'Dustwalker' - Fen (9/10)
Around this time two years ago, Fen offered its second record to date, "Epoch". Adorned with an inconspicuous blue cover and coming from a band I had then-heard very little about, I would never had predicted that it would become one of the most powerful experiences I'd ever had with metal overall, let alone any of the specific sub-genres listeners claim the band fit into. Boasting a style fusion of atmospheric black metal and post-rock popularized by some North American bands (namely Wolves in the Throne Room and Agalloch), Fen put their own twist on the tried-and-true formula, evoking an atmosphere like few I'd ever heard before. To this day, I've considered "Epoch" one of the greatest black metal albums to come out of the contemporary period, and it comes as no surprise, then, that "Dustwalker" was, and still is an album that inspires quite a bit of excitement in me. Although it may still be too early to tell how "Dustwalker" will ultimately stand against its near-perfect predecessor, I can't think of a better album to have started 2013 on. It's a rich, darkly beautiful exploration of the feelings between hope and despair, and I wouldn't be surprised if it's just as impressive by year's end.
Especially considering the effect "Epoch" has had on me, it's only natural to have approached "Dustwalker" wondering how it would stand up to the one before. Although albums have been cut from the same proverbial cloth, there is the sense that Fen wished to reinvent themselves here, however subtle the changes may be. While "Epoch" gave the impression of an air, or aether-based album, "Dustwalker" offers an earthier experiences. Many of the superfluous background synths have been taken out of the mix, now replaced by a greater focus on clean guitar tones. Although the emotional emphasis on melancholia and sober reflection has never faltered within Fen's formula, the way they convey the atmosphere feels far for natural. Rather than "Epoch"s experience of soaring lonesome over a dark forest, "Dustwalker" plants you beneath the tree canopy, looking from the roots up and feeling all the more insignificant as a result.
As one may imagine, Fen's black metal aspect has become grittier with this earthy atmosphere and production. Even so, Fen's style seems more rooted in post-rock aesthetic than ever. Although the distorted guitar tones have been kept true to organic form, there's nothing about the sound that grinds against the ears; it's a rare case where I would call a black metal album beautiful from the classical aesthetic. Much like Fen's past work however, "Dustwalker" enjoys a fair deal of cinematic complexity birthed by an influence in progressive rock. Most of these tracks linger around the ten minute mark, and there are ideas enough to keep each of them vibrant and engaging throughout. Among these, the first three tracks ("Consequence", "Hands of Dust", and "Spectre") are the best things the album has to offer. "Consequence" takes a more progressive approach to songwriting than previously seen from the band, whereas the second and third opt for a slower-paced, 'cinematic' feel. "Spectre" may very well be the greatest thing Fen have ever done, opening with warm acoustics and brittle-yet-tender clean vocals, before ultimately building up into an almighty climax that has never lost any of its staying power. The second half of the album follows a similar stylistic direction, but it never feels quite as memorable and emotionally perfect as the first three tracks.
Although it has higher highs than "Epoch", "Dustwalker" is not quite as consistent as its predecessor. Regardless, Fen have successfully innovated their sound just enough to make this album take on a life of its own. It will be curious to see if any other atmospheric black metal band this year is able to knock off Fen off of their early throne. Ultimately, it will be up to time to decide where the album stands, but it's rare that an album leaves such an immediate, yet lasting impact on me. 2013 is now upon us, and it is sounding incredible.