MEGADETH — Peace Sells... But Who's Buying? (review)

MEGADETH — Peace Sells... But Who's Buying? album cover Album · 1986 · Thrash Metal Buy this album from MMA partners
4.5/5 ·
Stooge
It may seem a bit weird, but my introduction to many of the songs on this album came from seeing Megadeth’s Behind The Music special in 2001. Whenever there was a cool riff, lead, or instrumental section that was sampled for use in the program, most of the time it was lifted off of Peace Sells. Just getting a taste of the intro to “Good Mourning”, the head-banging riffing in “Wake Up Dead” or the ferocious lead section of “Bad Omen” was not nearly enough. The following Christmas, I made sure that this album was on my list (and, thus, under the tree).

The riffing is pretty tight on this one, just as fast-paced as much of their debut album. This time, the production is up to a higher standard. Unlike the occasional muddied-up sound that occurs on the debut’s faster cuts, the speed and precision in the likes of “The Conjuring”, “Devil’s Island”, and the ultra-intense “Black Friday” come through with crystal clarity. While making the popular “Wake Up Dead” and “Peace Sells”, well… pop!

The only real outlier among the tracks is their cover “I Ain’t Superstitious”. Though stylistically unlike the other tracks, I like this blues-rock cover. Compared to their debut’s take on “These Boots”, it feels much more of an honest cover as opposed to just having a laugh, and like many classic blues/rock songs, it serves as a good lauchpad for Mustaine and Poland as guitarists.

There are several instrumental excursions throughout that hint at the potential that this Poland/Samuelsson lineup had. This is well exemplified how tight the band sounds in “Bad Omen” and “My Last Words”. While the band sounds in high-form throughout the album, these tracks are often among the least talked-about here, but have grown greatly in popularity with me as the years have passed.

Although Mustaine was (and always will be) the songwriter, having such a strong band backing him is what allowed him to continue to expand the variety in song structure and the technicality from the debut album. While I’m still a big fan of So Far, So Good … So What?, I can’t help but wonder where a third album by the Chris/Gar lineup would have taken them.

This is definitely an essential thrash metal album.
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