Kev Rowland Max and the gang are back with their eleventh album, the third to feature his eldest son Zyon on drums (the line-up is completed by Marc Rizzo on lead guitar, flamenco guitar and bassist Mike Leon, plus loads of guests). The last Sepultura album was their best for years, and here we see the ex-leader of that band pulling together what is probably their finest release since 2000’s ‘Primitive’. It is aggressive, powerful, pummelling, with the underlying groove taking nothing away from the ferocity of the attack, yet there are also some native sounds at the beginning of the title track which makes one think of the mighty, incredible, “Roots, Bloody Roots”. This is an album to get all sweaty and aggressive in the mosh pit, as the guitars crank it up, while percussion and drums combine to create something very special indeed.

But just when it is getting all too much for the head to take, and there is a need for some respite, we are treated to “Demonized” which starts life as an acoustic flamenco guitar track. “Fluff” anyone? On never really knows what is going to happen, with traditional flute leading into “Blood On The Street” while closer “Soulfly XI” simply doesn’t sound as if it belongs on any album which involves a Cavalera. Gentle, restrained, delicate yet passionate and emotional, this is not the style of music one would expect from someone who brought us ‘Chaos A.D.’. This is a superb album from Soulfly, and although I said it is their finest since ‘Primitive’, it may actually be superior to both that and the debut, quite a statement I know. I haven’t been this excited about an album from Max since the debut Cavalera Conspiracy album, he and the band are truly back to form. One not to miss.