THERESIA — An Invitation To Darkness (review)

THERESIA — An Invitation To Darkness album cover Album · 2018 · Depressive Black Metal Buy this album from MMA partners
3/5 ·
siLLy puPPy
After making their debut on the Wisteria Records Various Artists Compilation METAL MADNESS: VOLUME ONE, the Japanese turned Canadian depressive black metal band THERESIA make their true debut with their first EP release AN INVITATION TO DARKNESS. While the band formed in Japan in 2016 they moved to both the UK and Canada and somehow ended up in the unlikely setting of Regina, Saskatchewan.

All along the band was more into noise rock than metal but their influences also include Gothic rock like Christian Death as well as the Japanese band Sodom And Silencer. Somehow the trio found themselves more in black metal mode with hints of the noise, punk and Goth in the mix, however with pummeling distorted guitar riffs, angry shouted vocals and a muted bass that fuses with the murky guitar parts, there is no mistaking this for anything other than black metal with lyrics screamed out in both English and Japanese.

The band is led by vocalist Ikiryō with Misaki on both drums and guitar and Okiku on bass. This EP is way too short while although it has four tracks, the first and last are simply an ambient intro and a short crust punk outro. The short opener “Dear Kayo… An Invitation For Darkness” begins like the first Black Sabbath album with thunder and church bells chiming with some Japanese poetry being read.

The only two real songs are “Funeral Games” which nicely continues the bell chimes and breaks in true depressive black metal riffing along with pummeling percussion that isn’t exactly blastbeat style but certainly has energetic bursts of pummelation that equal the intensity. The vocals offer glimpses of bleak hopelessness and unhappiness perhaps obtained through all that moving from country to country and ending up in one of the coldest nations on Earth!

“The Graves Of Passion” has an even more disturbed sound with insanely crazy distorted guitars, a frenetic percussive pattern and even more unhinged vocals angrily vociferating through the din. The flow is very much of second wave black metal with a straight forward delivery and not overly unlike many other bands of the 90s and early 2000s. The final closer “Deathmask” sounds more crust punk but with a blackened veneer followed by a short snippet of spoken words at the end.

THERESIA shows promise with a strong drive and excellent delivery of black metal however the EP is way too short. I believe a debut should at least be 20 minutes long and offer a variety of tracks even if set in the same genre mode. While performed quite well THERESIA needs to work on some sort of way of differentiating themselves from the legions of other black metal bands out there. Definitely one to look out for but just getting their feet wet in the morbid metal games of the 21st century. Definitely worth checking out but it seems like it’s just getting started and then ends!
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voila_la_scorie wrote:
more than 2 years ago
Thanks. I'm in and then out again. I've been more into prog recently but I feel a swing back to metal coming on...
siLLy puPPy wrote:
more than 2 years ago
LOL! They have potential but not there yet. Great to see you back on the scene. We all seem to be too busy to keep a steady review supply pumping :o
voila_la_scorie wrote:
more than 2 years ago
A Japanese depressive black metal settled down in Regina?!! That might be even more interesting than the music!

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