LIMP BIZKIT — Three Dollar Bill, Yall$

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LIMP BIZKIT - Three Dollar Bill, Yall$ cover
3.38 | 16 ratings | 1 review
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Album · 1997

Filed under Nu Metal
By LIMP BIZKIT

Tracklist

1. Intro (0:47)
2. Pollution (3:52)
3. Counterfeit (5:07)
4. Stuck (5:24)
5. Nobody Loves Me (4:27)
6. Sour (3:32)
7. Stalemate (6:14)
8. Clunk (4:03)
9. Faith (3:52)
10. Stinkfinger (3:03)
11. Indigo Flow (2:23)
12. Leech (2:11)
13. Everything (16:26)

Total Time: 61:28

Line-up/Musicians

- Fred Durst / vocals
- Wes Borland / guitars
- Sam Rivers / bass
- DJ Lethal / turntables, samples, keyboards, programming
- John Otto / drums, percussion
with
- Scott Borland / keyboard (on tracks 1,2,6)

About this release

Full length album, Interscope, 1997.

Thanks to Pekka, Unitron for the updates

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LIMP BIZKIT YALL$ THREE DOLLAR BILL reviews

Specialists/collaborators reviews

Unitron
At first listen, Three Dollar Bill, Yall$ is an awesome banger of a metal album with tons of great riffs and songs that get you pumped much like almost every Limp Bizkit album. More and more though, the band's unique influences and the album's songwriting style sinks into your ears.

Heavy massive metal grooves are blended with hip hop rhythms and turntables, noisy post-hardcore riffs, and atmospheric post-rock textures and melodies. Yeah, post rock influences in a metal album that wasn't Neurosis before everyone was trying to copy them. All these sounds brought together by fantastic songwriting and performances hasn't really been matched, not even by the band. Even the outros of each song have some cool little switch in sound that makes it a perfect album listening experience. (Though I'd be lying if Counterfeit isn't a particular favorite and lands on most metal playlists I make).

Fred Durst is at his most anxious and schizophrenic, rapping and screaming like a madman with a gritty rawness. Wes Borland is either delivering monolithic grooves, atmospheric melodies, or both in the case of a song like Sour. For once one of those really long songs on the end of a 90's album isn't just a bunch of silence and a hidden track, as Everything is a straight up wandering spacey post-rock epic and acts as a perfect chill down after the heaviness yet keeps the intensity. Sam Rivers and John Otto bring a fantastic rhythm section, with the former being a really underrated bassist. Bringing both funk and complimenting the quiet guitar sections, I especially love the short funky swing bassline during the bridge of Stuck.

Significant Other is the most definitive Bizkit album and more instant hit, but Three Dollar Bill is a fantastic album and keeps growing on me as my favorite with its pure rawness.

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