This is one of those albums that, amongst thousands of albums, stands out as one of the most significant releases in music. In the vein of metal, the albums that contributed to the genetic make up of the genre are Black Sabbath, Kill 'Em All, Black Metal, Scream Bloody Gore, etc, etc, etc... This album can certainly be added to the same royal family. This album broke all of the rules, and re-wrote the book on what is possible in metal, and music in general. The roots of this band are purely based within death metal. In a vague sense, the gore-drenched riffs of old are still present in the heart of this album, but what was once chugging and maliciousness has been replaced with a beast that is obscure and terrifying. Honestly, this isn't "pretty" music, but it holds my interest more than most within the metal genre.

This band is amazing. I mean really. This is a SELF MADE FIRST RELEASE DEMO! I've heard demos for Opeth and Arcturus and several other bands that I love and they all are extremely bad. That is not the case with this album. This album has so much complexity, depth, and emotion that if you didn't already know that it's a demo you wouldn't in a million years guess that it is. If you put into the information into proportion with all of the other demos ever released then this band will get about 20 times better than they already are. This band will be godly! All three songs on this demo are fantastic. The first song, Tapestry of the Starless Abstract begins with a slightly generic but still complex Black Metal drum beat, dissonant guitars, and screamed vocals. As the song progressive it breaks into a part that is pure bass, acoustic guitar, and violin sweetness. It's so beautiful. There are a lot of clean vocals as well as screamed vocals on this track. My favorite parts of this band is when they use black metal screams over the use of clean vocals. It makes both vocal lines more powerful. Often in this demo, the violin takes over duties for leads rather than the guitars. The next track is mostly the same bass and violin beauty but toward the end develops into some more metal riffs. Tim Charles' vocals and violin dominate on this track. The third song is similar to the first but not as heavy. It it's still a fantastic song but it's my least favorite of the three. On all tracks Mortuary's drums are very fast and technical but he doesn't do any thing flashy. If my predictions are correct, in ten years this band can become the best Tech/Extreme metal band of all time!

Fas - Ite, Maledicti, in Ignem Aeternum (Latin for Divine law - Depart from me, ye cursed, into everlasting fire) is the second album amongst the conceptual trilogy by French black metallers Deathspell Omega. Though the albums within the trinity are linked by concept, they are all musically unique. The trilogy proclaims the relationships of God, Satan, and man. Fas' concept is focused around man. The album was released by the French underground black metal label Norma Evangelium Diaboli in Europe on July 16th, and in the US by Ajna Offensive (and distributed by Southern Lord) on the 17th. It was originally released both as a CD Digipak and on vinyl LP. The vinyl version also contains a poster of the cover and a 12 inch booklet. Despite it's large size, the booklet is identical to the Digipak version. One who enters the domain of this 45 minute LP will certainly be left drawn and exhausted by the end. This album is harsh, brutal, and inexplicably magical. Through the use of technical insanity and subtle atmospheric details, Deathspell Omega created an experience unlike one in existence before. Although the basis of this album is Black Metal, do not confuse it with raw black metal via Darkthrone or Mayhem and do not be misguided by the bands primitive early recordings either. They have long since progressed above the cheesy generic black metal of their early career. Since then they have utilized a much cleaner produced aesthetic and instead of pumping gnarly dissonance, they have acquired a method of utmost technicality. Through this blazing disarray of impossible-to-play drum lines and nimble guitars are groovy post-esque segments that allow the listener a bit of time to rest. A physical rest perhaps, though these segments certainly do not lighten the atmosphere. Imagine an Isis cover band that had died and is playing in an eternal prison within hell. And I'm not alluding that these parts were ripped off of Isis, they are certainly unique. The amount of details hidden within this album is incredible. I have listened to the album maybe 40 or 50 times now and upon each spin I unearth new layers that I was previously unaware of. For example, it was only the last time I listened to the album that I realized how prominent the use of piano is. Even in the heavy chaotic moments there is that far off layer of creepily out of tune piano that just adds to the atmosphere. Further more there are terrified screams, choral arrangements, and samples of classical music (played on cello I believe) within the mix. In my opinion it is the ability to dig and analyze and be surprised by music even after dozens of repeated listens that certifies an album as purely progressive. In conclusion, this is probably the most accomplished piece of Black Metal to be yet released. It is my second favorite album of all time and it is one that I believe I will enjoy for years to come. I highly recommend it for fans of tech/extreme or avant-garde prog (though perhaps post-metalers will enjoy it as well). If you do not listen to this album you are doing a disservice to the entire history of metal... - Jake Kobrin