ÖXXÖ XÖÖX (2)
Avant-garde Metal • France

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Öxxö Xööx is a unique avant-garde experimental metal band from Dieppe in Upper Normandy, France. They provide a thick atmospheric experience that mixes gothic, doom and industrial aspects of metal along with dark ambient, operatic vocals with lyrics centering around the Earth and ecological issues. They have gone so far as to create their own language with a limited vocabulary that they use with English.

Öxxö Xööx is actually the name of the main band member who plays the majority of instruments but is also the name of the band project. The band uses a variety of clean vocals along with extreme metal styles and a female vocalist is included as well.

This band is very unique and isn't easily compared to any other existing band but fans of bands on the stranger side of metal from bands like Dodheimsgard and Wormfood who love extreme metal elements hybridized with atmospheric ambient,
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Thanks to siLLy puPPy for the addition and tupan for the updates

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ÖXXÖ XÖÖX (2) Discography

ÖXXÖ XÖÖX (2) albums / top albums

.. Album Cover 4.00 | 1 ratings
Rëvëürt
Avant-garde Metal 2011
.. Album Cover 5.00 | 1 ratings
Nämïdäë
Avant-garde Metal 2015

ÖXXÖ XÖÖX (2) EPs & splits

ÖXXÖ XÖÖX (2) live albums

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ÖXXÖ XÖÖX (2) Reviews

ÖXXÖ XÖÖX (2) Rëvëürt

Album · 2011 · Avant-garde Metal
Cover art Buy this album from MMA partners
siLLy puPPy
The term “progressive” gets tossed around a lot in the 20th century but in reality most bands that don this description on their badge are actually just participating in a form of retro worship of their favorite 70s prog bands with touches of modernity. Thankfully there are still bands who put the true meaning back into the word “progressive” and actually nudge a musical genre (or two) a few notches into hitherto unexplored directions and take the listener on a true intergalactic sonic experience where despite hosting similarities with past bands is more akin to a convergent evolutionary feel sort of like life sprouting up simultaneously in the universe under the same laws of physics but evolves into something very similar but weirdly different. The music sounds like the perfect sonic companion to the organic yet freaky logo and album cover that graces the listener’s first impression.

ÖXXÖ XÖÖX is one of those strange bands that have managed to take existing musical genres and put them in a blender and seeded them with kernels of creativity and reaped their harvests in most peculiar ways. The band originates from the Normandy coastal region of France in the small city of Dieppe but one would be hard pressed to discern such a fact from the lyrics alone since like their fellow countrymen Magma, they have invented their own unique language with a basic vocabulary of about 300 words to grace their musical expressions which adds a whole extra layer of exoticness and complexity which is explained on their BandCamp site. The name of the band isn’t an umlaut lover’s cutesy version of “hugs and kisses” but rather is a code that means 69 in their invented language. RËVËÜRT is their debut release and the music is very much like the eerie artwork that graces the cover. ÖXXÖ XÖÖX is truly a unique band that takes various elements of doom and gothic metal and mixes it with symphonic classical, dark ambient, chamber music and avant-garde time signatures that unpredictably hop, skip and jump from one passage to another eschewing virtually any known methods of songwriting construction. The music generally marches along at mid-tempo with occasional outbursts of energy.

The album begins with thundering percussive claps, demonic church organs and a group sing along with the lead gothic male vocals of Laurent Lunois becoming joined in by the female ethereal vocals of Laure Le Prunenec aka Rïcïnn. Like all the monstrously long and slowly wending and winding tracks on RËVËÜRT, “Ägörth” takes its time to build up its thick atmospheres and musical intensity that delivers a synth-drenched gothic metal extravaganza with beautifully twisted classical melodies gone wild. The track is very representative of the entire album and RËVËÜRT really feels like variations of a single theme and at 77:57, a very long demanding theme but somehow this band is capable of delivering enough hooks and variations of the passages to keep my attention fully focused on their weird and twisted avant-garde take on perhaps a metal take on “Phantom Of The Opera” and even makes me think of what would happen if an avant-garde metal band like Unexpect joined in with goth tinged Type O Negative to create a mesmerizing, energetic and utterly unforgettable experience.

While the music is fairly consistent in its atmospheric delivery making me think of a haunted evening at Notre Dame where the spirits are restless, the moon is full and all kinds of dark magic is afoot, the unpredictability really comes in how the band unfold their tracks in the songwriting department. At times we will hear a Chopin-esque classical keyboard run accompanied by doom metal guitars, highly technical percussive chops with eerie synthesizers and Gothic vocal motifs and at other times whizzing harpsichords accompanied by string ensembles and operatic vocal interactions A combo of effects that leaves me begging for more. While RËVËÜRT is generally tagged as avant-garde metal, the truth is that the metal only occurs a portion of the time with many long passages being performed exclusively on piano, others on synth and others on drums with the metal only joining for the more aggressive sections. Whatever you want to call this, it is truly one that demands a few listens to sink in but one that has been enjoying a regular rotational spin in my world. The musical flow is totally intense and the vocals sung in this exotic language take the listener to extreme musical realms where the celestial and terrestrial temporarily become one.

ÖXXÖ XÖÖX (2) Nämïdäë

Album · 2015 · Avant-garde Metal
Cover art Buy this album from MMA partners
siLLy puPPy
After gracing the world with their new musical style created to foment the blooming of the mind that takes root in inner universal truths, the umlaut loving ÖXXÖ XÖÖX spent four long years crafting their sophomore album NÄMÏDÄË which once again displays their invented language created from their intuition and set to their own codification of rules. Once again we are treated to the progressive amalgamation and musical alchemy of the musical soul to create another haunting and riveting sequel to their debut “Rëvëürt.” After releasing the debut independently, this bizarre atmospheric goth and doom symphonic metal band moved things over to Blood Music and deliver another long winding operatic metal extravaganza that spans the lengthy time of 74:46 but like the previous offering leads the listener through a sonic epic musical journey that unfolds and reveals its charms slowly but never fails in the entertainment department as to keep me enthralled for the entirety of playing time.

Stylistically NÄMÏDÄË delivers the exact same recipe as the debut by incorporating classically inspired keyboard runs tainted with odd time signatures, technical drumming wizardry of Isarnos with the operatic dramatic flair of vocalists Laurent Lunoir and Laure Le Prunenec all accompanied by doom and gothic metal aggression. While the atmosphere and instrumentation remain the same on album number two, this one has more intense and interesting compositions. It seems that all the ingredients have been put on a higher flame and the result sizzle in a more dynamic and varied sounding album. The synthesized atmospheric generator is thicker than a fog filled evening in a cemetery, the metal is much more aggressive and appears more often with even scant traces of thrash creeping in whilst the lyrical delivery is even more vehemently pronounced, passionate and prophetic sounding. The compositions meander though softer and heavier passages and while Lunoir’s Gothic vocals are dominant on the softer passages, he utilizes more extreme metal shouting and growls on the heavier parts at times thus bringing the mood into more aggressive musical arenas, however the music generally marches along at mid-tempo.

Once again ÖXXÖ XÖÖX constructs a beautifully delicate album where the mixing and production of the all the sounds on board are perfectly woven together to create one of the most atmospheric drenching dark ambient gothic doom metal meets operatic classical music that easily sets this band apart from virtually any other in the world and beyond today. Where else are you gonna hear doom and goth metal played together with lush string sections, haunting church organs, harpsichords, tech drumming, passionate pleas in some exotic tongue all enshrouded in unorthodox song structures that eschew any rules yet all rooted in catchy classically based melodic developments? Well, if that sounds interesting to ya, then look no further than NÄMÏDÄË because this is the real progressive / avant-garde metal deal that takes all this disparate elements and blends them together seamlessly in sprawling epic tracks that flow together to create an utterly unique and mind-blowing listening experience.

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