Nightfly Over more recent years Helstar have been responsible for some very good to excellent thrash/power metal albums, the last being 2014’s This Wicked Nest. Whilst this leant heavily towards thrash their earlier work was more in the traditional metal and US power metal style. I have to be honest and say I never knew what all the fuss was about with A Distant Thunder which I know is loved by many but for me things improved when the thrash started creeping in. I know a lot of fans prefer this era but I feel they’ve hit a rich vein of late releasing much of their best work yet. Vampiro sees a partial return to earlier times with less emphasis on the thrash elements.

Not for the first time have Helstar visited the realms of Vampires. Long-time fans will remember 1989’s Nosferatu, a firm favourite of many and their debut also contained a song called Dracula’s Castle. Awaken Into Darkness kicks things off and compared to Fall Of Dominion, the opener on This Wicked Nest its relatively subdued with a more melodic sensibility though with James Rivera’s histrionic vocal style it’s business as usual. Now don’t get the idea that this isn’t still heavy stuff and if confirmation were needed mid-song they up the pace and hit thrash mode. Following track Blood Lust also sits well with recent albums but overall a more measured approach is the order of the day on a fair proportion of the rest but we are talking relatively speaking here. Nevertheless, this is still great stuff packed with powerful and memorable riffs and there’s plenty of pace in much of the material. The rhythm section is solid as a rock with drummer Michael Lewis being joined by new bassist Garrick Smith. Andrew Atwood is the other new member joining life sentence original member Larry Barragan in the guitar department making an impressive pairing with some compelling lead work too.

Vampiro is an excellent piece of work and anyone who’s enjoyed Vicious Rumors more recent albums should also find plenty to get stuck into here. As already mentioned, whilst not abandoning the thrash there’s more of a US power metal feel to much of this, but the albums none the worse for it and although not necessarily better is the equal of most of their past releases.