CAVITY — Supercollider (review)

CAVITY — Supercollider album cover Album · 1999 · Sludge Metal Buy this album from MMA partners
4/5 ·
BitterJalapeno
Although originally released in 1999, this review has been written based on the 2002 reissue.

As one would expect from a sludge recording, thick and meaty blues influenced riffs are very abundant and continually assault the listener with very little respite – no complaints from me of such assault as I am a bit of a masochist for being abusively flattened the heaviest of riffs as I imagine many others are. Another common sludge trait consistent with this release is the almost constant use of ear piercing guitar feedback.

Although sludge by definition is influenced by punk, I feel this album showcases a more punk tinged sound than most other sludge I am familiar with. For example, the vocals in the first track remind me of a more violent version of Bruce Loose from massively influential San Francisco punk outfit Flipper before becoming much rougher and harsher for much of the remainder of the album. A further example of this would be the average track length which is much shorter than most metal tracks with only 4 of the 11 tracks breaking the 4 minute mark and 5 tracks not reaching 3 minutes.

Elements of Stoner rock/metal are also exhibited in a few moments such as “Taint and Abandon” which features the same riff throughout and after opening with nice calm stonerish vibes, suddenly blasts everyone listening with a sludge soaked version of the same riff. Other tracks such as “Threshold” and “How Much Lost” conjurer up delightful memories of the stoner metal/desert rock of Kyuss which I now realise I must refresh myself with as a matter of urgency.

Overall, I would say this an essential riff-fest of an album for anyone who enjoys getting down and dirty with a bit of sludge or for anyone who simply enjoys mega powerful riffage in any format.

4.5/5
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