FEN — The Malediction Fields (review)

FEN — The Malediction Fields album cover

Album · 2009 · Atmospheric Black Metal

3.5/5 · 2021-12-21
siLLy puPPy

One of the early pioneers of what has become known as blackgaze, the London based FEN has been referred to as the English Agolloch and for great reason. Both bands develop lengthy soundscapes that evoke vast desolate terrains that are bereft of hope and fuse the world of atmospheric black metal with post-rock, acoustic guitar passages and nightmarish atmospheres although FEN while following Agolloch’s footsteps, took things into even bleaker depths of depression and without the folk elements.

Formed in 2006 and named after the Fens of East Anglia, the quartet of The Watcher [Frank Allain] (vocals, guitar), Grungyn [Adam Allain] (bass), Theutus [Daniel Spender] (drums) and Draugluin (keyboards) released the EPs “Ancient Sorrow” and “Onset of Winter” before unleashing this ferocious debut THE MALEDICTION FIELDS onto the world. Given the success of the first blackgaze band Alcest, FEN followed the stylistic approach only kept the fiery black metal aspects in tact making their debut sound like an early second wave black metal album that incorporated the world of post-rock.

The seven tracks that make up THE MALEDICTION FIELDS feature atmospheric and ambient soundscapes that alternate between depressive acoustic passages and caustic black metal outbursts and everything in between. While black metal in general is usually uptempo with blastbeats in a furious rampage, FEN opted for a mellower mid-tempo trot. The band has been called the perfect mix of Agalloch, Negura Bunget, Primordial and Burzum but of course that only gets you in the right ballpark. Like many of these bands, The Watcher’s vocals range from raspy screams to clean melodic ones.

Unlike much post-rock and -metal, FEN offers melodic song structures that simply extend the playing times with long repetitive and hypnotic extensions. The track lengths all exceed seven minutes (minus one that misses by two seconds). The song structure also adopts subtle influences from progressive rock with complex arrangements that don’t seem quite so because of the slower ratcheting up effect. Like most bands that fall into the world of blackgaze, this one sort of meanders and implements the harsh tones, timbres and distortion of black metal but basically in the music itself falls into the world of post-rock and mellow prog.

This was highly touted as the next best thing when it was released in 2009 but i can’t say i’m the hugest fan of THE MALEDICTION FIELDS. It’s definitely an interesting and unique experience but it seems lopsided in many ways. While the black metal parts are performed exquisitely, the clean vocal parts are quite weak to my ears. There’s just something that seems to be missing and i can’t quite put my finger on it. The album is also way too long with one too many sprawlers for my liking. The most unsavory parts come when the raspy black metal vocals are singing in tandem with the clean vocals. Some sort of beauty and the beast take that falls flat. Innovative for sure but pleasant to listen to over the long run? Not really. This is definitely one of those albums that once the wow factor wears off it becomes quite average.