SLOW — IV - Mythologiæ (review)

SLOW — IV - Mythologiæ album cover Album · 2015 · Funeral Doom Metal Buy this album from MMA partners
4/5 ·
Kev Rowland
This album was originally released in 2015, then it was followed up by an ambient version in 2016. A new album was released in 2017, also independently, and they have now signed to Code666 and re-released their fourth album yet again. However, due to various reasons they had to re-record various parts, and then it was remixed, so for the third time in four years we are faced yet again with a new version of the same album. I don’t think I have come across a situation quite like this before, but here we are. I find it interesting when reading either the press release or reviews of this album, as they are described as atmospheric funeral doom, yet I can quite easily imagine someone who hasn’t read those saying that this album is mostly black metal. I have read a review where they state that singer Deha’s vocals are as doom as anything they have ever heard. To my poor abused ears, they are black metal, or possibly blackened death metal, as opposed to doom, which just goes to show how music is subjective to the listener and many bands just refuse to fit into whatever neat boxes we want to put them in.

Putting the whole of the last paragraph to one side, here is a band who live up to their name and produce some of the slowest music one can imagine. This is ambient, atmospheric, bleak and compelling. In some ways they remind me of Rakoth, in others Negură Bunget, while Burzum is also something they have obviously been paying attention to, all of it slowed down so that if they played at a lower tempo they would actually be going backwards. This is not music which could ever be played in the background or when something else happens, as if the listener does that then this will just blend into the ambient sounds around them and they will just stop hearing it altogether. It needs to be listened to in the dark of night, with no lights visible (although a distant candle might be nice), glass of red wine (an Otago Pinot Noir would work well) to hand, and just fall into the dark and rather threatening world of the Belgians. Worthy of close attention indeed.
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