BLINDFOLDED AND LED TO THE WOODS — Modern Adoxography

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BLINDFOLDED AND LED TO THE WOODS - Modern Adoxography cover
4.00 | 1 rating | 1 review
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Album · 2017

Tracklist


1. The Owl and the Great Oak (02:19)
2. Licking a Landmine (03:25)
3. A Restless Transplant (02:57)
4. The Pupil Constellation (02:29)
5. Dust Between Bones (02:16)
6. 33440 (06:35)
7. Meth Tooth (03:05)
8. The Earwig Part II (02:47)
9. Hospital Bed White (01:35)
10. The Old Man With The Bell Around His Neck (06:39)

Total Time 34:07

Line-up/Musicians


- Stace Fifield / vocals
- Stuart Henley-Minchington / guitars, vocals
- Jared Morgan / guitars, vocals
- Nick Smith / bass, synth, keys, noise
- Tim Stewart / drums, percussion, foley

About this release

CD and digital album self-released 13th October 2017.

Thanks to kev rowland for the addition and tupan, Bosh66 for the updates

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BLINDFOLDED AND LED TO THE WOODS MODERN ADOXOGRAPHY reviews

Specialists/collaborators reviews

Kev Rowland


Christchurch is the third largest city on New Zealand, with a population of approximately 450,000. For those who are unaware, Christchurch was struck by two earthquakes in September 2010 and January 2011, which caused considerable damage to the city and the loss of 185 people. Since then the city has been rebuilding, both physically and emotionally, and the result is a community that is incredibly close and bonded together. I live some 30 minutes outside the city, near the township of Oxford, and have been here for a couple of years now. All of this makes me feel incredibly annoyed that the only way I have managed to discover this death metal outfit is by being sent a digital copy by an American PR company!

Apparently, “Adoxography” is a term coined in the late 19th century, and means "fine writing on a trivial or base subject". That these guys have been inspired by Dillinger Escape Plan, and have been supporting them on their recent NZ tour, is of little surprise. Here was have death metal with a crazed edge, music that is abrasive, sharp and twisted, while losing none of the brutality that one would expect from the genre. Here we have ten relentless tracks in thirty-five minutes of crushing riffs, technical wizardry, and merciless vocals. While the band's musical foundation is built upon brutal death metal, elements of demented grindcore and bizarre sci-fi tones weave their way into the complex structures, resulting in an engaging and damaging listening experience.

I can only hope that the guys are able to tour outside Aotearoa, as music as good as this needs to be heard by a much wider audience than the restricted population of New Zealand can afford. This is brutal, uncompromising, and very, very good indeed.

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