SilentScream213 An improvement to be sure, but I do believe its quality has been greatly exaggerated. This is an album full of great heavy Metal tracks, some catchy vocal lines and decent riffs. Songwriting has definitely been expanded from his first three solo albums, and there’s a decent amount of variety to this one.

But does it compare to most of Maiden’s work? Absolutely not. The album is quite reliant on Bruce’s vocals – which do sound great, but even with that said, most of his vocal performance in Maiden was better, and even the song “Tears of a Dragon” on his second solo album tops everything on this. Musically, again, it’s stronger than all his previous solo albums, but about on par with Maiden’s weakest material.

Looking at this album in isolation, not comparing it to Maiden, and not relying on Bruce’s legendary vocalist status, all it is, is a pretty damn solid Heavy Metal album. No more, no less. In my ears it is not the legendary classic many people seem to claim. It does end up being kind of weird when my favorite songs on the album are the softer/more Hard Rock songs (the last three).

Pekka After the remarkable lack of success and subsequent dissolvement of the Skunkworks band, Bruce Dickinson contemplated giving up music altogether, but when Roy Z suggested making a good old heavy metal record, he thought what the hell, let's do it even though nobody will probably care. He also asked his former Maiden mate Adrian Smith to play on a couple of tracks, but he ended up playing on all of them and becoming a permanent member of his solo band, which once again consisted of the Tribe of Gypsies, with whom he had recorded the Balls to Picasso album.

While his last two solo works were quite unfocused efforts with varying quality, everything about Accident of Birth tells that this time Dickinson and his pals knew what they were doing. Metal is the name of the game, and this time it's heavy and melodic all the way through, except for the couple of ballady type songs, which in good Bruce D solo tradition shine as the definite highlights of the album. But while the highs of this album are somewhat as high as on for example Balls to Picasso, the general quality of the other tracks is considerably higher.

Freak opens the album with power, and followed by a short synth-flavored interlude Starchildren continues the high quality onslaught. The calmer but just as powerful Taking the Queen leads to Darkside of Aquarius, one of the biggest masterpieces of Bruce Dickinson's solo career. Immensely atmospheric and heavy, led by a wonderful bass pattern and crowned with mysterious lyrics, this is one of the overlooked pieces of gold that Dickinson produced while being away from Maiden. Road to Hell is one of his most Maiden-like solo tracks, and that brings forth a problem. This song begs for the patented Nicko McBrain ride-cymbal beat, but not wanting to emphasize the Maidenness of the track, Dave Ingraham plays a sort of an upside down version of it, making the track very ungroovy. Other than that he does a first class job on this album as well as the others he's done with Dickinson. The title track of the album is one of the finest, and heaviest Bruce solo tracks as well, but the latter half of the album is dominated by the three gentler acoustic-based songs, Man of Sorrows, Omega, which evolves to a great mini-epic, and especially the gorgeous Arc of Space, perhaps the finest ballad of his solo career.

On this album Bruce Dickinson realized what he was good at - heavy pieces of traditional metal and atmospheric ballads. After the commercial and arguable artistic failure of Skunkworks, Accident of Birth was a great return to form. Or not a return really, as this was the first completely good and balanced Bruce Dickinson solo effort. Very recommended.