SULPHUR AEON — Gateway to the Antisphere

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SULPHUR AEON - Gateway to the Antisphere cover
4.06 | 4 ratings | 2 reviews
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Album · 2015

Filed under Death Metal
By SULPHUR AEON

Tracklist

1. ... to Drown This World (1:56)
2. Devotion to the Cosmic Chaos (5:40)
3. Titans (5:00)
4. Calls from Below (4:22)
5. Abysshex (5:25)
6. Diluvial Ascension - Gateway to the Antisphere (5:52)
7. He Is the Gate (5:34)
8. Seventy Steps (5:20)
9. Onwards... Towards Kadath (5:50)
10. Into the Courts of Azathoth (4:18)
11. Conclusion (2:30)

Total Time 51:47

Line-up/Musicians

- M. / Vocals
- T. / Guitars, Bass
- D. / Drums

Release Staff:

- Simon Werner / Producer
- Ola Larsson / Cover art

About this release

Co-released by Imperium Productions & Ván Records, April 3rd, 2015.

Thanks to adg211288 for the addition



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SULPHUR AEON GATEWAY TO THE ANTISPHERE reviews

Specialists/collaborators reviews

UMUR
"Gateway to the Antisphere" is the second full-length studio album by German death metal act Sulphur Aeon. The album was co-released through Imperium Productions and Ván Records in April 2015. Sulphur Aeon was formed in 2010 and released a demo in 2010 and the "Deep Deep Down They Sleep" EP in 2012. The band released their debut full-length studio album "Swallowed by the Ocean's Tide" in 2013.

Stylistically the material on "Gateway to the Antisphere" contineus the energetic, chaotic, technically well played and brutal blackened death metal style of "Swallowed by the Ocean's Tide". This is the style of music Sulphur Aeon have been playing since the 2010 "Sulphur Psalms" demo, although they have of course developed their style and overall sound since that release. I read somewhere that their sound is reminiscent of the fast-paced and technical death metal of Nile and the brutal blackened death metal attack of Behemoth, and it´s not far off the description I´d give the music. The sometimes surreal atmosphere and Lovecraftian horror lyrics give Sulphur Aeon their own uniqueness though, and although I wouldn´t call them the most original sounding death metal act, they certainly understand how to seamlessly combine many different death metal subgenre elements.

The material lacks slightly in the catchiness department and it´s not the most dynamic music either, with the pedal to the metal almost the entire time, and it would have been nice with a bit more focus on memorability and variation between tracks. It´s the same gripe I had with "Swallowed by the Ocean's Tide", and although I think Sulphur Aeon have branched out and now incorporate even more different death metal subgenre elements than ever before, I could have wished that I was able to better tell the tracks apart. Repeated listens of course reveal more nuances and details, but a few more hooks would have made a positive difference.

There´s often a chaotic feeling to the music, which is further enhanced by the sound production choices, and again it would have been nice to be able to hear some of the riffs a bit more clear and defined in the mix. But it´s obvious that Sulphur Aeon go for atmosphere before riffs, which is arguably a black metal aestethic rather than a riff heavy death metal ditto. Nothing wrong with that, it´s just what you have to set your expectations to hear. A 3.5 - 4 star (75%) rating is deserved.
Nightfly
Gateway To The Antisphere is the second album from German death metal band Sulphur Aeon. Their debut, Swallowed By The Oceans Tide was a stunning piece of dark and brutal death metal, inspired by the stories of H.P. Lovecraft. Gateway is clearly from the same place, the Lovecraftian imagery of the eye catching cover giving the game away.

Gateway To the Antisphere is a dense and brutal piece of work, complex, with great musicianship, though not quite entering the realms of technical death metal like Nile for example though like them, making use of middle eastern influenced melodies now and then. The production is thick and a little muddy but seems to suit the darkness and heaviness of the music but pleasingly everything can still be clearly heard. Sulphur Aeon have come up with some of the most captivatingly dissonant and inventive death metal riffs (courtesy of the brilliant T) I’ve heard in some time and it never lets up on quality for the full eleven tracks though Onwards… Towards Kadath is a late highlight. D’s drumming (yes, the band all go by an initial) is particularly jaw dropping, blastbeats a plenty of course but throwing in loads of great fills that help really drive the music on and add to the cacophonous nature of it all.

Sulphur Aeon have delivered the goods again and come up with my favourite death metal album of the year so far. I haven’t heard the new Nile album yet (due to the vinyl version being delayed…damn!) and I have high expectations but it’s going to have to pull out all the stops to beat this monstrous slab of metal.

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