SilentScream213 Cathedral’s sophomore album is a slight transition from their purely Doomy debut. Never thought I would say this, but the Stoner tinge added here definitely improves the album. The riffs and energy here is awesome, and some tracks, namely the first half, are just great fun. Even so, they retain that Doomy delivery and aesthetic, with interesting lyricism that dances between abstract psychedelic madness and gloomy pessimism. The songs are much more energetic and eclectic, with the rhythm section especially picking up in interest factor.

On the other end of the spectrum, some of the tracks here are much more gloomy, passionate and serious than anything on the debut. A great example of this is “Jaded Eternity” which is pure Paradise Lost in style, monumental riffs and passionate chorus taking it as far as the band can go. The second half of the album in general sticks pretty close to true Doom, though retaining some of the newfound energy the band picked up.

This juxtaposition of energetic grooving and dark gloom work wonderfully on the album, at times kept separate and others intertwined. The vocals can be an acquired taste, but they definitely appeal to me, especially in the places where his roar is tinged with sorrow, a gruff bellow still wonderfully able to hold notes and melodies. Awesome album that offers a great mix of moods and styles.

UMUR "The Ethereal Mirror" is the 2nd full-length studio album by UK doom metal act Cathedral. The album was released through Earache Records in February 1993. It´s the successor to "Forest of Equilibrium" from 1991 and features two lineup changes since the predecessor as bassist Mark Griffiths and drummer Mike Smail have left the band. The former has not been replaced and the bass on the album is therefore performed by guitarist Garry Jennings. New drummer is Mark Wharton. The remaining part of the lineup are lead vocalist Lee Dorrian and guitarist Adam Lehan.

While "Forest of Equilibrium (1991)" is probably among the most brick heavy and dark doom metal releases out there (even occasinally featuring an extreme metal edge), "The Ethereal Mirror" works a bit like a transition album from their gloomy early days to the more uplifting and also predominantly more upbeat stoner doom of the subsequent releases. "The Ethereal Mirror" features a bit from both worlds. It´s the last Cathedral album to feature two guitarists in the lineup, but the two guitarist lineup make sure they go out with a bang, as there are loads of harmony guitar work featured throughout the album. In addition to that the music features heavy riffs and rhythms, and Lee Dorrian´s raw shouting vocals in front. His vocals are less dark and eerie compared to his performance on the predecessor, but still suitably dark for a doom metal release, and he occasionally still sounds like a mad preacher confined to the asylum.

Because of its transitional nature "The Ethereal Mirror" is a relatively varied doom metal release. Tracks like "Ride" and "Midnight Mountain", and to some degree "Grim Luxuria", are pretty much stoner doom metal tracks (the two former with an upbeat rhythm), while tracks like "Enter the Worms", "Jaded Entity", and "Phantasmogoria" are pretty slow and dark doom metal tracks. "Fountain of Innocence" and "Imprisoned in Flesh" show a psychadelic direction, but no matter what they do on this album, Cathedral succeed, because the tracks are all well written and memorable.

They are also delivered with the right amount of passion and skill, and while Lee Dorrian is proabably a bit of an aquired taste, and he doesn´t always hit the notes 100% clean, he is a great asset to the sound on the album, and provides the music with something unique. It´s definitely one of his best and most varied vocal performances on a Cathedral album. "The Ethereal Mirror" features an organic, powerful, and detailed sound production, which further enhances the listening experience and suits the material perfectly. To my ears it´s a high quality doom metal album and a 4.5 star (90%) rating is deserved.

Unitron This album completely changed my definitions of what doom metal could be (to the point of not even knowing if this is doom at all, but who cares). Doom metal is usually all about sounding dark, lethargic, and/or depressed right? Cathedral said 'fuck it', here's a bit of ominousness, but lets have some fuckin' fun.

Never have I heard another band come from the genre with this much exuberance, energy, personality, infectious hooks up the ass, grooves, and a special goofy charm that only Lee Dorian can pull off. Listening to the singles of Ride and Midnight Mountain make me wonder how the hell these guys didn't make it big. The riffs are massive, and the songwriting is honed to create the perfect metallic bop. Even songs like Enter the Worms, Fountain of Innocence, and Grim Luxuria balance out lumbering doom with huge grooves that bring a party.

Frontman Lee Dorian really commands the stage, he sounds like a party animal who doesn't know when to quit. His vocal style is so unique, with this weird and charismatic tone that brings light to every song no matter how dark the guitar riffs sound. Even when he's not 'OH YEEEAAAAH' and 'GROOVIN' ALL NIGHT', he's singing the chorus of Grim Luxuria the same way. It's absolutely fantastic.

Rather than filing this with Candlemass and Saint Vitus, this is probably better thrown together with grunge and groove metal (At least that's what I typically pair it with).

Warthur Although over time I have come to appreciate the early doom sound that Cathedral had on their debut - a style of comparatively purist doom metal flavoured and given a little extra edge by the band members' past experience in various extreme metal subgenres - the style wouldn't last long. Already, on their second album, you could hear the gear shift, with the band already moving away from traditional doom to the sort of good-natured stoner metal that would be their calling card for much of their subsequent career. This unfortunately puts more of a spotlight on Lee Dorrian's vocal performance, which frankly I find to be a turn-off, and the catchier, simpler, more accessible sound feels kind of vapid and empty to me if I'm being brutally honest.

arcane-beautiful After their debut, this was a very gutsy move.

After making a landmark doom album, Cathedral decided to have a bit of a dramatic change, and take that disco doom element found in moments of their earlier material, and kind of put a spotlight on it. And it's pulled off magnificiently, with kick ass riffs and moments that will groove you to the bone. Now some people may think it's a bit of a joke at times, but it really isn't, it just works so well.

This album also seems to have a more Prog influence, with the longer tracks, being slightly shorter than their debut, being more diverse and compacted...and to be honest, kind of suprises you that all this was packed into an 7 to 8 minute song...and you kind of want more after it, but are still feeling fullfilled. The shorter songs on the other hand are more to the point and highly enjoyable.

I would say this is my 2nd favourite Cathedral album...and I wouldn't say it's a masterpiece, but these songs are highly enjoyable and this album is too. The video's from this album are also worth checking out, expecially one in particular.

1. Vioet Vortex - Great intro. Very melodic and kick ass. 9/10

2. Ride - Kick ass song with some great lyrics. Chorus isn't too bad, although I've heard better Cathedral chorus'. 9/10

3. Enter The Worms - I love the chorus. It's such a diverse song with a load of interesting twists and turns. 10/10

4. Midnight Mountain - Please watch the video for this song, it's hilarious, and really highlights the disco doom element. Incredibly cheesy but it's so good. Killer kick ass grooves and riffs. 10/10

5. Fountain Of Innocene - One of Cathedral's most diverse songs. I thought this was going to be the generic Planet Caravan ripp off found on most upbeat doom bands albums, but it really transformed into something else. Full of exicitng twists and turns, and Lee's vocals really are very diverse. The instrumental sections are also amazing. 10/10

6. Grim Luxuria - A bit like a doomy rollercoaster. Very crazy at times with some killer riffs and moments. 9/10

7. Jaded Enitity - Love the intro. A very exciting song. Greatt riffs in the instrumental section. 10/10

8. Ashes You Leave - Great riffs and killer vocals. Not as diverse and exciting though. 8/10

9. Phantasmagoira - Evil intro. Very reminiscent of the 1st album with riffs like a trompling behemoth. 8/10

10. Imprisoned In Flesh = Very beautiful. Lee's vocals really are beautiful and amazing...to be honest, this song shocked me a bit. 10/10

CONCLUSION: My 2nd favourite Cathedral album...and I love Cathedral...and you will too!

Time Signature Ride...

Genre: doom metal / stoner metal

It's got doom. It's got gloom. It's got groove. It's got melody. "The Ethereal Mirror" is my favorite Cathedral album. Although they have adopted a more uptempo and less doomy stoner metal style (I don't think stoner metal is really doom metal, so to me, the genre term "stoner doom" is a void [and kinda stupid] one), there are a lot of heavy, doom-ladden riff on this album, such as the mighty opening riff of "Enter the Worms", the intros to "Grim Luxuria", "Jaded Entity", and "Phantasmogoria". All of these tracks succesfully combine doom and groove, and all of the tracks on the album are groovy to some extent. As it happens, my favorite track is the intro track "Violet Vortex" - probably because it combines traditional doomy riff with catchy melodies.

While not the greatest singer in the world, I think Lee Dorrian does a great job on this album. His raw and weird vocal style just fits this sort of groovy and heavy music very well... as do the otherworldly imagery of his lyrics.

Most fans of "real" doom metal will probably prefer Cathedral's debut album to this one, but, if you're into groovy music as well, do yourself a favor and check out this gem.