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Pyramaze started in the winter of 2001 in Hjordkær, Denmark when Michael Kammeyer left his former band, Damion. After the split, Michael took a short break from music to clear his mind, gathering new inspiration. After a few months, the idea of writing a complete self-financed album of his own material formed in his mind. The following months were spent in intensive song-writing mode, and by the summer of 2002 Michael found himself with enough material for a complete album. The time had now come to find a name and the ideal musicians for this new band. It was then that Pyramaze began to take form.

The line-up He didn't have to look far to find the first two musicians, as local drummer Morten Gade Sørensen and bassist Niels Kvist immediately jumped on the opportunity to join Michael in his quest. The next person to sign on was
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PYRAMAZE Discography

PYRAMAZE albums / top albums

PYRAMAZE Melancholy Beast album cover 3.42 | 13 ratings
Melancholy Beast
Power Metal 2004
PYRAMAZE Legend of the Bone Carver album cover 4.10 | 17 ratings
Legend of the Bone Carver
Power Metal 2006
PYRAMAZE Immortal album cover 4.26 | 18 ratings
Power Metal 2008
PYRAMAZE Disciples Of The Sun album cover 4.35 | 11 ratings
Disciples Of The Sun
Power Metal 2015
PYRAMAZE Contingent album cover 3.55 | 7 ratings
Progressive Metal 2017
PYRAMAZE Epitaph album cover 4.50 | 1 ratings
Progressive Metal 2020

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PYRAMAZE Legend of the Bone Carver

Album · 2006 · Power Metal
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"Legend of the Bone Carver" is the 2nd full-length studio album by Danish power metal act Pyramaze. The album was released through Nightmare Records in February 2006. It´s the successor to "Melancholy Beast" from 2004 and features one lineup change since the predecessor as guitarist Toke Skjønnemand has been added to the ranks, making Pyramaze a sextet on "Legend of the Bone Carver". It would be the last album featuring lead vocalist Lance King, as King was fired from the band in late 2006. As King was the owner of Nightmare Records, Pyramaze also left the label. "Legend of the Bone Carver" was produced (mastered and mixed) by prolific Danish producer Jacob Hansen.

Stylistically the material on "Legend of the Bone Carver" is US influenced power metal with omnipresent use of keyboards, which provide the music with a symphonic edge. King is a strong vocalist, with a voice and singing style somewhere between Geoff Tate (Queensrÿche) and Bruce Dickinson (Iron Maiden) (mostly the former), and he is perfect for the material. Having a highly skilled vocalist in your band doesn´t matter much, if the other musicians can´t deliver on a similar high level, but that´s not a problem here, as Pyramaze are an exceptionally well playing band. They master both harder edged riffs and rhythms as well as the more melodic and symphonic sections with ease. It´s not the most dymanic music though and the listener is constantly bombarded with multi-layered choirs and omnipresent keyboards, which on top of the more "regular" heavy metal instrumentation of two guitars, bass, and drums, sometimes result in an almost overwhelming wall of sound. The word subtle does not exist in the world of Pyramaze, and the listener is kept on his/her toes for the duration of the album.

"Legend of the Bone Carver" is a concept album, telling a fantasy tale (which could be inspired by one of the tales of the bible), and the story works well with the epic atmosphere created by the music. The professional, detailed, and powerful sounding production job further enhances the epic nature of the music. This is through and through a high quality release, and fans of harder edged, but still melodic and occasionally symphonic US influenced power metal should find lots to enjoy here. I have one complaint which drags my rating down a slight bit, and that´s the vocal melodies. Or to be more precise how memorable they are or aren´t. Because considering how melodic the material is and how melodic the vocal melodies are, the melodies actually aren´t that memorable, or at least many of the tracks sound a lot a like in that department. Stronger vocal hooks on individual tracks would undoubtedly have made "Legend of the Bone Carver" an even stronger release than it already is but a 3.5 star (70%) rating is still fully deserved.


Album · 2008 · Power Metal
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The third Pyramaze album finds Matt Barlow of Iced Earth stepping in to tackle lead vocals on a one-time-only deal, his style being well-suited to this more aggressive and punchy take on Pyramaze's prog-tinged power metal style. (In fact, there's points on here where things start resembling the most power metal-flavoured moments of Symphony X's early work.) It's still Dungeons & Dragons fantasy metal through and through - there's even one song, Caramon's Poem, based on the Dragonlance series of D&D tie-in novels - so don't expect anything especially grim or serious. At the same time, I find it an enjoyable consolidation over Legend of the Bone Carver.

PYRAMAZE Legend of the Bone Carver

Album · 2006 · Power Metal
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This second Pyramaze album shows a substantial improvement over the first. It's not so much that anything's changed, mind - we're still dealing with prog-influenced power metal with fantastical themes that make you think that the band are just narrating their Dungeons & Dragons games to music, and that's not exactly the sort of album power metal listeners haven't heard before.

But there's an extra bit of polish, a certain extra tightness to the work here, the band gelling just a bit better and wrangling just a little more out of the studio and seeming just a bit more comfortable in their own skin. The end result is a very entertaining piece which won't blow anyone's mind, but is at least a satisfying listen worth more than one spin.

PYRAMAZE Melancholy Beast

Album · 2004 · Power Metal
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The debut Pyramaze album finds the Danish unit offering a style of prog-tinged power metal which won't be new to many listeners; right down to Lance King's Bruce Dickinson/Geoff Tate-esque vocal delivery, the various ingredients of this musical mix have been brought together in a broadly similar fashion by many groups before and since, and Melancholy Beast doesn't do very much we haven't heard before. If you are addicted to this style of music and simply cannot get enough of it, it may be worth a look, but otherwise you aren't likely to come back to this very often after hearing it once. Competent, but not transcendent.

PYRAMAZE Contingent

Album · 2017 · Progressive Metal
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April 2017 is a very crowded month for new metal releases, with three of my most anticipated releases of the year all coming on the same day, and so it would be easy for something to get lost in the shuffle. On the same day as those three releases, though, we have what is sure to be a highly anticipated release for many other people, which is Contingent, the fifth full-length release from Danish progressive power metal band Pyramaze. Fans were excited two years ago, as after releasing three well-regarded albums in the previous decade, the band was dormant for a while, only to return with a slightly different lineup to release Disciples of the Sun, which ended up being a very well-received comeback album and seemingly triggered the start of a new era for the band. Now, two years later, the band has retained the same lineup and are ready to release their next album Contigent, which very much feels like a natural evolution, though it does take the band into slightly new territory compared to past releases.

In their early days, Pyramaze were a fairly traditional power metal band, though their 2008 release Immortal included some prog elements and stands as their most aggressive album to date. With Disciples of the Sun, the band modernized their sound quite a bit, featuring a mix between harder guitar riffs, more atmospheric keyboards, and some huge vocal melodies. The release still maintained elements of their old power metal sound, but it laid the foundation for the band to switch to more of a melodic prog sound, which is exactly what has happened on Contingent. There’s still the occasional speedy sections, but for the most part this is a very laidback album, more focused on the huge choruses and vocal melodies than anything else, with the instrumental sections mostly being dominated by some effective but rather simple riffs, while keyboards are paired with orchestration to add some flavor and to give the album a slight symphonic feel at times. There are some nice guitar solos at times, though nothing overly flashy or technical. I’d say, on the whole, fans should expect the majority of the album to sound something like “Genetic Process” from the previous album, with only a couple tracks even coming close to speedier territory like “Fearless”, and there’s nothing overly challenging or complex, either. From a production standpoint, everything sounds amazing, as always from Jacob Hansen, who also serves as the band’s bassist and second guitarist currently, and I’d say the performances and overall sound are definitely the biggest strengths of the album. The mix between modern riffs and big vocal melodies is quite addictive, though I’d say this album is a case where the overall idea is better than the execution at times,

Pyramaze have been through quite a few vocalists over the years, with Lance King performing on their first two albums, before being replaced by Matt Barlow on Immortal. Things got complicated from there, as Matt left and was replaced by Urban Breed, but somehow the band never recorded an album with him, and for a while it seemed like they might be done until they finally returned in 2015 with new vocalist Terje Harøy, who I had previous heard with his old band, Teodor Tuff. He has a very strong, clear voice and definitely gives the music a unique feel, with a vocal approach that really gets the most out of the melodies, and I’d say he brings a high level of accessibility to the music, almost sounding radio friendly at times. His vocals are a definite highlight of both this album and Disciples of the Sun.

The one area where I’m not really blown away is the songwriting. I actually have a similar problem with this release as I did with the Seven Kingdoms album I reviewed recently, except on the opposite end when it comes to speed, where I don’t think there are any weak songs here, but I definitely think the album could use some variety, as there simply aren’t enough tracks that change the formula up in a meaningful way. For the most part, the tracks alternate between slow, heavy guitar driven verses and big melodic choruses, with some tracks going a little bit lighter during the verses and emphasizing the keyboards. Either way, though, it’s a very formulaic approach to songwriting, with even speedier tracks like “20 Second Century” and “Symphony of Tears” being pretty similar, except that they have faster-paced choruses than the other tracks, which makes them stand out at least a little bit. I find that can be a problem with melodic prog in general, though, where the overall sound is excellent, but the bands can sometimes struggle to come up with fresh ideas for songs as they don’t want to get overly complicated with their musicianship but also don’t want to push too far into other genres, and so it’s like they deliberately limit themselves in the songwriting department.

I will say, though, the album leaves a strong first impression, as opening track “Land of Information”, while still falling into the same basic melodic prog formula, somehow feels a bit fresher than the rest of the album, like the band dialed up their performances to the next level and everything feels more energetic. Even the verses hit just a bit harder than on the rest of the album, the solo section seems just a bit stronger and more memorable, and the chorus is awesome as always. While the track is still more mid-paced, I would say it moves at a slightly better pace than most of the album overall, with the verses being a bit faster than even “20 Second Century”, though it never gets as fast as that song does during its chorus.

For the most part, the rest of the album feels like it falls into a basic formula, with tracks like “Kingdom of Solace”, “A World Divided”, “Nemesis”, “Obsession”, “and “Under Restraint” being hard to tell apart due to how they all rely on slow, chunky modern riffs and big choruses, while more keyboard driven tracks like “Star Men” and “Heir Apparent” simply lack energy in the verses and don’t give the album the change of pace it needs. Basically, for the most part, I’d say the verses are kinda boring throughout most songs, but the choruses are amazing and save the day, so it’s like, I certainly enjoy listening to the music a lot, and Terje really carries most of the songs, but I can’t help but feel as if the band has the potential to do better things in their current form. One weird thing is how the album has two title tracks, scattered in different parts of the album, but these are both very brief orchestral pieces, that while being very nice, feel more like interludes than anything else, so making them title tracks feels very weird. One track that stands out in a positive way is the ballad “The Tides That Won’t Change”, which features some very nice female vocals from guest Kristen Foss, who I’d even say slightly outshines Terje on that track, though both singers sound very good and it’s definitely my second favorite on the album, behind only “Land of Information”.

I’ve been a bit hard on Contingent, but I will say I think it’s a very solid album overall and on an objective level everything about it is top tier and I really can’t complain. I was simply hoping for the songwriting to be just a bit more varied and more interesting, and I hope on future releases Pyramaze can find a way to bring back some of the speed and variety of previous albums, while still building on the melodic prog sound they have going on, because the overall sound is very good and I think they can do great things with their current lineup, but they need to push just a bit further out of their comfort zone in the songwriting department. Overall, a solid album I can easily recommend to fans of melodic prog, while power metal fans may be a bit disappointed, but there’s still enough good points here for it to be worth a shot for any fans of the band.

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