CODE — Augur Nox

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CODE - Augur Nox cover
3.88 | 4 ratings | 2 reviews
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Album · 2013

Filed under Black Metal
By CODE

Tracklist


1. Black Rumination (5:00)
2. Becoming Host (3:32)
3. Ecdysis (4:51)
4. Glimlight Tourist (4:51)
5. Garden Chancery (3:41)
6. The Lazarus Cord (7:33)
7. The Shrike Screw (4:09)
8. Trace of God (3:49)
9. Harmonies in Cloud (6:22)
10. White Tryptych (7:20)

Total Time 51:08

Line-up/Musicians


- Wacian / vocals
- Aort / guitars
- Andras / guitars
- Syhr / bass
- Lordt / drums

About this release

Released November 19, 2013, on Agonia Records.

Thanks to Time Signature for the addition and UMUR, adg211288 for the updates

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CODE AUGUR NOX reviews

Specialists/collaborators reviews

UMUR
"Augur Nox" is the 3rd full-length studio album by Norwegian/English black metal act Code. The album was released through Agonia Records in November 2013. Quite a few lineup changes have taken place since the release of "Resplendent Grotesque (2009)". It´s actually only founding member/main composer/guitarist Aort who are left in the lineup. Lead vocalist Kvohst has left to concentrate on his dark neofolk act Hexvessel and bassist Viper (aka Vicotnik) has left to once again concentrate on Dødheimsgard. Code always seemed more like a project act than a "real" band, but on "Augur Nox" it seems that Aort has assembled what appears to be a permanent lineup with two guitarists, a bassist, a drummer, and a new lead vocalist in Wacian.

Despite the many lineup changes, the music on "Augur Nox" is unmistakably the sound of Code. The dark atmosphere and subtle use of dissonances, the raspy extreme metal vocals, the clean vocals, and the relatively adventurous progressive song structures are all present and accounted for. I think there´s been a slight change in the riffing department though and I suddenly count Enslaved among the musical references (listen to the opening riff in "Garden Chancery" for proof of that), which is an influence I didn´t hear on the two predecessors. There´s something about the drumming style that leads my thoughts in that direction too. Code is not a poor man´s Enslaved by any means though. They have by now forged their own sound and identity. The material on the album is generally very well written and sound inspired. The longer and most progressive tracks like "The Lazarus Cord" and "Harmonies in Cloud" are high quality material packed with great ideas, but that can be said about all tracks on "Augur Nox" (long or short).

While Kvohst is probably one of the most prolific and unique vocalists in extreme metal and therefore always would be difficult to replace, new lead vocalist Wacian actually gives Kvohst a run for his money. Wacian´s clean vocals might not be as unique sounding as Kvohst´s ditto, but they suit the music on "Augur Nox" well and he is both a skilled and passionate vocalist. His raspy black metal styled vocals are fully on par with his predecessor´s and the change on the vocalist spot has actually happened more seamlessly than I had imagined it would.

The sound production is professional, powerful, and clear. The band obviously aim at creating a dark atmosphere, but not at the expence of a professional sound production. "Augur Nox" is a high quality release and a great continuation of Code´s career, which wasn´t necessarily in the cards, when you take into consideration the profiles who have left since the predecessor and a 4 star (80%) rating is well deserved.
Kev Rowland
Well, it has been seven years since their second album ‘Resplendent Grotesque’, but finally Code are back with their third, which also features a new line-up of Aort, Wacian, Syhr, LORDt and Andras. The combination of the time spent away and the new personnel has resulted in something that is quite different to much of what is going on in the black metal world, and in many ways could be said to be progressive as they bring together styles and ideas from all areas of music. But, they haven’t gone Opeth on us, but rather have created something that is definitely BM, that also contains melodic passages, many different styles of singing, incredibly tight staccato riffs, and a refusal to sound like anyone else. This is one of those albums that the more it is played the more there is to discover. The style of the guitar solos are sometimes at total odds with what is happening vocally as two different types of metal crash into each other but it works, it really works.

The band have described it as their “most dynamic and challenging material to date” but in fact it is is probably their most accessible and easy to listen to, without once being easy listening. Powerful, intense, with one hell of a lot going on, this is music that refuses to accept being put into a pigeonhole as this isn’t a prey bird. Think of it instead as a raven, dark brooding, evil and intense, and always ready to peck out your eye.

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