IRON FIRE — Beyond the Void (review)

IRON FIRE — Beyond the Void album cover Album · 2019 · Power Metal Buy this album from MMA partners
4.5/5 ·
DippoMagoo
There are some great power metal bands who seem to be going largely unnoticed, despite consistently making great albums, with one of my favorites being Danish band Iron Fire. I’ve been a fan of the band since their 2010 release Metalmorphosized, which marked the beginnings of a more modernized sound for the band after their past releases were all fairly traditional European power metal albums. They especially blew me away with the more progressive, symphonic and just plain epic Voyage of the Damned, though sadly that one wasn’t too well received, and the band took a bit of a break afterward. However, over four years later the band returned in 2016, with Among the dead, a hard-hitting collection of heavy/power metal tracks, that while being more straight-forward compared to its predecessor, was still intense and left me extremely satisfied.

Now, the band is set to release their ninth full-length album, Beyond the Void, and it is yet another killer! Fans of Among the Dead should know exactly what to expect, as the lineup remains unchanged, and musically this is a direct continuation of that album, with the same kind of raw, hard-hitting power metal, mixed with some classic heavy metal and some occasional thrashy riffs. While Among the Dead was a concept album revolving around a zombie apocalypse, Beyond the Void deals with many different lyrical themes, but otherwise, it’s pretty much more of the same, to the point where a couple of tracks feel eerily similar to tracks from the previous release, though the songwriting is consistently strong enough for that to not be a big problem.

Performances are as strong as always, with the guitar work being as heavy as before, though there are some more melodic passages compared to the previous album, and these are very well done, drums are mostly fast and furious and well done, and of course Martin Steene’s deep and raspy vocals are as strong as ever, with the faint hints of extreme metal vocals he showed on the previous album continuing to creep in from time to time. Production is also top notch and powerful sounding, as expected. Songwriting is generally fast-paced, intense and plain fun, with the occasional slower track and one ballad to offer up some variety. This is the kind of album, though, where you won’t be surprised very often, but it’ll keep you consistently entertained, with excellent riffs, some great melodies, powerful vocals and just some really fun, highly addictive songs.

Following a brief intro, the title track kicks in and is very similar to the title track of Among the Dead, with everything from the lead riff to the chorus feeling oddly familiar, to the point where I wasn’t enjoying it much at first, but over time it has grown on me. Anyone who hasn’t heard the previous album should be entertained immediately, as it’s a fast paced, hard hitting power metal track, with fun verses, thrashy riffs, and a strong, catchy chorus. On the more interesting side, “Final Warning” is a slower building track, featuring a pummeling main riff, heavy verses which march along at a decent pace, and a light, melodic chorus, which picks up the pace as it goes along. It has great, emotional lyrics about destroying the Earth, and is a very good song overall. My favorite song on the first half, and probably the whole album, is “Cold Chains of the North” a fast, hard-hitting track which has more of those thrashy riffs, as well as a frantic, but very melodic chorus, with some pretty cool gang vocals, and some excellent lead vocals from Martin. It’s a very fun, catchy and highly energetic track, which just gets everything right.

Keeping the momentum going, “Wrong Turn” has some of the thrashiest riffs on the album, along with hard-hitting verses, and a basic, but the very fun chorus. Two more speedy tracks are up next, with “Bones and Gasoline”, which has soft, melodic passages during the intro and verses, which remind me a bit of some classic Metallica songs, while the chorus is speedy and fun, and “Old Habits Die Hard”, a more melodic but very speedy track, where Martin uses some of his harsh vocals throughout, and does a great job, as always. Both songs are straight-forward, and pure fun, just like pretty much every song on the album. The lone ballad of the album is “Judgement Day”, which has some beautiful, melodic guitar work, calm verses where Martin uses some of his softest vocals ever and sounds great, and another powerful, epic chorus. It has a great solo in the second half, but the highlight comes a bit before that, with a more intense, yet still melodic section, with some of the best vocals on the album, along with the line “recreate a world without hate, and bring me back to 1998”, which cracks me up every time I hear it.

Moving into the final sequence of the album, “To Hell and Back” is another frantic, hard-hitting track, with some very heavy and intense verses, as well as one of the more traditional power metal choruses on the album. It’s yet another very energetic, highly addictive track, of the sort the band excels at in this stage of their career. My favorite of the final four tracks is “One More Bullet”, a slower, heavier metal based track, with heavy verses, and an intense, but very melodic and catchy chorus, with more nonsensical, but fun lyrics and the guitar solo near the end is really cool, as well. The track has a classic heavy metal feel to it, in an awesome way and is one of the catchiest and most addictive tracks on the album. The last full speedy track on the album is “The Devil’s Path”, another thrashy power metal track, with a great mix between clean and semi-harsh vocals, as well as more excellent thrashy riffs, and a fun chorus. The track sounds pretty similar to “Tornado of Sickness” from the previous album but still manages to be great in its own way. Closing out the album is “Out of Nowhere”, another classic heavy metal sounding track, with more laid back, but enjoyable verses, and an upbeat, very fun chorus, with some excellent vocal melodies. It speeds up towards the end and gets very epic during the final run through its chorus, before closing out softly and ending the album on a high note.

Iron Fire is one of those bands that will probably never get the attention they deserve, but they manage to consistently put out great, hard-hitting power metal albums at least once every few years, and Beyond the Void is no exception. It largely builds on the more modernized, somewhat thrashy sound they started on Among the Dead and offers up the kind of heavy, energetic and highly addictive power metal the band specializes in, while also mixing in a bit of classic heavy metal on some tracks. Fans of the band’s previous album should love this, while fans who prefer their earlier albums may again be disappointed, but anyone unfamiliar band and looking for some hard hitting, fun heavy/power metal with a slightly modern twist, should definitely give this one a shot, as it’s definitely one of Iron Fire’s finest works to date!

originally written for myglobalmind.com: https://myglobalmind.com/2019/03/10/iron-fire-beyond-the-void-review/
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