GALAHAD — Nothing is Written — the ultimate metal music online community, from the creators of

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1.74 | 4 ratings | 2 reviews
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Album · 1991

Filed under Non-Metal


1. Face To The Sun (7:58)
2. Chamber Of Horrors (5:23)
3. Evaporation (6:37)
4. Motherland (6:58)
5. Room 801 (7:00)
6. Aquaba (A Matter Of Going) (5:33)
7. Bark In D-Minor (0:45)
8. The Automaton (4:33)
9. Don't Lose Control (5:33)
10. Richelieus Prayer (8:23)

Total Time: 56:43


- Stuart Nicholson / vocals
- Roy Keyworth / guitars
- Spencer Luckman / drums
- Karl Garrett / keyboards
- Mark Andrews / keyboards
- Neil Pepper / bass guitar
- Tim Ashton / bass guitar

About this release

CD Avalon Records GHCD3 (1991)

Thanks to IMPF2112 for the addition


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Specialists/collaborators reviews

siLLy puPPy
GALAHAD has become one of the better known bands to fall into the broadening neo-prog section of the progressive rock universe in the 21st century but the band actually started all the way back in 1985 as a seven-piece band inspired by the usually prog revival suspects such as Twelfth Night, IQ, Pendragon and of course Fish era Marillion. The band actually started out as a cover band playing everything from symphonic rich prog like Genesis to more crossover prog and classic rock such as Led Zeppelin and Rush. Lead singer Stuart Nicholson readily admits that the whole project was only put together for fun and that nobody in the beginning was the least bit concerned with any sort of professional career to emerge out of it. In a similar storyline of Steven Wilson and his Porcupine Tree project, GALAHAD gradually garnered enough attention by their contemporaries and ended up playing live with some of the neo-prog heroes they were emulating.

All of this turning of the tides forced the band to take their project more seriously as they found themselves in an unforeseen trajectory. Around 1990 the band started to realize that they might have a real musical career in their future and began to craft what would become their first album NOTHING IS WRITTEN which emerged as was an independent release. This debut was pretty much a DIY enterprise as it was self-financed, self-produced and self-promoted and despite the poor quality in both production and performance managed to sell several thousand albums which was enough impetus to launch the band’s career into the next level. While the band’s lineup has changed substantially throughout the decades. Three members: vocalist Stuart Nicholson, guitarist Roy Keyworth and drummer Spender Luckman have been with the band since the beginning album.

Anyone who is familiar with the later works such as the excellent “Empires Never Last” or their other modern day albums that incorporate a heavy guitar heft to the mix will be quite underwhelmed by what lackluster performances are displayed on NOTHING IS WRITTEN. Although i rarely agree with harsh vitriol dished out by the critics, this one is often cited as uninspired and down right bland with too many derivative aspects lifted from the 80s neo-prog movement without adding anything original. In the case of NOTHING IS WRITTEN, i would have to completely agree with every single word. This is indeed one of the most carbon copy and paste examples of a neo-prog i’ve ever heard all dished out in the most generic fashion possible.

Think of this one sitting more in the territory of the IQ album “Are You Sitting Comfortably?” Like that turkey of an album, NOTHING IS WRITTEN’s material lies somewhere between bland 80s AOR and the weakest aspects of neo-prog all the while offering boring cliche melodic and instrumental performances. Likewise Nicholson sounds more like a tired has been who has ruined his voice through too much touring throughout the years. Clearly the focus of the band had changed but the talent was still on amateur mode at this point and when hearing this debut release at the time, it would have been impossible to predict that GAHALAD would actually get their act together and become one of the major players in the neo-prog world. While i’m usually pretty lenient on early albums because they often provide some sort of interesting origins, this one is truly a mess in every way and should be completely avoided by all but completionists.
Galahad's debut album showcases a band whose ability to mimic the sound of early Marillion is, for the most part, uncanny. Stuart Nicholson is rather the weakest link - he doesn't try to emulate Fish's vocal delivery, which I think is a wise choice; his own individual singing style really isn't up to much, and I don't get the impression it'd be improved by mimicry of Mr Dick's theatrical style! On the other hand, the rest of the band are somewhat better at emulating the Marillion style - in particular, Roy Keyworth has Steve Rothery's guitar style down cold.

This is not enough, however, to obscure the one aspect of early Marillion the band cannot emulate: their creativity. Sad to say, but this is one of the most uninspired and derivative collections of neo-prog songs I've ever heard, and the band simply never add enough of an individual twist to the album to really make it stand out amongst any of the many others who've ploughed this over-farmed furrow. There's simply no reason me to give Nothing is Written another listen when I could just put on Script For a Jester's Tear again.

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