RUSH — All the World's a Stage (review)

RUSH — All the World's a Stage album cover Live album · 1976 · Hard Rock Buy this album from MMA partners
4/5 ·
Modrigue
Rush's first live album

One live release every four studio albums, this will be the rule. Recorded in 1976 in Toronto, the band's town, "All The World's A Stage" covers RUSH's first period, from 1974 to 1976. A this time, the Canadians were beginning to incorporate progressive elements in their powerful seventies hard / heavy rock. The set-list features extracts from their self-titled debut, "Fly By Night", "Caress Of Steel" and "2112". All discs are well represented and the songs are interpreted with energy, volume and conviction.

Skipping the "Discovery" and "Oracle: The Dream" sections, "2112" has been shortened to 16 minutes. Overall cool, however I do prefer the more polished studio version. On the contrary, "By-tor And The Snow Dog" has been extended to 12 minutes and is undoubtedly the highlight of the record, maybe superior to the original. The band sculpts here an incandescent sonic magma, especially Alex Lifeson creating a maelstrom of furious cosmic guitars. Terrifying! The mysterious spacey interlude is also transcended and simply gorgeous. An unbelievable tour de force! The selection of the average "In The End" as a calm ballad to slow the pace down is a curious choice. "Working Man / Finding My Way" features a long drum solo at the end, Neil Peart being called "The Professor" by Geddy Lee.

Although a bit lengthy, "All The World's A Stage" clearly remains one of the band's best live releases. The concert will please every early RUSH fans, and is also a good entry point for newcomers to discover the trio's first period.
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