UMUR

Jonas
MMA Special Collaborator · Errors & Omissions Team / Retired Admin
Registered more than 2 years ago · Last visit 3 hours ago

Favorite Metal Artists

All Reviews/Ratings

4556 reviews/ratings
PSYCHOTIC WALTZ - Into The Everflow Progressive Metal | review permalink
METALLICA - Master of Puppets Thrash Metal
METALLICA - ...And Justice for All Thrash Metal
SLAYER - Seasons in the Abyss Thrash Metal
DØDHEIMSGARD - 666 International Black Metal
DØDHEIMSGARD - Supervillain Outcast Industrial Metal
MOTÖRHEAD - Overkill Heavy Metal | review permalink
OPETH - Watershed Progressive Metal | review permalink
ATHEIST - Jupiter Technical Death Metal | review permalink
MORBID ANGEL - Blessed Are the Sick Death Metal | review permalink
ENSLAVED - Vertebrae Progressive Metal | review permalink
FATES WARNING - Parallels Progressive Metal | review permalink
FATES WARNING - Inside Out Progressive Metal | review permalink
CATHEDRAL - Forest of Equilibrium Doom Metal | review permalink
ATHEIST - The Collection Technical Death Metal | review permalink
BURST - Prey On Life Metalcore | review permalink
ARCH / MATHEOS - Sympathetic Resonance Progressive Metal | review permalink
MESHUGGAH - obZen Progressive Metal | review permalink
PORCUPINE TREE - The Incident Metal Related | review permalink
MESHUGGAH - Koloss Progressive Metal | review permalink

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Death Metal 1233 3.36
2 Thrash Metal 650 3.45
3 Progressive Metal 355 3.69
4 Technical Death Metal 220 3.66
5 Heavy Metal 192 3.51
6 Black Metal 169 3.29
7 Melodic Death Metal 126 3.73
8 Technical Thrash Metal 103 3.61
9 Hard Rock 101 3.48
10 Non-Metal 95 3.29
11 Brutal Death Metal 85 3.59
12 Crossover Thrash 77 3.37
13 Sludge Metal 70 3.51
14 Stoner Metal 70 3.63
15 Death-Doom Metal 68 3.43
16 Grindcore 66 3.21
17 US Power Metal 62 3.69
18 Power Metal 58 3.58
19 Groove Metal 56 3.49
20 Doom Metal 56 3.63
21 Alternative Metal 53 3.46
22 Metal Related 50 3.59
23 Gothic Metal 49 3.50
24 Industrial Metal 35 3.56
25 Avant-garde Metal 35 3.64
26 Atmospheric Sludge Metal 34 3.74
27 Death 'n' Roll 33 3.20
28 Metalcore 31 3.50
29 Atmospheric Black Metal 30 3.38
30 Speed Metal 27 3.13
31 Hardcore Punk 26 3.65
32 Deathgrind 24 3.44
33 Melodic Black Metal 22 3.48
34 Goregrind 21 2.86
35 Traditional Doom Metal 20 3.77
36 Symphonic Black Metal 19 3.37
37 Proto-Metal 18 3.50
38 Cybergrind 13 3.50
39 Heavy Alternative Rock 12 3.50
40 Stoner Rock 11 3.82
41 Deathcore 9 3.50
42 Depressive Black Metal 8 3.44
43 Crust Punk 7 3.57
44 Glam Metal 7 3.21
45 Symphonic Metal 7 3.50
46 NWoBHM 5 3.60
47 Funk Metal 5 3.40
48 Mathcore 5 3.40
49 Funeral Doom Metal 4 3.75
50 Drone Metal 4 3.50
51 Folk Metal 3 3.33
52 Heavy Psych 3 3.50
53 Melodic Metalcore 3 2.67
54 Rap Metal 3 3.50
55 Neoclassical metal 3 3.33
56 War Metal 3 3.00
57 Nu Metal 2 3.00

Latest Albums Reviews

SKINLESS Swollen Heaps

Demo · 1995 · Brutal Death Metal
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"Swollen Heaps" is the second demo recording by US, New York based death metal act Skinless. The demo was independently released in October 1995. Skinless formed in 1992 under the Gorebag monicker but soon after changed their name to the current one. The band released their first demo in 1994 and shortly after the release of the demo original vocalist Mike Levy left. Instead a rather strange constellation happened. Drummer Ryan Wade performs vocals on three out of five tracks on "Swollen Heaps" and plays drums on the remaining two, while new vocalist Sherwood Webber peforms vocals on the two tracks where Wade doesn´t perform, but also plays drums on the three tracks where Wade doesn´t. Bassist Ted Monsour has left and has been replaced by Adam Lewis. So only the role of guitarist Noah Carpenter hasn´t changed since the first demo.

Stylistically Skinless still play a brutal and crushingly heavy death metal style, which is predominantly mid-paced and groove laden. It´s not so much Obituary, Jungle Rot, and Six Feet Under I´m thinking of when listening to "Swollen Heaps" though (which I do when listening to the first demo), but instead Suffocation and other early slam death originators. The brutality and technical playing have been taken a notch up, and "Swollen Heaps" is overall quite the impressive death metal demo. Filled to the brim with heavy brutal grooves and riffs, unintelligible brutal growling, and high level musicianship, this is a quality release. The songwriting is effective and relatively memorable and the sound production is in the better end of death metal demo sound recordings. This could just as well have been released as an EP on a label. Both "Crispy Kids" and "Cuntaminated" from this demo were re-recorded and included on Skinless debut full-length studio album "Progression Towards Evil" (released in March 1998). A 3 - 3.5 star (65%) rating is warranted.

SKINLESS Demo I

Demo · 1994 · Brutal Death Metal
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"Demo 1994" is the first demo recording by US, New York based death metal act Skinless. The demo was independently released in 1994. Skinless formed in 1992 under the Gorebag monicker but soon after changed their name to the current one. It´s the only Skinless release to feature original vocalist Mike Levy, who would depart soon after the release of this demo.

The demo features 6 tracks and a playing time close to 25 minutes, so there is quantity enough in terms of getting to know Skinless and their style of music, which is ultimately the goal of a demo. Stylistically this is brutal and heavy death metal which is predominantly mid-paced and features heavy brutal grooves and riffs. It´s artists like Obituary, Six Feet Under, and Jungle Rot, I´m reminded of, and this is generally crushingly heavy death metal. The vile movie sample intros are quite effective, providing the demo with the right foul atmosphere.

It doesn´t sound much like anything Skinless would produce down the road, but it´s still good quality death metal. Skinless are a well playing unit, and the demo features a decent sound production job, so upon conclusion it´s a demo worth investigaing and a 3 star (60%) rating is warranted.

SEIGMEN Metropolis

Album · 1995 · Non-Metal
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"Metropolis" is the third full-length studio album by Norwegian rock act Seigmen. The album was released through the 1:70 label in October 1995. It´s the successor to "Total" from 1994. The original album release features Norwegian language lyrics, but the band released an English language version of the album in February 1996 titled "Metropolis – The Grandmaster Recordings". Probably as an attempt to have a breakthrough outside of Scandinavia. "Metropolis" is Seigmen´s most commercially successful release and although it´s not a mainstrean seeking rock album, it is overall more accessible than the two albums which precede it.

Stylistically the music is dark, heavy (not in a heavy metal fashion), and melancholic rock and although this is generally a bit more harder edged and energetic, I´m often reminded of The Cure albeit with Norwegian lyrics. Lead vocalist Alex Møklebust, whispers, sings emotional parts, and at times a bit more raw, and his voice and singing style are great for this style of music. The bass is a prominent instrument in Seigmen´s music and along with the two guitars create a gloomy and depressive atmosphere. The drums are dynamic and perfectly compliment both the softer parts of the music as well as the louder and more hard rocking sections.

Among the highlights on the 11 track, 57:38 minutes long album are the opening title track, the anthemic "Slaver av solen", the beatiful instrumental "Circus", and the 11:47 minutes long closing track "Nemesis" (which does end with 3 minutes of annoying feedback noise, but is otherwise a great track). Every track on the album is worth a mention though, and "Metropolis" is through and through a quality release. That feeling is further enhanced by the incredibly well sounding production job, which is both powerful, detailed, and suiting the music perfectly. A 4 star (80%) rating is deserved.

AT THE GATES Slaughter of the Soul

Album · 1995 · Melodic Death Metal
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"Slaughter of the Soul" is the fourth full-length studio album by Swedish death metal act At the Gates. The album was released through Earache Records in November 1995. It´s the successor to "Terminal Spirit Disease" from 1994 and it would be the last album release by At the Gates before their split-up in 1996. The band were at the height of their success and had their international breakthrough with "Slaughter of the Soul", but after touring heavily in support of the album (including a couple of US tours), the Björler brothers (Anders on guitars and Jonas on bass) decided to leave At the Gates, and the remaining members didn´t feel they could continue without them. The Björler brothers and drummer Adrian Erlandsson would soon after form The Haunted.

Stylistically the material on "Slaughter of the Soul" is the most powerful, trimmed, and mature version of At the Gates. Gone are the odd musical experiments of the first two albums, and the material inconsistency of "Terminal Spirit Disease" (1994), and what´s left is the sharpest, most melodic, rewarding, and intriguing release of their original run. Lead vocalist Tomas Lindberg still sounds like he has just swallowed a plateful of broken glass with his high pitched almost desperate sounding growling vocal style and the band are very well playing delivering one death/thrashy riff after another, and loads of melodic leads and harmonies. The rhythm section drive the music forward in a powerful energetic fashion, and it´s definitely one of those albums where it´s audible that the band members felt they had composed something special, and that they needed to convey that in the most intense way possible.

This may first and foremost be a melodic death metal release, but many of the riffs on the album actually belong in thrash metal territory, making "Slaughter of the Soul" quite the interesting release in terms of the fast-paced rhythm guitar riffs. While the tracks are not exactly experimental or anything in that ballpark, At the Gates still manage to incorporate enough non vers/chorus parts to keep the songs interesting, which is also helped along by the many tempo changes during the tracks. "Slaughter of the Soul" also features atmospheric parts and while it may not initially sound like it, the tracks are varied and memorable and have the potential to grow on you.

"Slaughter of the Soul" features a powerful, detailed, and well sounding production, which suits the material perfectly, and upon conclusion it´s a high quality release by At the Gates. a 4.5 star (90%) rating is deserved.

SENTENCED Amok

Album · 1995 · Death Metal
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"Amok" is the third full-length studio album by Finland, Muhos based death/gothic metal act Sentenced. The album was released through Century Media Records in January 1995. It´s the successor to "North From Here" (1993) although the two full-length studio albums are bridged by the October 1994 EP "The Trooper". The quartet lineup who recorded "North From Here" (1993) is intact on "Amok"...

...and the fact that there haven´t been any lineup changes and that lead guitarist Miika Tenkula is still the main songwriter in the band is quite frankly baffling when you listen to the material on "Amok" compared to the sound and style of the material featured on "North From Here" (1993). Sentenced were a very young band when they started out (releasing their first demo "When Death Join Us..." in November 1990) and they were constantly changing their sound and style in the first 5 years of the band´s existence. The change from the old school death metal sound on "Shadows of the Past" (1991) to the melodic and technical blackened death metal style on "North From Here" (1993) was also a great stylistic change, but the change is even more significant between "North From Here" (1993) and "Amok".

Stylistially the material on "Amok" is a melodic and gothic/doom tinged death´n´roll style and the music often sounds like contemporary Paradise Lost mixed with some Cemetary/Tiamat and some 80s traditional heavy metal and goth rock influences (complete with the occasional female backing vocals). In that respect the core sound isn´t particularly original, but Sentenced still manage to sound unique. The lead guitar work by Tenkula is quite exquisite and deserves a special mention, but the vocals by bassist/lead vocalist Taneli Jarva are also worth a mention as they sound very unique. He has a raw semi-growlig vocal style, but he is able to put a lot of melody and emotion into his delivery. The vocals are probably an aquired taste, but to my ears they are a treat...

The material is well written, instantly catchy, and memorable. There´s also enough variation between tracks to keep the album entertaining throughout. "Amok" features a decent sounding production job, but the drums and the bass could have been given more room in the mix. They are often completely overshadowed by the vocals, the hard rocking guitar riffs, and the soaring melancholic leads. "Amok" is overall a great release though, and quite frankly a huge surprise if you´re familiar with the preceding Sentenced releases. If you know your death metal history, in retrospect the stylistic change isn´t that surprising though, as many Scandinavian artists (many of them Sentenced´s fellow countrymen) turned their backs on old school death metal at this point and started incorporating rock´n´roll and traditional heavy metal elements to their core death metal sound. Upon conclusion Sentenced succeeded pretty well in doing that on "Amok" and a 3.5 - 4 star (75%) rating is deserved.

Latest Forum Topic Posts

  • Posted 3 days ago in Metal Up Your Ass and all that Jazz Room V2
    In what lineup?
  • Posted 4 days ago in Metal Up Your Ass and all that Jazz Room V2
    I finally got my car back today with a new clutch . I´ve felt handicapped without it, so I´m extremely happy about its return.But with the car comes an invoice too of course . It´s pretty much as expected but it´s still a bitch....and to make matters worse I also went to the dentist today...mmm yeah I now understand why my dentist drives a sportcar while I´m driving the smallest shittiest oldest car you can imagine. Let´s just say there´s no holiday for the family this year ...oh what the hell it could have been worse...no one died ...well if you disregard my bank account, because that one is stone dead. UMUR2025-01-17 08:07:40
  • Posted 10 days ago in Now -- what are you listening to? V3
    http://www.metalmusicarchives.com/album/steeler(united-states)/steeler

Shouts

Please login to post a shout
martindavey87 wrote:
more than 2 years ago
Hey Jonas! How are ya man? Every where I post reviews, either here, Progarchives or RYM, whenever I go to post one I see you've posted one on that album too. It's cool comparing them! Was actually gonna message ya on here just to ask what your name is lol. Hope you're well and rock on! \m/ \m/
more than 2 years ago
Thanks! I will be slowly importing reviews that I have done for my website over here, but that will take awhile. For now, I will just be posting new reviews that I am publishing on my website. Cheers! \m/
mjayeh wrote:
more than 2 years ago
Thanx again for the shout out !!!! \m/

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