siLLy puPPy One of the early pioneers of what has become known as blackgaze, the London based FEN has been referred to as the English Agolloch and for great reason. Both bands develop lengthy soundscapes that evoke vast desolate terrains that are bereft of hope and fuse the world of atmospheric black metal with post-rock, acoustic guitar passages and nightmarish atmospheres although FEN while following Agolloch’s footsteps, took things into even bleaker depths of depression and without the folk elements.

Formed in 2006 and named after the Fens of East Anglia, the quartet of The Watcher [Frank Allain] (vocals, guitar), Grungyn [Adam Allain] (bass), Theutus [Daniel Spender] (drums) and Draugluin (keyboards) released the EPs “Ancient Sorrow” and “Onset of Winter” before unleashing this ferocious debut THE MALEDICTION FIELDS onto the world. Given the success of the first blackgaze band Alcest, FEN followed the stylistic approach only kept the fiery black metal aspects in tact making their debut sound like an early second wave black metal album that incorporated the world of post-rock.

The seven tracks that make up THE MALEDICTION FIELDS feature atmospheric and ambient soundscapes that alternate between depressive acoustic passages and caustic black metal outbursts and everything in between. While black metal in general is usually uptempo with blastbeats in a furious rampage, FEN opted for a mellower mid-tempo trot. The band has been called the perfect mix of Agalloch, Negura Bunget, Primordial and Burzum but of course that only gets you in the right ballpark. Like many of these bands, The Watcher’s vocals range from raspy screams to clean melodic ones.

Unlike much post-rock and -metal, FEN offers melodic song structures that simply extend the playing times with long repetitive and hypnotic extensions. The track lengths all exceed seven minutes (minus one that misses by two seconds). The song structure also adopts subtle influences from progressive rock with complex arrangements that don’t seem quite so because of the slower ratcheting up effect. Like most bands that fall into the world of blackgaze, this one sort of meanders and implements the harsh tones, timbres and distortion of black metal but basically in the music itself falls into the world of post-rock and mellow prog.

This was highly touted as the next best thing when it was released in 2009 but i can’t say i’m the hugest fan of THE MALEDICTION FIELDS. It’s definitely an interesting and unique experience but it seems lopsided in many ways. While the black metal parts are performed exquisitely, the clean vocal parts are quite weak to my ears. There’s just something that seems to be missing and i can’t quite put my finger on it. The album is also way too long with one too many sprawlers for my liking. The most unsavory parts come when the raspy black metal vocals are singing in tandem with the clean vocals. Some sort of beauty and the beast take that falls flat. Innovative for sure but pleasant to listen to over the long run? Not really. This is definitely one of those albums that once the wow factor wears off it becomes quite average.

Warthur Though I found that the followup, Epoch, suffered from a little sophomore slump, I was impressed enough by Fen's Winter to want to go back and explore more of their discography, and I find that The Malediction Fields is a superior example of their early sound. It's still atmospheric black metal with some blackgaze elements, but what makes this a keeper for me is the slightly more prominent post-rock influences, making Fen a sort of UK answer to the likes of Agalloch. Deftly balancing harsher and more gentle musical stretches, Fen display a deft command of atmosphere here, which of course is the name of the game in this particular black metal subgenre.

UMUR The Malediction Fields is the debut full-length studio album by UK post/ experimental black metal act Fen. The album was released on the 16th of January 2009 through Aural Music / Code666. The band was formed in 2006 and released an EP in 2007 called Ancient Sorrow ( a very rare vinyl version exists of this EP limited to 250 copies on brown vinyl). They´ve also released a demo/ promo in 2008 called Onset of Winter. The latter features the track As Buried Spirits Stir which is also featured on The Malediction Fields.

The music is strickingly beautiful IMO. Ambient post black metal with lots of string sound keyboards and an excellent flair for melody. The basis is raw black metal with the typical raspy vocals and noisy guitar wall but there´s so much more to the music on The Malediction Fields than that. In addition to the raspy vocals there are also some clean vocals. The melancholic and slightly out of tune clean vocals remind me of how Jonas Renkse sounded on Discouraged Ones (1998) by Katatonia or the clean vocal style on some of the early Novembre albums. There are lots of clean guitar parts too which really adds to the melancholic atmosphere on the album. A touch of post rock. The overall sound on the album is grand. Almost monumental at times. All songs are of high quality but I have to mention Colossal Voids which is the song that has most clean vocals. It´s such a melancholic and beautiful song. The pace of the music on the album varies from slow to fast ( I wouldn´t call it blasting but close). I think the variation in pace is one of the strengths on the album. The album never get boring or too repetitive.

The musicianship is good allthough there´s nothing really challenging going on. This is music made to create an atmosphere. It´s not made to show off.

The production is raw but suits the music well. The drums are a bit low in the mix and sounds a bit muddy at times but it´s actually sort of charming. This kind of music really wouldn´t work with a crystal clear production.

The Malediction Fields is an excellent debut album by Fen. Fans of atmospheric and ambient post black metal should definitely check this one out. I´ll rate the album with a fully deserved 4 star rating.