous half hour long blast beat. Immortal was never a band for delicacy and finesse, and fans wouldn't expect any. Sure, it's far from original, but so what? `Blizzard Beasts' is brutal, fast and unrelenting. That's what Immortal do so well.

IMMORTAL All Shall Fall

Album · 2009 · Black Metal
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All Shall Fall is the first Immortal album released since the band got back together and their eighth overall, marking the end of the seven year gap since Sons of Northern Darkness. Bassist Iscariah did not take part in the Immortal reunion and has been replaced by Apollyon but the core Immortal line-up up of Abbath and Horgh (with Demonaz behind the scenes providing lyrics) is still intact.

Compared to the three prior albums All Shall Fall sees Immortal's music returning to a less thrashy state. I still think that there is a small thrash metal element on the album but gone is the dominant blackened thrash sound of Sons of Northern Darkness and Damned in Black. Instead Immortal have taken a bit more melodic approach than is heard on their pre-break work and in some ways All Shall Fall is more comparable to the album Between Two Worlds that Abbath did under the name I. It's a solid comeback release for the band but ultimately hasn't stood the test of time for me the way the three previous albums and Battles in the North have and that's because much like their first two albums I just don't find the individual songs as memorable, though I'd personally still more likely spin this one than Diabolical Fullmoon Mysticism, Blizzard Beasts and even the ever popular Pure Holocuast.


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