BLOTTED SCIENCE
Progressive Metal • United States

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BLOTTED SCIENCE is an instrumental extreme prog metal project headed by Ron Jarzombek of WATCHTOWER and SPASTIC INK fame.Ron contacted CANNIBAL CORPSE bassist Alex Webster about a possible collaboration in 2005,and the two soon started looking for a drummer.The first drummer for the project was Chris Adler (LAMB OF GOD),after his departure he was replaced by Derek Roddy (HATE ETERNAL,NILE).Ron called this incarnation MACHINATIONS OF DIMENTIA. Roddy then left the group and Ron found the perfect drummer for his project inBEHOLD...THE ARCTOPUS skinsman Charlie Zeleny and the band name was changed to BLOTTED SCIENCE.The band released their debut album "The Machinations of Dimentia" in 2007.

BLOTTED SCIENCE play extreme,technical prog metal similar to the members bands SPASTIC INK and BEHOLD...the ARCTOPUS and also other bands in this genre like DYSRHTHMIA,CONTINUO RENACER and CANVAS SOLARIS.Highly recommended for fans of intense,complex and extreme instrumental progressive metal.

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Machinations of DementiaMachinations of Dementia
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Animation of EntomologyAnimation of Entomology
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BLOTTED SCIENCE Discography

BLOTTED SCIENCE albums

.. Album Cover 4.13 | 11 ratings
The Machinations of Dementia
Progressive Metal 2007

BLOTTED SCIENCE EPs & splits

.. Album Cover 4.75 | 2 ratings
The Animation Of Entomology
Progressive Metal 2011

BLOTTED SCIENCE live albums

BLOTTED SCIENCE demos, promos, fans club and other releases (no bootlegs)

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BLOTTED SCIENCE Music Reviews

BLOTTED SCIENCE The Animation Of Entomology

EP · 2011 · Progressive Metal
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Conor Fynes
'The Animation Of Entomology' - Blotted Science (9/10)

It's finally here.

In 2007, musical 'mad scientist' Ron Jarzombek and legendary death metal act Cannibal Corpse's bassist Alex Webster came together to release 'The Machinations Of Dementia' under the name Blotted Science. Taking in the best elements of both musicians, the music was viciously technical, heavy, and ultimately one of the most brilliantly complex metal albums ever made. Despite the overwhelming critical support and acclaim that Blotted Science received in 2007, I wasn't even sure that this project would see any future releases. After all, after virtually perfecting a sound at their first try, where was there to go? All the same, Blotted Science has come back again, this time in the form of a twenty-four minute long EP. Although it may sound like traveled ground for some, there's no denying that the band has done it again; Blotted Science have crafted another masterpiece of tech metal.

As I described the debut, Blotted Science's sound is essentially technical death metal, without the growls that seem to turn off so many prospective listeners. In any case, while Blotted Science may lack the defining feature of death metal, they remain heavy as hell, with guitars blazing, bass pummeling, and the drums firing as precisely as an atomic clock. While there may not be lyrics here, Blotted Science also tends to have albums based on a theme. With 'The Machinations Of Dementia', Jarzombek and company built this music on the foundation of brain disorders, titling their songs after brain disorders and gearing the music to revolve around what feelings they might evoke. On their second run-through, Blotted Science maintain their cold, mechanically oriented themes, this time dealing with the nature of bugs, and all of the different unsettling things they do. The album cover is crawling with them, and while I thought that the subject of brain dysfunction worked perfectly for Blotted's music, this new subject mirrors the music perfectly.

Over the course of seven tracks (four of which are bound together in a mini-epic), Blotted Science's number one goal seems to be to make their listener's heads explode in amazement. Sure, plenty of guitarists can shred and some even have a deep knowledge of theory. Still, I am hard-pressed to think of another band that is able to play together with such complexity as Blotted Science. The music is highly aggressive, with 'Ingesting Blattaria' opening up the album with a barrage of nearly incomprehensible tech-heaviness that soon breaks up into an incessant fusion of technical death metal riffs, sci-fi lead solos, and a surprising depth of atmosphere that lets the horror-styled undertones of the music get inside your head. Jarzombek and Webster are an absolutely devastating pair, whose respective styles compliment each other greatly. New to the band is drummer Hannes Grossmann, who brings a subtle jazz flourish to the band; I would say the intense and dynamic drumming here is even better than Charlie Zeleny's performance on the debut.

Despite a change in apparent subject from brain disorders to bugs that cause them, , the actual music of Blotted Science has barely changed, if at all. As much as I am blown away by what Blotted Science do with 'The Animation Of Entomology', there are no creative leaps here beyond what the band did on 'Machinations'. For this, I cannot quite consider it the classic that the band's debut is, even if Blotted Science have some even greater moments here. One thing I could mention that seems to set 'Animation' apart from its predecessor is that the mellower moments here are integrated a little more cohesively into the music that on 'Machinations', where the brutal tech metal and schizoid jazz explorations where largely kept separate from each other. While I may have been a little disappointed at first that Blotted Science's second album was only twenty four minutes long, this does work for the exhausting style of the band. I would not consider 'The Animation Of Entomology' necessarily to be an improvement in what Blotted Science has done, and certainly not a development. All the same, the depth in the composition is very consistent, and as impressive as it ever has been. While I thought their debut was a virtually impossible achievement, Blotted Science have gone out and done it twice.

BLOTTED SCIENCE The Machinations of Dementia

Album · 2007 · Progressive Metal
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Conor Fynes
'The Machinations Of Dementia' - Blotted Science (10/10)

To put it simply, this is the most accomplished technical metal release ever created.

While the genre of technical progressive metal has gotten a bad name in the eyes of some for it's typically overindulgent and mindless showboating and lack of substantial depth, there will always be bands, or albums that really excel and break through the barriers of convention to deliver something that really blows the doors away. While the metal world is full of greatly talented, skilled and even genius musicians, I will admit that there have been only a handful of albums that have impressed me so much on a musical level in instrumental metal, and arguably none that have blown me away as much on a technical level as Blotted Science does however. While this is not going to be the order of the day for everyone, 'The Machinations Of Dementia' is easily one of the greatest instrumental albums ever made.

Essentially the brainchild of virtuoso guitarist Ron Jarzombek (of Watchtower/Spastic Ink fame), Blotted Science was created out of the urge to make a progressive metal supergroup of some of the most talented and skilled musicians in the scene. What might come as a bit of a shock to the progressive side of the prog metal scene is that the bassist chosen to be part of this project is Alex Webster, of Cannibal Corpse. While Cannibal Corpse isn't exactly known for their penchant of thought-provoking themes and music, they are indeed talented musicians and Alex Webster's frantic bass work steals the show here. With a presence much greater here than on most other albums, the technical bass display adds a dimension to the music that really compliments Jarzombek's left-of-center guitar playing. Add in some near-obsessive mathematical drumming from Charlie Zeleny (of Behold... The Arctopus) and Blotted Science comes together to produce something that is nearly unparelleled in terms of it's complexity and chaos.

Although the music is entirely instrumental, the concept of mental illness and psychology flows throughout the album, as is conveyed through the song titles. As with all great concept pieces, the music reflects the nature of the subject matter; frenetic work, crushing heaviness and mathematically impossible polyrhythms give 'Machinations' a very unsettling and disturbing feel to it. While there are a few tracks that stand out on their own as individual songs ('Laser Lobotomy,' 'Night Terror') the album generally flows together as a long piece. While such complexity and technicality can be overwhelming over the course of fifty-odd minutes, the high level of compositional quality and experimentation lies throughout.

Possibly best described as an 'instrumental technical death metal' album, Blotted Science gets very heavy amongst the technicality. 'The Machinations Of Dementia' is an insanely complex and immersive listen. Any fans of progressive metal should find something to love here, but make no mistake; you'll be exhausted by the end of it.

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