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metal music reviews (new releases)

MACHINE HEAD Unatøned

Album · 2025 · Groove Metal
Cover art 3.00 | 1 rating
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Unatøned by Machine Head is a mixed bag. For this album it saw them shorten their songs to make it more accessible creating one of the bands shortest albums and returning to their more basic alternative metal sound. While there are heavier moments that shine, the weakest moments are where they play it incredibly safe. Rob Flynn's vocals are weaker than they've ever been, with his shouts and growls being very weak but his cleans are still rather good. There is some great lead guitar work from new member Reece Scruggs. I'd give this a low 6 out of 10

ALARUM Recontinue

Album · 2024 · Progressive Metal
Cover art 4.00 | 1 rating
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"Recontinue" is the fifth full-length studio album by Australian technical/progressive metal act Alarum. The album was independently released in November 2024. It´s the successor to "Circle's End" from 2020 and the trio lineup who recorded "Circle's End" have now been joined by drummer Jared Roberts, making Alarum a quartet on "Recontinue". Session guitarist Ryan Williams (Aeon of Horus) performs leads on the songs "Introspective", "Imperative", and "Zero Nine Thirty".

Opening with a melodic jazz/fusion influenced progressive metal instrumental in "Introspective" and then segueing into a technical/progressive death/thrash metal track like "Imperative"...yup it´s Alarum alright. Powerful, melodic, and intriguing technical/progressive metal with death/thrash metal brutality. Alarum still excel in the dynamics of shifting between melodic jazz/fusion influenced progressive sections and more staight forward technical death/thrash metal. It´s one of the great strengths of Alarum how well they make the different elements of their sound naturally flow together. You don´t question the relevance of a an atmospheric jazzy fusion part in the middle of a death/thrash metal dominated song (or visa versa). Alarum combine the two styles in a seamless manner.

If I have to compare "Recontinue" to "Circle's End" I´d say that the death/thrash metal parts of the band´s music have become slightly more punchy and straight forward, but then again Alarum have lost none of their progressive mindset, so in many ways "Recontinue" is just the natural continuation of the music style found on "Circle's End". The quality of the songwriting, the performances, and the sound production values are just as high as on the preceding album, so upon conclusion "Recontinue" is yet another high quality release from Alarum and a 4 star (80%) rating is deserved.

DARK ANGEL Extinction Level Event

Single · 2025 · Thrash Metal
Cover art 3.67 | 2 ratings
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"Extinction Level Event" is a one-track single release by US, California based thrash metal act Dark Angel. The single was released through Reversed Records in April 2025 and functions as a teaser release for Dark Angel´s forthcoming fifth full-length studio album bearing the same title. Dark Angel formed in 1981 under the Shellshock monicker but changed their name to the current one in 1983. They released four full-length studio albums between 1985 and 1991 before disbanding in 1992. Especially drummer Gene Hoglan went on to become one of the most prolific musicians on the scene subsequently playing with artists like Death, Strapping Young Lad, Dethklok, Testament, and Fear Factory (among others). Dark Angel reunited in 2013 (in the same quintet lineup who disbanded in 1992) initially playing sporadic shows, but after some years they started writing new music. Tragedy struck when founding member/guitarist Jim Durkin suddenly passed away in March 2023 at the age of 58, but the band soldiered on replacing Durkin with Hoglan´s wife Laura Christine.

Stylistically "Extinction Level Event" isn´t a continuation of the technical multi-riff/multi-section thrash metal style of "Time Does Not Heal" (1991), and if comparisons have to be made I´d place the musical direction to somewhere between the aggressive raw thrash metal of "Darkness Descends" (1986) and the slightly more sophisticated and technically leaning thrash metal style of "Leave Scars" (1989), probably leaning more toward the latter than the former. We can establish right away that Dark Angel haven´t included any contemporary influences and other than a more detailed and well defined contemporary production style (although still with an old school organic touch), "Extinction Level Event" could well have been released in the 1980s. So, Dark Angel aren´t here to revolutionize thrash metal, but rather just play the music style of their youths with the right amount of skill and aggression. After getting used to Ron Rinehart having a more worn and raw voice and vocal style than his 80s/90s self, "Extinction Level Event" grew on me after a couple of listens and Dark Angel arguably still have their place on the thrash metal scene. A 3.5 star (70%) rating is deserved.

IOTUNN Kinship

Album · 2024 · Progressive Metal
Cover art 4.14 | 3 ratings
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"Kinship" is the second full-length studio album by Danish metal act Iotunn. The album was released through Metal Blade Records in October 2024. It´s the successor to "Access All Worlds" from 2021. There have been no lineup changes since the predecessor. Iotunn formed in Copenhagen in 2015 and released the promising "The Wizard Falls" EP in 2016 and with the release of "Access All Worlds" they started making headlines.

Stylistically the material on "Kinship" is a natural successor to the material featured on "Access All Worlds". Progressive/power metal combined with both death, black, folk, and even doom metal elements, and all delivered in an epic and atmospheric package (it´s one of the better combinations of melodic tinged metal and extreme metal I´ve heard in a while). Lead vocalist Jón Aldará (Barren Earth, Hamferð) performs both epic clean semi-operatic vocals (both low end and high end cleans), death metal growling, and black metal snarling, and as a result the vocal part of the album is quite varied. The material on the 8 tracks, 68:23 minutes long album is both eclectic in style, epic in sound, but also powerful, heavy, and massive. It´s relatively polished, but still with enough rawness to pack a punch when that is needed. Other than the paatos filled and skilled vocal performance, one of the other great assets of "Kinship" is the harmony- and lead guitar work of the two Gräs brothers, Jens and Jesper. The album is loaded with soaring epic leads that´ll have you picture great mountains and beautiful valleys, fantasy castles and dark wizards. The scope of the music is almost cinematic in nature.

"Kinship" features a high quality production job courtesy of prolific Danish producer Jacob Hansen. This is a perfect sound production for this type of music. As mentioned above the sound is relatively polished and you can hear all details clearly in the mix, but there is still bite and rawness enough for this never to become a sterile listening experience. Combined with the intriguing, sophisticated, and powerful songwriting, and the high level musical performances, this results in a high quality sophomore studio album from Iotunn. A 4 - 4.5 star (85%) rating is deserved.

CRYPTORIUM Malignant Crucifixion

EP · 2025 · Death Metal
Cover art 3.00 | 1 rating
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"Malignant Crucifixion" is an EP release by Swedish death metal act Cryptorium. The EP was independently released in February 2025. It follows the release of Cryptorium´s November 2024 debut full-length studio album "Descent into Lunacy". The EP consists of four tracks and features a 14:06 minutes long playing time.

"Schizophrenic" and "Black Despondency" were both recorded during the sessions for "Descent into Lunacy" but left off the debut album. "Schizophrenic" is an old demo track, which in it´s original version was included on the July 2023 "Cryptic Bloodlust" demo, but this version sounds vastly different to the version found on the demo. Stylistically the material on "Malignant Crucifixion" is in one of the more filthy and raw versions of old school Swedish death metal out there and that goes for both the studio tracks and the two live tracks which bookend the EP. Extremely raw, murky, and intense old school death metal.

The quality of the songwriting is decent, the sound production raw and organic, and the musicianship solid, but "Malignant Crucifixion" is not a release which adds much to what was presented on "Descent into Lunacy". A 2.5 - 3 star (55%) rating is warranted.

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PERIPHERY Periphery IV: Hail Stan

Album · 2019 · Progressive Metal
Cover art 3.70 | 7 ratings
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When it comes to each aspect of the band's style and sound, this album is the perfect example of a band taking each of their qualities and using each song to microscope in detail what it is they are good at. Material wise, this showcases their strongest batch of songs, each being a unique gem to showcase their abilities and approach to their wide sonic palette. Spencer Sotelo gives the performance of his career, while the band are at their zenith when it comes to technical ability. Very epic throughout, whether that be on scope, power or drama, it is one of the most underlooked and greatest modern metal albums, especially within their own niche genre.

SCEPTICAL SCHIZO Demo #1

Demo · 1989 · Thrash Metal
Cover art 1.00 | 1 rating
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"Demo #1" is the first demo recording by Finnish thrash metal act Sceptical Schizo. The demo was independently released in 1989. Sceptical Schizo formed in 1988 under the Epidemic monicker but changed their name to Sceptical Schizo later the same year. They operated under the Sceptical Schizo band name until 1993 when they changed their name to Lavra. They didn´t manage to release a full-length studio album during the 1988-1993 period, but they were still relatively active releasing no less than four demos and two EPs.

Stylistically the material on this first demo recording is a brutal, aggressive, and relatively primitive type of thrash metal. To my ears they sound a little like a less sophisticated contemporary Sepultura (Possessed is another valid reference). The sound production is murky, lo-fi, and really doesn´t do much good for the material. The grunted vocals completely steal the show whenever they appear as they are placed way too high in the mix. The bass is also pretty high, while the guitars are buried in the mix.

The musicianship is not on a particularly high level. The drumming is almost painfully simple and lacks the necessary energy and creativity to drive the music forward and upon conclusion this first demo from Sceptical Schizo is an amaturish affair. I´m not sure I hear much promise here and I´d much rather listen to early demo releases from other contemporary Finnish thrash metal acts like Mengele, Protected Illusion, The Hirvi, or Phlegethon. Compared to those artists this demo is best forgotten. A 1 star (20%) rating is warranted.

ALARUM Circle's End

Album · 2020 · Progressive Metal
Cover art 4.00 | 1 rating
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"Circle's End" is the fourth full-length studio album by Australian technical/progressive metal act Alarum. The album was released through Dinner for Wolves in June 2020. It´s the successor to "Natural Causes" from 2011. Only lead vocalist/bassist Mark Palfreyman remains from the lineup who recorded "Natural Causes" and new in the lineup are Scott Young (guitars, backing vocals keyboards) and John Sanders (guitars, vocals, backing vocals, keyboards). The drums are performed by session musician Ben Hocking (The Levitation Hex, Aeon of Horus).

Stylistically the material on the 10 tracks, 46:08 minutes long album is a continuation of the technical/progressive death/thrash metal style of "Natural Causes". The difference between the two albums are that Palfreyman delivers his vocals in a slightly more aggressive shouting manner (there are also sporadic male clean vocals on the album and very shortly a female clean vocal section on "Crystals") and that the sound production on "Circle's End" is more powerful, heavy, and massive than the slightly less effectful sound production found on "Natural Causes". It´s a big plus in my book to hear Alarum´s music presented like this. To my ears the semi-jazzy death/thrash/progressive metal of Cynic is a big influence on Alarum, but Alarum generally go for a more straight forward and easily accessible sound.

So, although this is certainly a both technically well played and progressive tinged metal release, the song structures are predominantly relatively simple and easy to follow, and there is an almost instant gratification listening to the music. "Simple to follow" shouldn´t be misunderstood as if the music is primitive though, as it´s still quite intriguing and technically well played music. It´s also quite as eclectic in style and "Circle's End" is overall pretty varied and the tracklist is well thought out.

Upon conclusion "Circle's End" is a high quality release from Alarum and to my ears an improvement over the already great "Natural Causes". Alarum deserve much more attention than they probably receive, and I can highly recommend fans of Cynic and other similar melodic semi-jazz/fusion influenced death/thrash metal acts to check out "Circle's End" as a starting place to get to know Alarum. A 4 star (80%) rating is deserved.

OPPRESSION Scars 1988-1990

Boxset / Compilation · 1990 · Thrash Metal
Cover art 3.50 | 1 rating
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"Scars 1988-1990" is a compilation album release by Finnish thrash metal act Oppression. The compilation was released through Xtreem Music in 2015. As the title suggests it´s a compilation featuring all material recorded by Oppression in the years 1988-1990. Oppression formed in 1987 and disbanded in 1992 after releasing three demos and an EP. The tracks appear here in reverse order, so you get the tracks from the 1990 "Alone" EP opening the compilation, while the tracks from the 1988 debut demo close the compilation.

Oppression and their material can be divided into two separate periods. The 1987-1989 period featuring Santtu Laakso on vocals, which yielded the 1988- and the 1989 demos, and 1990 featuring Mika Luoma on vocals, which yielded the 1990 demo and the 1990 "Alone" EP.

The material from the 1987-1989 period is aggressive high energy thrash metal with the raw snarling vocals of Laakso in front. It´s not mindless aggressive thrash metal though as Oppression are quite clever composers and the 1988- and 1989 demos also feature heavy mid-paced sections and intriging lead- and harmony guitar work. Both demos are high quality Finnish thrash metal releases and should be counted among the best contemporary thrash metal releases from Finland (along releases from artists like Mengele, Phlegethon, The Hirvi, and Protected Illusion).

The two Luoma-fronted releases are an a different style as Oppression at this point opted for a heavier mid-paced and technical thrash metal style. Luoma´s vocals are shouting staccato delivered thrash metal vocals, which aren´t nearly as savage or as effective as the raw snarling of Laakso. The material from the 1990 demo and the 1990 "Alone" EP are therefore of a decent but not great songwriting quality, although both releases are relatively well produced (very well produced if you consider that these are basically demo recordings) and the musicianship is on a high level on all posts.

Since the original releases have been out-of-print for years, the idea to release "Scars 1988-1990" is great. I just wish they would have reversed the tracklist to the natural release order sequence because the early material is the strongest and people giving this compilation a listen might miss the brilliance of the closing tracks if they only judge it by the first couple of tracks from the 1990 band. A 3 - 3.5 star (65%) rating is warranted.

OPPRESSION Alone

EP · 1990 · Thrash Metal
Cover art 3.00 | 1 rating
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"Alone" is an EP release by Finnish thrash metal act Oppression. The EP was released through Operative Vinyl in 1990. Oppression formed in 1987 and disbanded in 1992 after releasing three demos and this EP. All recorded material by Oppression was reissued on the 2015 "Scars 1988-1990" compilation album released through Xtreem Music. "Alone" was Oppression´s sole label release during their original run and the last release they put out before disbanding. On their third demo from 1990 original lead vocalist Santtu Laakso had been replaced by Mika Luoma and the band also changed their music style from aggressive thrash metal towards a heavy technical thrash metal style...

...since the opening title track also appeared on the 1990 demo it´s no surprise that the two tracks on the 12:59 minutes long demo is also in the heavy technical thrash metal style of the preceding demo release. Luoma´s shouting staccato delivery is decent but nothing out of the ordinary for the genre, and it´s hard not to miss the aggressive snarling vocals of Laakso. The music is quite creative and intriguing, but all the details, rhythmic changes, and interesting lead- harmony work can´t disguise the fact that the music lacks power and energy. It´s like the heaviness and mid-paced tempo take away the aggression and energy which Oppression´s first two demos were loaded with.

"Alone" is still a worthwhile release if you´re interested in heavy technical thrash metal, but if you come to this EP or the preceding demo familiar with the Laakso-fronted Oppression demos you may come away a little disappointed. The sound production is of a decent quality, the musicianship is on a high level, and the songwriting is solid despite lacking power and energy. So, although I´m not 100% convinced there are still enough quality traits present here to warrant a 3 star (60%) rating.

OPPRESSION Demo 1990

Demo · 1990 · Thrash Metal
Cover art 3.00 | 1 rating
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"Demo 1990" is the third demo recording by Finnish thrash metal act Oppression. The demo was independently released in (as the title suggests) 1990. Oppression formed in 1987 and disbanded in 1992 after releasing three demos and one EP. All recorded material by Oppression was reissued on the 2015 "Scars 1988-1990" compilation album released through Xtreem Music.

After releasing two brilliant aggressive thrash metal demos Oppression went a slightly more technical thrash metal route on "Demo 1990". Hints of this heavier and more technical thrash metal style was already heard sporadically on the first two demos, but "Demo 1990" completes the transition. The change of lead vocalist from Santtu Laakso to Mika Luoma also has an effect as Luoma has a more shouting staccato delivery compared to the more aggressive and snarling Laakso. Although the music is still incredibly well performed considering that this is a demo release, some of the immediate aggression and brutality of the first couple of demos have been lost in the transition to this more heavy technical thrash metal sound.

The tracks are pretty long too (between 6 and 10 minutes long), which have a tendency to make them a little tedious. It´s maybe a bit unfair to describe the material like that because a lot is actually going on during these compositions, but they just don´t flow as naturally as the material did on the first couple of demos. I´m sometimes reminded of Sabbat´s "Mourning Has Broken" album from 1991, which is also a heavy technical beast of a thrash metal album, which never manages to make any real impact on the listener.

When that is said "Demo 1990" is still a good quality demo release from Oppression, featuring a well sounding production job, high level musical performances, and to some extent solid songwriting. A 3 star (60%) rating is warranted.

OPPRESSION Demo 1989

Demo · 1989 · Thrash Metal
Cover art 3.50 | 1 rating
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"Demo 1989" is the second demo recording by Finnish thrash metal act Oppression. The demo was independently released in (as the title suggests) 1989. Oppression formed in 1987 and disbanded in 1992 after releasing three demos and one EP. All recorded material by Oppression was reissued on the 2015 "Scars 1988-1990" compilation album released through Xtreem Music.

Stylistically the material on "Demo 1989" continues the aggressive and brutal thrash metal style of the 1988 demo, but Oppression add even more variation to their sound and the relatively long tracks feature both fast-paced thrash metal riffs and rhythms, but also mid-paced heavy grooves. There´s some pretty accomplished lead- and harmony guitar work present too, so the instrumental part of the demo is certainly an interesting listen. Lead vocalist Santtu Laakso has a raw voice and a snarling angry delivery, which is perfect for the music.

Not everything heard on the demo is new original material as re-arranged parts/versions of "Into the Dark" and "Parasites" from the first demo also appear here. These versions are different enough to warrant being included here though and it´s interesting to hear how the tracks have developed since they appeared in their original form on the first demo. On the "Scars 1988-1990" compilation they have been given new song titles.

Just like the first demo, "Demo 1989" is a high quality Finnish thrash metal release and Oppression can be proud of what they produced here. The sound production is of a good quality considering that this is a demo recording, the musicianship is on a high level, and the tracks are well composed, memorable, and creative. Packing as much punch as you could wish for but at the same time appearing intriguing and challenging. A 3.5 star (70%) rating is deserved.

FLEURETY The White Death

Album · 2017 · Avant-garde Metal
Cover art 3.50 | 1 rating
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"The White Death" is the third full-length studio album by Norwegian avant-garde/black metal act Fleurety. The album was released through Peaceville Records in October 2017. It´s the successor to "Department of Apocalyptic Affairs" from 2000, so it´s been quite a few years since the last album. Fleurety haven´t been completely inactive though releasing no less than four EPs in the years between 2009 and 2017. Fleurety formed in 1991 and initially played black metal, but eventually drifted towards an avant-garde metal style in the late 90s/early 00s.

The duo lineup of Svein Egil Hatlevik (vocals, drums, percussion, Keyboards) and Alexander Nordgaren (guitars) is still intact from the last album. Fleurety is helped be several session musicians who perform bass, backing vocals, female vocals, keyboards, and flute.

While the musical direction of "The White Death" can still be labelled avant-garde metal, there is a huge difference between the abstract melancholic/often eerie sounding blackened avant-garde rock/metal style of "The White Death" and the all-over-the-place odd avant-garde metal style of "Department of Apocalyptic Affairs". If you didn´t know it you wouldn´t have guessed that it´s the same band releasing the two albums, but you can of course also add Fleurety´s debut full-length studio album "Min tid skal komme" to that pile as it´s a full-on black metal release, which sounds nothing like either "Department of Apocalyptic Affairs" nor "The White Death". So, Fleurity is indeed a shape-shifting creature.

There are a few nods here and there to the band´s black metal past ("Lament of the Optimist" for example features blast beating black metal sections) but "The White Death" is predominantly not a black metal release (a track like "Future Day" for example sounds like a combination of Comus and Dead Can Dance). It´s dark, abstract, and melancholic/eerie sounding avant-garde rock/metal which often consists of just a simple beat, some dissonant guitar riffs/keyboards, and some vocals. Other times there are more musical layers, and it´s definitely an interesting and challenging release. The album is not easily compared to other contemporary releases and Fleurity don´t sound like any other artist either, but artists like Virus, Dødheimsgard, Ved Buens Ende, and Code can maybe at least lead you in the direction of what to expect on "The White Death".

The album features a dusty, raw, organic, and somewhat stripped-down production style, and it suits the material well. To my ears "The White Death" isn´t a perfect release, but it´s much more consistent in style than the eclectic sounding "Department of Apocalyptic Affairs". For avant-garde metal fans eclectic sounding releases usually aren´t an issue and I´m sure there are many who find "Department of Apocalyptic Affairs" a more accomplished and challenging affair than "The White Death", but the more consistent and accessible sound of "The White Death" has other qualities, which make it appealing. A 3.5 star (70%) rating is deserved.

NUKEM Empress of Evil

Single · 2023 · Thrash Metal
Cover art 3.50 | 1 rating
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"Empress of Evil" is a one-track single release by US, California based thrash metal act Nukem. The single was independently released in April 2023. It´s the first release from Nukem since they released their debut full-length studio album "The Unholy Trinity" in 2016. It´s worth a mention that Gary Holt (Exodus, Slayer) plays guitar solos on "Empress of Evil".

Stylistically Nukem have changed quite a bit since "The Unholy Trinity" which was a thrash metal release with many nods toward speed metal and traditional heavy metal. "Empress of Evil" is instead an aggressive and brutal thrash metal song and it´s fans of an artist like Power Trip rather than fans of the more melodic thrash/heavy metal style of the debut album who are gonna appreciate this single. The vocals are raw, snarling, and angry and the riffs are sharp, intense, and brutal. The same with the drumming.

"Empress of Evil" features a fat, massive, and powerful sounding production job. If this turns out to be a teaser release for a forthcoming album, there is plenty to look forward to. Personally I thought Nukem had found their own charming thrash/heavy metal niche with "The Unholy Trinity" and had hoped they would continue down that road on future releases, but this is pretty intense and powerful thrash metal too and definitely worth a listen. A 3.5 star (70%) rating is deserved.

IPERYT The Patchwork Gehinnom

Album · 2017 · Black Metal
Cover art 3.50 | 1 rating
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"The Patchwork Gehinnom" is the third full-length studio album by Polish black metal act Iperyt. The album was released through Pagan Records in December 2017. It´s the successor to "No State Of Grace" from 2011 and features one lineup change since the predecessesor as bassist Abuser has been replaced by Vincent.

Iperyt play an industrial tinged extreme metal/black metal style featuring programmed drums. That description probably puts off at least half of the readers of this review, but please read on as Iperyt are an act who have something to offer. The tracks are dark, aggressive, and powerful black metal but the programmed drums provide a cold futuristic atmosphere, and this is one of the few cases where programmed drums actually have some merit. They are not here just as a replacement for a human drummer, but they actually contribute to the soundscape adding the right gloomy industrial atmosphere to the material. Compared to the earlier releases by Iperyt, "The Patchwork Gehinnom" is their least industrial tinged release though and it´s much closer to black metal than industrial metal. The vocals are snarling and aggressive and Iperyt shows mastery of both blasting fast-paced parts and heavy mid-paced parts. It´s the depressive atmospere and a feeling of hopelessness which are the defining elements of "The Patchwork Gehinnom". In other words this is a pretty bleak release with absolutely no light in sight.

"The Patchwork Gehinnom" is well produced and it manages to both pummel the listener with an abrasive and massive layering of guitars, bass, programmed drums, sound effects, raspy black metal vocals, and the occassional samples, but also challenge the listener´s intellect with some intriguing details. The songwriting is effective but slightly one-dimensional other than the atmospheric "Scars Are Still Sexy" and album closer "Checkmate, God!", which shows a slightly more melancholic version of Iperyt, stepping outside their usual black metal style and adding some semi-melodic raw vocals instead of the snarling vocals. "The Patchwork Gehinnom" is overall a strong release from Iperyt and probably their most accessible up until then. A 3.5 star (70%) rating is deserved.

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