Warthur Staaaaaaaaand by for Exciiiiiteeeeer! It's a ballsy move for a band to name themselves after a Judas Priest song - especially a Priest song which makes it sound like Halford is acting as a hype man for the band in question. But if anyone's earned the right to the name, it's drummer-vocalist Dan Beehler's crew of Canadian speed metal pioneers.

Taking the fastest and most brutal Priest and Motorhead offer as their starting point, Exciter offer on their debut album a selection of songs which turn the brutality and speed of their influences up to 11, and helped to blaze a trail both for speed metal and early thrash. With Priest eventually turning to speed metal for an injection of extra power on Painkiller, the feedback loop eventually came full circle, but Priest never went quite this darkly chaotic in their production as Exciter do here.

In heavy metal's 1980s arms race, it's hard to pick apart who was at the front of the pack at any time - but it feels like any chronicle which skips over Exciter is missing a beat. Set it against any other album from 1983 and it more than holds its own - listen to it by itself and it still makes you want to get out there and break stuff.

Unitron "I'm a heavy metal maniac!"

In the early days of thrash, there was a fine line between what made something thrash or just really fast and spitfire heavy metal. Perhaps no band sat on this line more than Canadian heavy metal maniacs Exciter. With their debut coming out the same year as Metallica's debut Kill'em All, it might make you wonder: "Who influenced who?"

Maybe neither did, but either way this album is going to kick your ass until you accept speed metal into your heart. Imagine Van Halen's "Atomic Punk" and Raven on steroids mixed with the debuts from Metallica and Anthrax, and you get this masterpiece. The title track is a pure 80's metal anthem, that makes you want mosh and headbang until intense whiplash occurs. Drums pounding, guitars drilling, and vocals screaming, this is pure heavy metal at its finest.

Exciter is a band that really puts the "power" in power trio, as everything is just absolutely on fire and turned up to 11. Allan Johnson's bass is always able to be heard thumping in the background, complementing John Ricci's electric drill of a guitar. "Mistress of Evil" really displays the bass/guitar interplay the best. Let's jump back to the self-titled song, and just take in the blistering raw guitar solos. It's amazing how something can be so melodic and so venomous at the same time, which is the best I can describe the guitar work on the whole album. Rounding up both the vocals and drum kit, is frontman Dan Beehler. Vocalists who double as drummers have always amazed me, especially when you're pulling off the ridiculously fast drum work on this album.

The title song is of course the main highlight of the album, but my other favorite has to go to the crushing "Iron Dogs". Like what many thrash bands would learn, there is nothing better than a good contrast between slow and pummeling and fast and brutal. The punchy slower-paced riffs flawlessly drive right into the rapid moshing till the end. Following that as best song is the seven minute long "Blackwitch". This is a speed metal power ballad at it's best, a masterful mix of beautiful yet heavy melodies and hooks, somber classical guitar work, all resulting in a rampaging finale of pummeling double bass and hammering guitar that blasts right into the finale "Cry of the Banshee", making it essentially part of "Blackwitch".

Heavy Metal Maniac is a classic album, and if you're looking for something that's both raw and has a good sense of melody, nothing fits the bill better. Exciter wouldn't show any signs of slowing down for a while, with the three albums that follow this one being excellent as well, but that anthem of a title track might just give this debut that edge over the rest as the best.

https://thewickednest.blogspot.com/2018/03/exciter-heavy-metal-maniac-review.html

Pelata John Ricci and company break an eight year silence with the release of Thrash, Speed, Burn. Anyone who’s heard Exciter knows what to expect (as if the title of the album didn’t give it away) and the boys do not disappoint here. Decidedly old school, full of venom, energy and ready to teach the world how to bang its head, Exciter proves that they’ve not lost a step.

This is down and dirty, sweaty, screaming Heavy Metal. Coming from the band that released Heavy Metal Maniac, could you really expect anything less? Not a single modern nuance or a power ballad in sight, this record is out to leave a scar. The riffing saws at the eardrums, the vocals (provided by new vocalist Kenny Winter) are literally screaming and the solos will melt the skin from your face! The gang chant vocals on the chorus of opening track “Massacre Mountain” will beat your skull in while the tempo of the title track causes instant whiplash providing the perfect opening one-two punch. The six-plus minute “Crucifixion” is a plodding, fist-pumping monster. Both “Evil Omen” and “Betrayal” get a little tedious halfway through, but “The Punisher” comes right after and picks things back up.

As you can probably guess, there’s nothing new to discover here. But that’s not the point, now is it? What we have here are ten truly hefty doses of Heavy Metal in its purest form showcasing Exciter as the underground legend that it is. Well worth taking up space in the collection.

1967/ 1976 A Speed Metal Hymn

Surely a band as Exciter deserves to be known outside the Metal universe. First because the music is great, second because the music causes excitement. But don't use this album as an introduction. Due to the fact that the drummer is also the vocalist (I think that this is the primarly cause) the sound is good only for drums. Bass and guitar have a sound too close to something traditional, almost missing the songs of some mixing in post production. This is a great limit.

The songs are all great, "Pounding metal" and "Violence And Force" are two Metal anthems. But with this sound... The Power Metal of "Delivering To The Master" is good, in this version, only because the song is great. For the rest it is difficult to understand this live music, due to sound.

So... "Better Live Than Dead is a great live ruined from the very bad sound. Is, however, possible that in 1991 there are still recorded at these levels?