THY CATAFALQUE — Rengeteg — the ultimate metal music online community, from the creators of

THY CATAFALQUE - Rengeteg cover
4.14 | 16 ratings | 6 reviews
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Album · 2011


1. Fekete mezők (09:20)
2. Kel keleti szél (03:59)
3. Trilobita (03:52)
4. Kő koppan (04:38)
5. Vashegyek (14:08)
6. Holdkomp (05:45)
7. Kék ingem lobogó (03:51)
8. Az eső, az eső, az eső (05:23)
9. Tar gallyak végül (03:47)
10. Minden test fű (05:11)

Total time 59:54


- Tamás Kátai / Vocals, Bass, Guitars, Keyboards, Programs

- Attila Bakos / Clean male vocals
- Ágnes Tóth / Female vocals
- Mihály Simkó-Várnagy / Cello

About this release

Released November 11, 2011, in Europe and January 10, 2012, in North America.

The first pressing of the album came out as a limited digipak edition, the following pressings came out in a standard jewel case form.


Thanks to Time Signature for the addition and bartosso for the updates


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Specialists/collaborators reviews

This is the first Thy Catafalque album crafted by Tamás Kátai as a solo performer (with guests on vocals and cello), rather than as a collaboration with Juhász János on guitar - and to be honest, if I hadn't looked that up I wouldn't have guessed, because this pristinely produced exercise in blackened avant-metal with ample folk, prog and electronic influences and experimentation feels like a whole-band effort. The entire scope of Thy Catafalque's sonic universe is brought together in album centrepiece Vashegyek, a 14 minute tour de force which should win you over to Thy Catafalque's approach even if no other composition on here does. Pick it up if you like the idea of atmospheric black metal by way of early Tangerine Dream as performed for an Eastern European folk festival.
Conor Fynes
'Rengeteg' - Thy Catafalque (8/10)

There's something to be said for a metal band that manages to find an original sound. Even in the so-called avant-garde metal style, a listener is bound to find scores of artists pulling out the same 'weird' cliches, without necessarily doing something fresh with them. First hearing Thy Catafalque and the work of Tamás Kátai through his more death metal-oriented project Gire, it was clear to me from the start that there was something sincerely 'out there' about this music. On "Rengeteg", fans of this Hungarian act's previous work will get what they expect: a viciously eclectic dose of strange folk melodies, industrial percussion, and plenty of synthesized goodness. It's not a taste for everyone, but "Rengeteg" is one of the most interesting musical experiences I've heard in recent times.

As far as avant-garde music goes, it almost feels wrong to get the impression of catchiness, or even 'fun' in the music. After all, this is supposed to be heavy, experimental art- catchy hooks and danceability are traits most often reserved for the worst forms of pop. With that being said, "Rengeteg" is an album filled with crazy hooks. "Trilobita" is a feisty folk metal jig fueled with mesmerizing vocal and synth melodies. "Az eső, az eső, az eső" is a little more melancholic, but no less instantly memorable, built around a fiery organ lick that blends perfectly with the more jarring metal riffs. Compared to Thy Catafalque's earlier stuff, "Rengeteg" comes across as a more melodic incarnation of the band's sound. The industrial riffing is still potentially heavy as ever, but Thy Catafalque has largely absconded its more black metal-oriented origins.

"Rengeteg" may have moments of accessibility, but at its core, it remains challenging, even ugly in parts. To counter off the shorter pieces, "Vashegyek" looms around the fifteen minute mark, swerving through Eastern European folk tradition and harsh industrial riffs. Although it largely amounts to personal taste, the industrial elements feel less fitting for Thy Catafalque's sound. It is not so much that it is so much heavier than the rest of "Rengeteg"s ingredients, but rather that it sounds so robotic. Thy Catafalque enjoys some brilliant guest vocalists, warm keyboards and synths, and vast atmosphere. In the midst of this, electronic double-kicks and noisy guitars don't seem to fit as well as they could have. As one could expect from something so eclectic, the production is a little inconsistent, once again favouring the warmer, 'human' elements of the album over the industrial sounds.

There are a great deal of synth and keyboards on "Rengeteg", but the strange Eastern melodies seem perfectly suited for them. Thy Catafalque takes a vast array of styles and ambitions, and condenses them into a blending pan of strange, enjoyable music. Comparisons may be drawn with Sigh, but it's clear that this Hungarian act has a sound it can call its own. Nightmares may ensue, but they'll be worth it.
A forest of sounds

Tamás Kátai, the mastermind of Hungarian experimental, post-black metal, eastern European folk... *breath*... industrial, "space rock" metal band Thy Catafalque has a truly intriguing vision of his music. Having recorded four albums before Rengeteg, it's actually the first one released by a major record label, namely french/american Season of Mist. And well, I must admit that it's one of the most interesting metal albums I have heard lately.

The record is produced in a professional way which means the sound is clear, fairly selective yet not overproduced or artificial. Distortion is heavy, a little bit fuzzy, kind of reminding me of sludge and industrial metal. Same for computer generated drums. Besides heavy distortion, Thy Catafalque uses a whole range of guitar sounds - from soft space rock overdrive to occasional classical guitar nylon strumming. The vocalist is one of the most intriguing aspects of Rengeteg. Mostly clean, folk-influenced vocals with a few shrieked parts here and there are very well performed. However, it's a presence of various synthesizers and space rock sound effects that determine Thy Catafalque's uniqueness in terms of sound and ambiance.

For an avant-garde metal album, Rengeteg is surprisingly accessible. The most prominent element here is Hungarian folk that pervades the whole thing with unique atmosphere. All the more so because it's combined with some truly otherworldly atmosphere of space rock in the vain of Ozric Tentacles. Experimental approach to composition and general diversity of moods completed the task - Rengeteg is a very successful release and an excellent addition to any metal music collection. Despite having many masterpiece qualities, it's got its fair share of problems. First of all, some cheap sounding parts could have been avoided. Some artificially sounding synthesizers could have been replaced with real instruments ("violin" part in Kő koppan spoiled it for me). Some underdeveloped ideas could have reached the masterpiece level if developed (e.g.: "Kel keleti szél", "Kék ingem lobogó"). And finally, some songs could have been better composed and cleansed of generic riffing (e.g.: "Vashegyek").

I really like that album despite all the things I've just said. It's a great record and for its undeniable originality and genuine emotional charge it certainly deserves all the praise it got from the community. Essential for avant-garde, post-black metal, dark folk and atmospheric music enthusiasts in general.
Phonebook Eater

"Rengeteg" is a must for Avant-Garde Metal fans.

Thy Catafalque have been on the map for quite a few years, yet they’ve been pretty much ignored by a good part of the metal community and had a few but very enthusiastic fans. Personally, this band for me was always one to check out, especially after releasing “Roka Hasa Radio”, easily one of the best albums of 2009. It seemed hard to top that release, however, “Rengeteg” maintains the same high quality.

Frequently labeled as Avant-garde Metal, this band is a lot more than that: being from Hungary, the traditional music of the country is a huge influence in Thy Catafalque’s melodies, and has always been. But we also have Black Metal, Industrial Metal, Folk, Electronic beats and samples, and not to forget Progressive Rock. Their vast amount of influences have made them a pretty impacting band for whoever has listened to their material. “Rengeteg” keeps this same mixture of styles as the previous albums, but there’s somewhat more straight-forwardness here, the songs and melodies being a lot less experimental per se and more focused on the melody. As a consequence the ten songs here are relatively shorter than the other albums, with some inevitable exceptions of course. But the melodies are always clear and easy to remember, even after one sole listen, unlike the tracks featured on “Roka Hasa Radio”.

The previous album, although more experimental and brave, was sort of a one-faced album, meaning that for the great part of it the music was pretty much mellow. “Rengeteg” elegantly mixes the heaviness with the calm parts, creating a wonderful balance that is almost symmetrical. This symmetry is there also in terms of straight-forwardness and quirkiness: the first part of the LP is more easy-going, while the second part is more experimental, even though this division is not at all firm: there are indeed experimental moments in the first part, and there are very memorable ones in the second part. The two distinct sides of the album are clearly separate by the axis of these ten songs, the fourteen minute epic “Vashegyek”, placed obviously in the exact middle of the LP.

Each one of these songs is pretty much a little gem of it’s own: the nine minute intro, possibly the heaviest song here, the extremely memorable “Trilobita”, and the more electronic based “Ko Koppan” are the definite highlights of the first half, while the second part boasts songs like the mind blowing electronics of “Holdkomp” and track number eight, but also more heavy moments like the closing track.

Overall “Rengeteg” is an extraordinary follow up to “Roka Hasa Radio”, which might even outdo it in some ways. Thy Catafalque are a band that should be infinitely praised for the utterly original sound and songwriting abilities, as well as their bold experiments with Hungarian Folk music, Ambient and Electronic. A must for any Avant-Garde Metal/Black Metal fan, in my book.
Time Signature
The rain, the rain, the rain...

Genre: catafalque metal

As the cover art suggests, this is dark music with lots of atmosphere and interesting textures. It is hard to pinpoint a core genre, but Thy Catafalque definitely draw on sludge metal, black metal, post-metal, industrial metal, and alternative rock - among others - and all of this is neatly wrapped in a veil of Eastern European melancholy.

While the guitars are crushingly heavy and sludgy at times, while drawing on blackened death metal at other times (the guitars are down-tuned and the distortion is quite brutal), Thy Catafalque are not afraid to add a dose of mellowness in the form of melancholic alt. rock passages and loads of experimentation with keyboards, synths and spacey effects. And this combination works brilliantly in generating a truly unique style of avant-gardish metal which is extremely expressive and darkly melodic. Even at its most brutal moments the focus of "Rengeteg" remains on melody, and the album is rich in lead melodies performed in guitars, synths and more unusual instruments.

There are also several melodies that sound Eastern European to my ears, and with the vocals being sung in Hungarian, the Eastern European feel is just amplified. This folk element, as it were, definitely also contributes to the overall dark and melancholic feel.

Fans of dark experimental music owe it to themselves to check out Thy Catafalque's massive "Rengeteg" album!

Members reviews

Thy Catafalque manage the impossible. No one can maintain an atmosphere composed of such earth-crushing heaviness, such vibrant textural earthiness, and such a range of timbre like Thy Catafalque. Even the lyrics contribute to the album's massive, ancient atmosphere. I didn't imagine an endeavor like this was possible before I heard it. But Thy Catafalque doesn't just maintain that atmosphere on Rengeteg; they mold it into brilliant structure after brilliant structure. The grace with which the compositions dance around while maintaining their astonishingly heavy and organic atmosphere is astounding. The music weaves back and forth between deeply moving post-black metal progressions driven by 50-megaton blast beats and an eclectic range of industrial, rock, and folk, all the while maintaining that impossible atmosphere. Renegeteg contains some of the heaviest moments of music that I've ever encountered yet doesn't dwell on them like many bands do; it weaves them into its rich tapestry of sounds. Tamas Katai, who performs all the music on the album except the cello and clean vocals, is one of the most brilliant composers that I've come across. This is the first album of his that I've listened to, and it is an absolute masterpiece. Tamas is an artist of an incredible magnitude.

Rating: 9/10

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