De Magia Veterum is just one of numerous projects spawned by the twisted éminence grise of experimental black metal. Mories, as he is the person in question, must be a very busy man. As the mastermind of Gnaw Their Tongues, Aderlating, Cloak of Altering, Seirom and countless other projects, he became an incarnation of organized chaos, abyss explorer and prophet of misanthropy rolled into one. To our delight, he released IN CONSPECTU DIVINAE MAJESTATIS for free. Does it mean he doesn't hate people as much as it seems. Well, I doubt it.
Mories' deep fascination with noise and ambient is well noticeable in the EP(and all other DMV's albums, for that matter). Unlike Gnaw Their Tongues or Seirom, De Magia Veterum is first and foremost a black metal project. There's no place for brooding ambient intros or psychedelic interludes. Sound is oppressive, muddy and painfully coarse, abusing your ear drums with overpowering wall of distortion, frantic drums and rasping shrieks - doing it from the very beginning. The sound is surprisingly sharp and selective, though, which is another proof of Mories' unparalleled talent for sound production.
Compared to MIGDAL BAVEL(previous release from De Magia Veterum), more emphasis was put on structured chaos and extended passages of dissonant riffs. MIGDAL BAVEL seems to be more straightforwardly atmospheric and monolithic yet also more unrelenting, both composition and sound-wise. Consequently, IN CONSPECTU DIVINAE MAJESTATIS reminds me a bit of Deathspell Omega, although this one is even more daring, demanding and experimental. Furthermore, the ambiance created by Mories is more diverse, therefore being harder to define.
What would all that be without a human element, though? Now, that's the point. Mories managed to put so much emotion into that record, so much passion boils within this outburst of chaos, that I'm absolutely sure no one could do it better. Do not hesitate, download it while it's still available.