UMUR "Core" is the debut full-length studio album by US, California based hard rock act Stone Temple Pilots. The album was released through Atlantic Records in September 1992. Stone Temple Pilots were formed in 1985 by lead vocalist Scott Weiland and bassist Robert DeLeo under the Swing monicker (they later recruited drummer Eric Kretz), but changed their name to Mighty Joe Young (after Robert´s older brother guitarist Dean DeLeo joined in 1989 and suggested a name change). The band recorded a demo under the Mighty Joe Young monicker and made a name for themselves on the San Diego club scene using that name, and Atlantic Records eventually took notice and signed the band. While in the studio with producer Brendan O´Brien recording the material for "Core", the band were told that a blues band existed using the Mighty Joe Young name, and the band were therefore forced to another name change. They settled for Stone Temple Pilots.

Stone Temple Pilots are often lumped in with the contemporary Seattle scene and artists like Pearl Jam, Soundgarden, and Alice in Chains (and were often criticized for it by the contemporary music press), and while there is certainly some truth (ok, a lot of truth) to that Stone Temple Pilots were not a worsphipping clone act. They had a enough original musical elements to stand out and it´s predominantly the voice and singing style of Weiland which point toward Seattle (and especially Alice in Chains lead vocalist Layne Staley). The songwriting is also top notch and "Core" features many standout tracks and it´s through and through a high quality hard rock release.

Radio/music video hits like "Plush" and "Sex Type Thing" are among the best known tracks off the album, but there´s not a single sub par track on the album and I could just as well have mentioned tracks like "Dead & Bloated" or the 8:25 minutes long "Where The River Goes" (which are the two tracks bookending the album), or the hard rocking and faster-paced "Crackermann" as some of the highlights. Stone Temple Pilots can also do melancholic ballads which they prove with "Creep", but their greatest success is actually the tracklist flow. Even the two shorter interlude tracks "No Memory" and "Wet My Bed" serve a breather purpose and work well in transitioning the album to the next phase.

"Core" features a professional, powerful, and detailed sounding production, which suits the material perfectly. The performances are also strong on all posts. hard rocking and sometimes pretty heavy guitar work, organic and powerful drumming (and some pretty nice percussion too), clever bass lines, and the strong voice and passionate delivery by Weiland in front. This does not sound like a debut release at all. There are no odd experimental tracks (save for "Wet My Bed", but that one fits the concept and atmosphere of the album), inconsistent songwriting, or unpolished musical ideas, which don´t fit in. This is an album which works from start to finish and a 4 - 4.5 star (85%) rating is deserved.