Warthur Hailing from the Faroe Islands and delivering all their lyrics in the local Faroese dialect, Hamferð deliver up a mournful style which really puts the "funeral" in "funeral doom metal". One can imagine a sparse smattering of mourners making their way out in a rainstorm to bury their dead, lashed by the winds of the far north, the bitterness of the Arctic cold sweeping down from the north, in a hilly country where no matter where you go, you're never quite that far from the chill, uncaring sea. Gloom hangs over all, and if that sounds like a good time, you may as well check the album out.

Nightfly I’ve only just discovered Faroese doom metal band Hamferð. Their first album Evst released in 2013 having totally passed me by. Still, better late than never and I’m certainly glad to have caught up with them now as Tamsins Likam is the best album I’ve heard in the doom realm for quite some time.

Tamsins Likam is part three of a trilogy that began with their 2010 EP Vilst Er Siðsta Fet. It’s the story of a man who’s racked with guilt over the fate of his family. The story however goes backwards, starting with his death on the EP. Evst was the run up to his death and Tamsins Likam goes back to an earlier time where he and his wife are dealing with the loss of a child. You’ll have to take my word for this however as all the lyrics are sung in Faroese.

Funeral doom is a genre that I generally can only take in small doses despite enjoying work from Evoken, Shape Of Despair and Ahab in particular. The deathly slow tempos wear a bit thin with me after a while and it can sometimes come across as a little one dimensional with little room for variation despite many bands injecting atmospheric and mellower moments between the crushingly heavy riffs. Whilst Hamferð take funeral doom as a starting point, there is more to them than this. Sure there’s the expected doom drenched guitar riffs but drummer Remi Johannesen has a musicality not often seen in the genre amongst drummers with some inventive patterns shaping the song structures. I know very little about the Faroe Islands other than it’s around 200 miles north of the top end of Scotland, but through their music they manage to convey a feeling of cold stark beauty echoing my impression of the place, or what I imagine it to be anyway. This gives their music a unique flavour making them stand out from the doom crowd.

The album kicks off with Fylgisflog in a very understated way. Sparse guitar work and Jón Aldará’s clean mournful vocals take centre stage until it explodes into more familiar doom territory with Aldará using growls for the heavier sections. The music has a cinematic feel for want of a better way of putting it, aided by atmospheric keyboard work, with big riffs displaying a melodic sensibility with much musical tension present. There’s a beauty in this music that in a way reminds me of the way Opeth used to do it in their metal days – the way they could inject beauty in and around the most heavy riffs. Don’t mistake this for thinking they sound like Opeth though but you could say Hamferð are to doom what Opeth were to death metal. This sets the scene for much of the album with quiet restraint juxtaposed against the heavier sections. An exception is the death doom of Hon Syndrast which sounds huge from start to finish with some imaginative chord progressions, riffs and time changes making for a totally captivating listen and is perhaps my favourite of the entire album.

Tamsins Likam is a complete masterpiece of metal and I was so impressed I immediately ordered their last album Evst and plan on doing likewise with their first EP shortly. So early in the year yet I can already declare with confidence that this will be one of the best albums I’ll hear in 2018.