LIGATURE

Thrash Metal • United Kingdom
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Ligature formed in 1996, from the remains of unsigned band Abattoir, previously known as Cuntz. The London based five piece band forged a reputation for hard work through extensive gigging.

The band released their first demo ‘Extinction Agenda’ in 1998, and featured a hard edged thrash metal sound, almost veering towards death metal. An EP called ‘The Abolition Of Guilt’ was released in 2000, with a lightening of the band’s sound. The band’s only full length album ‘Attack Of The Megaleanasaurus’ was released in 2007, with first track “What's in the Basket” gaining some notice with its inclusion on a Terrorizer magazine unsigned band cover mount CD. Despite a loyal following and some critical praise, Ligature remained unsigned, and little has been heard of the band since the album’s release.
Thanks to Vim Fuego for the addition and UMUR for the updates

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LIGATURE Attack Of The Megaleanasaurus album cover 0.00 | 0 ratings
Attack Of The Megaleanasaurus
Thrash Metal 2007

LIGATURE EPs & splits

LIGATURE The Abolition Of Guilt album cover 0.00 | 0 ratings
The Abolition Of Guilt
Thrash Metal 2000

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LIGATURE Extinction Agenda album cover 3.00 | 1 ratings
Extinction Agenda
Thrash Metal 1998

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LIGATURE Reviews

LIGATURE Extinction Agenda

Demo · 1998 · Thrash Metal
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Vim Fuego
Once touted as one of London’s best up-and-coming Extreme Metal bands, Ligature started plying their trade in the mid-1990s as Abattoir. ‘Extinction Agenda’ was this tight live unit’s first studio demo. Taking cues from Slayer and pre-‘Roots’ Sepultura, Ligature’s sound was a tough mix of thrash leaning toward death metal.

There’s no messing about because studio time is expensive for bands when they’re paying for it themselves. “Persona Non Grata” starts promisingly enough, with a catchy bass rumble. The instruments sound clear enough, but the overall feel is just a bit muffled. Vocalist Mark Blennerhassett starts strongly too, with a throaty shout. Unfortunately, the chorus is a bit off, where he shouts the first word of each line out of tune. The solos are a little lost in the mix, but if you turn it up really LOUD, (what other volume is appropriate for metal on anyway?) you can hear them clearly enough. Overall though, it is a very tight song, although it does loosen up a little in the final passage, but it’s excusable.

“Law Unto My Own” sounds like a more extreme Sacred Reich, political lyrics and all. Blennerhassett turns on a far more controlled display on this track, with a perfect gruff Phil Rhind impression. Bassist Laurent Lecoq makes himself known, leading from the back with some tasty licks and flourishes. There is a clumsy gap in the song, but it’s easily ignored.

Final track “Deity Of Destruction” is Slayer worship through and through. The opening riff is reminiscent of something off Slayer’s mid-90s albums, and quite memorable. It is a better version of what Sepultura tried and failed to deliver on ‘Against’. Ligature seem most comfortable on this track, and perhaps should have focused more on heavy mid-tempo material like this instead of attempting faster material full of blast beats.

While this demo is no ‘No Life ‘Til Leather’ it’s not a dog either. Far worse bands have earned record deals with lesser demos than this. Sure, there are cock-ups and the mix isn’t great, but the embryo of a very promising band was there. The sound of the band changed after this demo, and the band has never achieved the recognition it deserves, but this is a better than average demo.

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