UMUR "Ugly" is the 2nd full-length studio album by US, New York based hardcore/alternative rock/metal act Life of Agony. The album was released through Roadrunner Records in October 1995. It´s the successor to "River Runs Red" from 1993 and although the two albums feature the same lineup, they feature a vastly different sound.

Although the band´s hardcore roots rear their ugly head a few rare times during the playing time, "Ugly" is an alternative metal album rather than a hardcore ditto. Desperation, bleak melancholy, and frustrations are still the emotions the band convey through their music. Lead vocalist Keith Caputo (now Mina Caputo) generally sings a bit more restrained and varied on "Ugly" compared to his predominantly full-on belting on "River Runs Red (1993)" and the instrumental part of the music is also a bit more varied. It´s still relatively heavy and dark music, but not necessarily in a heavy metal fashion all the time. I´d even label some tracks hard rock rather than heavy metal.

The material on the 12 track (the limited edition features two bonus tracks), 53:07 minutes long album are relatively varied and all tracks are catchy and memorable (some more than others). Tracks like "I Regret", "Fears", and "Damned If I Do" are in the heavy end of the spectrum, while tracks like "Other Side of the River", "How It Would Be", and "Unstable" show a more melodic and sensitive side of the band. The inclusion of a cover of "Don't You (Forget About Me)" by Simple Minds works really well for the band too. So while they don´t effortlessly make the transition from hardcore act to alternative rock/metal act, they predominantly succeed in their mission. They may have alienated a few fans in the process, but probably gained just as many with this new musical direction.

"Ugly" features a dark and heavy sounding production. It´s not quite as sharp as the sound production on the predecessor, but it suits the material well. So upon conclusion "Ugly" is a good quality sophomore album release by Life of Agony. It´s quite bold changing your sound as drastically as the band do here this early in their career, but it´s obvious they felt a need to progress and do something different. A 3.5 star (70%) rating is deserved.

Kingcrimsonprog 1995’s Ugly is the second full-length studio album by the New York band Life Of Agony. It was produced by Steve Thompson and released through Roadrunner Records.

It must have been damn hard to follow up their amazing, one-of-a-kind, conceptual, brutal debut album River Runs Red, and there are a segment of fans who argue they never adequately did, but for me, this album is an absolutely stormer too.

Musically, this album is a pretty interesting hybrid. Its got a touch of Ross Robinson Nu Metal flavour in the way some of the riffs work, its still got a hangover of the band’s NYHC roots but dialed back a bit, there’s touches of Doom, Stoner and Grunge in there at times but not enough to take over the whole album. It’s a pretty unique beast, and there’s plenty of variety on there to further add to the melting pot.

The lyrics on this album are absolutely brilliant. Kind of intense and emotionally weighty. There are topics of disillusionment, alienation, isolation, identity crisis, quarter-life crisis, complex relationships with family members and other such introspection. I know some people hate anything personal and deem anything like this to be “too emo” but in context and in and of itself, the lyrical quality of this album is sky high. Considering the life course of Keith (now Mina) Caputo, the lyrics just have such power and import and really “speak to you.” Topped off with really powerful, evocative and harrowing vocal performances that really project the message of the lyrics, its pretty intense stuff.

Songs like “Lost At 22,” “Damned If I Do” and “How It Would Be” all fell pretty damn profound. It also helps that the musical quality of the album is equally high. “Fears” is absolutely crushing, “Drained” has serious hooks, and “I Regret” feels like a hit single.

The album ends surprisingly with a cover of Simple Minds “(Don’t You) Forget About Me” which you will likely recognize from the movie The Breakfast Club. It’s a pretty straight cover too, no drastic reworking. It feels a bit gimmicky to me, but not enough to spoil the record.

Overall; this is a superbly well-written, interesting and affecting album with some brilliant performances and a lot to offer. If you want it to sound more like Biohazard, Madball and Sick Of It All then the change in musical direction might be a bit off-putting and likewise if you’ve always hated anything “alternative” then perhaps steer clear, but if “a good song is a good song no matter what genre” to you, and you don’t mind the idea of emotionally draining lyrics, then I highly recommend you check out this record.