DEVIN TOWNSEND — Ocean Machine: Biomech (review)

DEVIN TOWNSEND — Ocean Machine: Biomech album cover Album · 1997 · Progressive Metal Buy this album from MMA partners
2/5 ·
SilentScream213
And so began Devin Townsend’s solo career. Often hailed as a musical genius with no limits to his creativity, unbound by genres, yet still Metal through and through, the debut is a unique piece in Metal history. That is to say – in 1997, absolutely nothing sounded like this, and it’s not dated one bit. Eclectic, modern, catchy, and willing to throw all ideals of what Metal should be out the window in order to craft whatever the hell he wants it to be.

But, is the album good? It’s certainly good, but is it that good? I don’t think so. Most songs are overlong, lacking any strong musical hooks, and meandering in dense atmosphere that isn’t really sure what it wants to be. Many people will call this melancholic or ethereal; I hear no such thing. The closing song is a fantastic example of the heartfelt melancholy Devin is capable of – nowhere else on the album do I really feel any significant melancholy. Similarly, the first half of Bastard is built on an incredible riff, one of those that are so good you don’t mind hearing it over and over for 5 minutes. Despite that, I can’t recall another riff on the album. Nothing else really captured me.

The album does a great job of displaying Devin’s genius through moments and pieces, highlights that prove his potential. But as for the full album, and even individual songs, they are bloated, filled with insignificant space, and repetitive too often when they have nothing worthwhile to repeat. I can easily see how this could be so lauded among fans, because it is groundbreaking, it’s impressive on many fronts, and there is a lot to love here. For me, it just can’t break through the barrier of being a “good” album. For that, Devin must shed his excess skin.
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