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Founded in 1989 by Kai Hansen in Hamburg, Germany after leaving Helloween, Gamma Ray borrowed straight from the Helloween classics, and continued to pioneer Hansen's style of power metal.

After four years with Helloween, Kai Hansen decided to leave the band at the height of their career. He then went on to do some studio work with Blind Guardian.

Kai and his friend Ralf Scheepers from Tyran' Pace decided to start a project. They recruited bassist Uwe Wessel and drummer Mathias Burchard. The resulting sound was very close to Helloween's power metal style.

The first album Heading For Tomorrow was released in 1990. Two lineup changes resulted in Uli Kusch (who would later join Helloween) becoming the bands second drummer and Dirk Schlachter becoming a new guitarist. The new lineup released the Heaven Can Wait EP.

In 1991 the band released Sigh No More, which
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GAMMA RAY Discography

GAMMA RAY albums / top albums

GAMMA RAY Heading for Tomorrow album cover 3.83 | 38 ratings
Heading for Tomorrow
Power Metal 1990
GAMMA RAY Sigh No More album cover 3.45 | 30 ratings
Sigh No More
Power Metal 1991
GAMMA RAY Insanity and Genius album cover 3.73 | 31 ratings
Insanity and Genius
Power Metal 1993
GAMMA RAY Land of the Free album cover 4.16 | 57 ratings
Land of the Free
Power Metal 1995
GAMMA RAY Somewhere Out in Space album cover 4.07 | 48 ratings
Somewhere Out in Space
Power Metal 1997
GAMMA RAY Power Plant album cover 3.65 | 40 ratings
Power Plant
Power Metal 1999
GAMMA RAY No World Order album cover 3.88 | 40 ratings
No World Order
Power Metal 2001
GAMMA RAY Majestic album cover 3.70 | 28 ratings
Power Metal 2005
GAMMA RAY Land of the Free II album cover 3.75 | 26 ratings
Land of the Free II
Power Metal 2007
GAMMA RAY To the Metal! album cover 3.47 | 24 ratings
To the Metal!
Power Metal 2010
GAMMA RAY Empire of the Undead album cover 3.38 | 12 ratings
Empire of the Undead
Power Metal 2014

GAMMA RAY EPs & splits

GAMMA RAY Heaven Can Wait album cover 3.70 | 5 ratings
Heaven Can Wait
Power Metal 1990
GAMMA RAY Silent Miracles album cover 4.50 | 4 ratings
Silent Miracles
Power Metal 1996
GAMMA RAY Skeletons & Majesties album cover 3.00 | 1 ratings
Skeletons & Majesties
Power Metal 2011
GAMMA RAY Master of Confusion album cover 4.38 | 4 ratings
Master of Confusion
Power Metal 2013

GAMMA RAY live albums

GAMMA RAY Alive '95 album cover 4.00 | 6 ratings
Alive '95
Power Metal 1996
GAMMA RAY Skeletons in the Closet album cover 4.00 | 4 ratings
Skeletons in the Closet
Power Metal 2003
GAMMA RAY Hell Yeah!!! The Awesome Foursome (And the Finnish Keyboarder Who Didn't Want to Wear His Donald Duck Costume) (live in Montreal) album cover 4.05 | 6 ratings
Hell Yeah!!! The Awesome Foursome (And the Finnish Keyboarder Who Didn't Want to Wear His Donald Duck Costume) (live in Montreal)
Power Metal 2008
GAMMA RAY Skeletons & Majesties Live album cover 4.00 | 1 ratings
Skeletons & Majesties Live
Power Metal 2012
GAMMA RAY Heading for the East album cover 0.00 | 0 ratings
Heading for the East
Power Metal 2015
GAMMA RAY Lust for Live album cover 0.00 | 0 ratings
Lust for Live
Power Metal 2016

GAMMA RAY demos, promos, fans club and other releases (no bootlegs)

GAMMA RAY re-issues & compilations

GAMMA RAY Blast From the Past album cover 3.56 | 8 ratings
Blast From the Past
Power Metal 2000

GAMMA RAY singles (5)

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0.00 | 0 ratings
Who Do You Think You Are?
Power Metal 1990
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0.00 | 0 ratings
Future Madhouse
Power Metal 1993
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0.00 | 0 ratings
Rebellion in Dreamland
Power Metal 1995
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0.00 | 0 ratings
Valley of the Kings
Power Metal 1997
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0.00 | 0 ratings
Heaven or Hell
Power Metal 2001

GAMMA RAY movies (DVD, Blu-Ray or VHS)

.. Album Cover
5.00 | 2 ratings
Heading for the East
Power Metal 1990
.. Album Cover
4.75 | 2 ratings
Lust for Live
Power Metal 1993
.. Album Cover
4.50 | 3 ratings
Gamma Ray - Hell Yeah!!! The Awesome Foursome: Live In Montreal
Power Metal 2008
.. Album Cover
0.00 | 0 ratings
Skeletons & Majesties Live
Power Metal 2012


GAMMA RAY No World Order

Album · 2001 · Power Metal
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Gamma Ray’s 7th full-length caught me by surprise. Knowing the band mostly for their classic mid-90s albums Land of the Free and Somewhere in Time, I was expecting another solid slab of anthemic, if predictable, power/speed metal. No World Order! served me instead with a kaleidoscopic compendium of everything metal, where the sound of classic UK/US bands from the 1980s (Judas Priest, Iron Maiden, Black Sabbath, Manowar) is reinterpreted with gusto by the German band, finding new life as it is filtered through the Gamma Ray musical rulebook. The end result is an exciting voyage through vast metal landscapes, which might feel familiar but are nonetheless exciting.

The references to the classic HM sound are mostly apparent in the record’s mid-section. “The Heart of the Unicorn” and “Solid” are obvious tributes to Judas Priest (with “Solid” even blatantly borrowing the main riff from “Rapid Fire”). “Heaven or Hell” is a battle hymn whose epic overtones will excite more than one Manowar’s fan, while “New World Order” sports a fun, pure hard rock riff that wouldn’t have been out of place on an AC/DC album. The remaining tracks bear stronger resemblance to the German power/speed metal sound that Gamma Ray, together with Helloween, have contributed to immortalize. Even in these songs, however, Kai Hansen and co. do not refrain from laying down a couple of Easter eggs for their fans, like the Maidenesque solos in “Eagle” or the Manowar-tinged ballad “Lake of Tears”.

Remarkably, almost every song feels truly inspired, regardless of the style that the band decides to push to the fore. “Dethrone Tyranny”, “New World Order”, “Damn the Machine” and “Eagle” are particularly exciting, sporting strong riffs, memorable melodies and fun, explosive solos. “Fire Below” is perhaps the only episode that is below average and could be regarded as a filler, while “Solid” may be a bit too close for comfort to the source of its inspiration.

Overall, No World Order! Provides a smooth listening experience that keeps the listener second-guessing which particular artist inspired each song, while at the same time never sounding completely derivative but maintaining a strong Gamma Ray identity throughout. The album’s main strength lies in the way its 11 tracks explore each a different sonic niche. This variation helps balancing the otherwise rigid songwriting that rarely departs from the usual cycle of verse/chorus repetition. It’s a fun album to sit through, one that truly captures the spirit of heavy metal in the same way as the best records from the HM greats once did. And now, this is no mean feat, is it?

GAMMA RAY Majestic

Album · 2005 · Power Metal
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Often overlooked next to the albums released between 1995 – 2001, Majestic (2005) is the eighth full-length studio album by German power metal act Gamma Ray. Bringing to a close what had been the Kai Hansen led group's longest stretch between studio albums, it is probably fair to say that Majestic isn't quite the genre classic that Land of the Free (1995), Somewhere Out in Space (1997), Power Plant (1999) and No World Order (2001) are, but it's easily the band's next best album.

Hansen and co get the album going full throttle right off the bat with My Temple. Fast, heavy power metal riffs that are well produced and full of energy; just the thing that fans of the genre expect to hear. Like many power metal albums there are some heavy metal elements too that add some variation to the tempo, but overall Majestic is close to being a pure power metal release. Hansen's distinctive vocals are instantly recognisable, as usual perhaps a bit of an acquired taste, but by this point it really wouldn't be Gamma Ray without his signature style, no disrespect meant to the work of Ralf Scheepers on the first three Gamma Ray albums of course. And he serves up many memorable choruses on Majestic that keep the album's tracks stuck in your head upon its conclusion. My Temple is just the first of these. There's also Hell is Thy Home and Condemned to Hell, to name a couple.

It's definitely a fair conclusion to call Majestic a typical sounding Gamma Ray album, but why try to fix a winning formula that isn't broken? That's right, there is no point. It's also true that this album doesn't serve up tracks that will go down alongside the likes of Rebellion in Dreamland, Beyond the Black Hole, Land of the Free and Anywhere in the Galaxy as Gamma Ray's very best songs, but what the album does have is ten very good songs that consistently deliver all the classic Gamma Ray elements for about fifty-five minutes. What more to you really want from a power metal album? More to the point, at the time of Majestic's release it had been fifteen years since the debut Gamma Ray album Heading for Tomorrow (1990) and twenty years since Kai Hansen fronted the first Helloween album Walls of Jericho (1985) yet here he is turning out hard hitting power metal with his group in such a fashion that most young bands can only hope to match. He's not called the Godfather of Power Metal for nothing!

GAMMA RAY Power Plant

Album · 1999 · Power Metal
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Call your power metal album Power Plant, and that's a pretty clear signal to anyone that this album is going to be Gamma Ray business as usual - all power metal, all the time, done in the well-worn Gamma Ray style. The cheese is strong in this one, at points overpowering the band's sense of taste; whilst the idea of a metal cover of the Pet Shop Boys' It's a Sin isn't terrible, the execution here is predictable and doesn't really shed any new light on the song. (If you know the original song and Gamma Ray's style, you can probably guess, without hearing it, what a Gamma Ray cover of It's a Sin sounds like... and, yeah, that's pretty much what it sounds like here.)

On the one hand, you wouldn't want to write off an album like this based solely on one track... on the other hand, if that track is the only one which is especially memorable, that's clearly a huge problem, and I found that that's the case here, with the "Wait a minute... that's a Pet Shop Boys song!" moment being the time the album really manages to make me sit up and take notice. Gamma Ray and power metal fanatics will still enjoy it, but it's a poor starting place for any exploration of their discography.

(Also, though this doesn't affect the grade, I have to call out the cover art here. It's one of those really prize atrocities from that era when people seemed to think that cheap 3D rendering was an acceptable look for an album cover.)

GAMMA RAY Heading for Tomorrow

Album · 1990 · Power Metal
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siLLy puPPy
And then suddenly and unexpectedly Kai Hansen left Helloween after their two triumphant metal hits comprising “The Keeper Of The Seven Keys Parts I & II,” for reasons that are still a mystery to this date. Whatever the reason, Hansen left Helloween and started his own power metal band GAMMA RAY and after some studio work with Blind Guardian, rounded up his old peeps Ralf Scheepers (vocals), Uwe Wessel (bass) and Mathias Burchardt (drums) and created an album that is extremely reminiscent of the Helloween years but due to the major heaping of other influences manages to separate itself from those albums on the debut HEADING FOR TOMORROW, which is an aptly named title for it essentially shows exactly which elements of Helloween were the product of Hansen’s involvement and also allows for some significant changes.

I would say that HEADING FOR TOMORROW has a whole range of influences on board with the majority being the predictable Helloween, but there is also a strong Judas Priest and Queen influences going on here as well. This is the first album that i noticed that Queen was a major influence on the whole power metal sub-genre with all kinds of Freddie Mercury inspired vocalizations all operatic and such with all those eclectic “A Night Of The Opera” type musical time sig changes that are quite frequently utilized in abundance here and beyond into the whole sub. There is also a strong tie to 70s heavy prog giants Uriah Heep with the most obvious being the cover “Look At Yourself” which features Mischa Gerlach as a guest keyboardist. Excellent cover of a track from one of my favorite early 70s albums.

“Welcome” is a great symphonic opener which ushers in the energetic “Lust For Life” which immediately brings Helloween to mind but not quite feeling like a clone. Kinda strange actually. Obviously lots of Helloween sounds here but there are other influences as well.

“Money” starts off kinda like a Judas Priest song but adds elements of Queen fairly soon after the two minute mark.

“The Silence” is a nice melodic ballad that has kind of an Aerosmith “Dream On” feel but is on a different level. The vocals, the symphonics and instruments all collaborate to create a very nice number that some may find cheesy but personally i find very well crafted. Of course there is that Brain May guitar thing going on in the harmony department but it is so well done that i just don’t care.

“Hold Your Ground” starts out in an energetic speed metal fashion but clearly has a classical kind of feel going. Melodic, well-paced with a Queen tinged vocal delivery. A very satisfying power metal track that ends in a Mozart-esque “Eine Kleine Nachmusik” riff.

“Freetime” glam metal kinda reminds me of Poison actually but not as irritating! Power chords, glam metal groove and Steelheart type of high vocal range. Not my fave of the album but a notch above the influences.

The title track starts out as total Queen plagiarism. Compare the intro to “The Prophet’s Song” from “A Night At The Opera” and you can only agree that there are many parts of this 14:30 length track that are taken from that song, however the saving grace is that despite these blatant ripoff parts there is plenty of innovative parts including Helloween type segments that save this from total Queen plagiarism but the few parts that sound way too much like Queen which are disheartening for sensitive ears. Although these influences are ridiculously obvious, i find this to be a very tasteful use of them and there is not one moment on this album that i am turned off.

For a debut HEADING FOR TOMORROW is actually quite well done and although is not the pinnacle of GAMMA RAY’s prowess of power metal performances is still a fine listen that i can put on any time and really enjoy hearing. Every musical aspect is at full force and as mentioned previously only the blatant borrowing of ideas from the greats of the past are the weak link here, but even so, the influences are from the best of the best and quite well executed if not well obfuscated. Enjoyable album

GAMMA RAY Power Plant

Album · 1999 · Power Metal
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Gamma Ray, the legendary German Melodic Power Metal band fronted by the immensely talented Kai Hansen (Founding member of Helloween, member of Iron Saviour & Unisonic, guest contributor to Angra, Blind Guardian, Primal Fear, Hammerfall, Avantasia and all around fingers-in-many-pies mainstay of the Power Metal scene) really came in to their own with their classic fourth studio album Land Of The Free. They had always been great, but something about that 1995 masterpiece really just elevated them even higher. For me, the three albums that followed maintain that high standard. Most fans will be very familiar with Somewhere Out In Space and the popular No World Order albums. It seems that piggy-in-the-middle record, Powerplant is a bit more overlooked, or in other words underrated.

The album opens with ‘Anywhere In The Galaxy’ which is unquestionable, pure classic Gamma Ray. This sort of song is the reason people love this band. Elsewhere there is the fun tribute to Manowar ‘Heavy Metal Universe’ (filled with constant lyrical references, and musically based on ‘The Gods Made Heavy Metal’) which is great fun. There’s variety with a Pet Shop Boys cover (‘It’s a Sin’), a commercial sounding tune (‘Send Me A Sign’) and a lengthy progressively inclined number (‘Armageddon.’)

The production is a little flatter than the albums which surround it, and sonically it doesn’t perhaps pop out as much, but the songwriting and performances are spot on. ‘Wings Of Destiny,’ ‘Razorblade Sigh’ and the aforementioned gem ‘Anywhere In The Galaxy’ are memorable, melodic ragers that would stand proud on any other Gamma Ray record.

Overall; this album sees Gamma Ray in the middle of a great run of high quality albums. It maybe doesn’t get talked about as much as some other albums but you’ll be damn grateful to have it in your collection once you’ve given it a chance.

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more than 2 years ago
It's just that for me Kai's vocals are a part of what makes Gamma Ray what they are. I know he wasn't the singer until Land of the Free, but that was 20 years ago. I can't imagine him sharing the role with anyone.
Vim Fuego wrote:
more than 2 years ago
Well, Helloween replaced Hansen on vocals. And I suppose that's what gave us Gamma Ray!
Unitron wrote:
more than 2 years ago
Hansen has been vocalist for so long, I'm not sure how easy it will be to get used to another vocalist. Guess we'll just have to wait and see.
more than 2 years ago
Gamma Ray have introduced a new second lead vocalist alongside Kai Hansen. I'm really not sure how I feel about that.


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