KORPIKLAANI — Jylhä (review)

KORPIKLAANI — Jylhä album cover Album · 2021 · Folk Metal Buy this album from MMA partners
3.5/5 ·
Kev Rowland
I have had mixed feelings about Korpiklaani over the years, as while they have long been favourites of the mass media and are certainly the closest a lot of denim and leather wearing longhairs will ever get to folk, to me they can sometimes lose their core purpose. I felt their last album, 2018’s ‘Kulkija’ was the finest of theirs I had come across, while 2015’s ‘Noita’ had too much pirate metal contained within it. The idea of having a single figure on the album cover takes us back even further, to 2012’s ‘Manala’ and the five albums which precede it, yet here we have a band who have had their first real line-up change in some time with the departure of drummer Matson, who had been with the band since their formation in 2003. He has been replaced by Samuli Mikkonen who apparently had a major impact on the demos when they were first presented by Jonne Järvelä who along with guitarist Cane are now the only original members left.

The result for their eleventh studio release is an album which to my ears is incredibly inconsistent, in that when they are good and everything comes together then they are truly great and one can fully understand why they are such heroes of the folk metal movement. But there are other times when it feels somewhat as if they are going through the motions, and we get some of that pirate folk styling thrown back in which has nothing to do with their normal influences. In a way it is incredibly frustrating as I really want to enjoy this album, and the further I get into it the better it gets, but when I start again at the beginning, I remember why I was so annoyed the last time I played it. The arrangements are massively complex and complicated, with heavy guitars and dynamic drums (Samuli is a real standout on this album) being played against accordion and violin, with wonderfully strong and emotive vocals (of course I cannot understand a word), and there are times when it is sheer brilliance, and others when they are just treading water waiting for the next section.

I am sure there are many fans who will stand with Jonne Järvelä and say it is the best thing they have ever done, but while there are some definite highlights, for me this is a move in the wrong direction.
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