SHINING — III: Angst, Självdestruktivitetens Emissarie (review)

SHINING — III: Angst, Självdestruktivitetens Emissarie album cover Album · 2002 · Depressive Black Metal Buy this album from MMA partners
2.5/5 ·
Conor Fynes
'III: Angst, Självdestruktivitetens Emissarie' - Shining (5/10)

Before Shining went on to release some of the most devastating depressive black metal albums of all time in the form of 'IV: The Eerie Cold', 'V: Halmstad' and 'VI: Klagopsalmer', this suicidal band played a less refined, more straightforward brand of black metal. 'III: Angst, Självdestruktivitetens Emissarie' shows Shining at the end of their early stretch of albums, and the potential that would later go to be realized a couple of years later is here. All the same, while this music was evidently inspired by the same dark feelings that would fuel the masterpieces of this band, Shining's third album does not yet demonstrate Shining's now- trademark emotional intensity, although it is a certain step up from their origins.

More or less, Shining's 'Angst, Självdestruktivitetens Emissarie' is a depressive black metal album on the more aggressive side of the spectrum. Much like Burzum, Shining at this point delivers repetitive, somewhat hypnotic songwriting through atmospheric riffs, subtle melodies, and blastbeats aplenty. Of special note to any black metal enthusiast; the legendary drummer Hellhammer delivers a percussion performance here, and his skill with the double kick brings a power that I was sorely missing on the band's debut. In comparison to the more modern Shining that more people are evidently familiar with, the songwriting here lacks the same heavy-to-soft dynamic that draws so many comparisons to Opeth, although a few passages see the black metal riffage take a step back in favor for some cleaner tones, at times. The production is a small step up from your run-of-the-mill black metal.

'III: Angst, Självdestruktivitetens Emissarie' has some very good ideas in regards to some guitar melodies and keen drumwork at the hands of Hellhammer. The songwriting on this album is still somewhat immature, and like the earlier two albums, a generic production holds the band back from excelling in their field. It is too repetitive and monotonous for my tastes, but there are enough intriguing ideas planted throughout each of the songs to merit a listen.
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