BLACK SABBATH — Vol 4 (review)

BLACK SABBATH — Vol 4 album cover Album · 1972 · Heavy Metal Buy this album from MMA partners
4/5 ·
The Crow
Vol. 4 is an album of a band going through changes (and dealing with sever drug abuse) But they managed to create another milestone for hard rock and heavy music!

This fourth effort is a bit less heavy than Master of Reality and it has a muddier and darker production. I really don't know if this dirty sound was deliberate or not, but it had a capital importance through the years. After 45 after its release, we can check that Vol. 4 and its special and distinctive sound inspired bands like Kyuss, The Obsessed, Sleep, Cathedral and many more.

The album starts with Wheel of Confusion, which contained a rather complex riff and structure if compared to previous records. It is a long song, which shows a worthy attempt to reach new levels for the band. Tomorrow's Dream confirms the dirty and sloughy sound of the album, with a typical Sabbath riff and great verses.

Changes is a weird attempt to create an intimate song, and despite not being really memorable, it has the best vocal interpretation from Ozzy. It can even sing in this song! In addition, the mellotron is pretty good. Sadly, FX is just forgettable. An experimental piece of trash that last 1'43'' too long.

Supernaut retrieves the energy with another powerful riff and a great psychedelic interlude with great drums. Snow Blind brings back the style of Master of Reality and it talks about the drug abuse that the band was suffering at this time. A classic with impressive keyboards towards the end! And Cornucopia is another hit which starts with a doom rhythm and continue with a melody with rock and roll influences but filtered with the ultra-heavy and dirty guitars from Iommi.

Laguna Sunrise is a beautiful surprise, because it demonstrates that this band was able to create competent orchestral arrangements and it shows a wider musical range. The good keyboard work of this song and others from this album give a good advance of what the band would do in Sabbath Bloody Sabbath.

St. Vitus Dance is maybe not so memorable, but it is a short and funny track, which mixes wisely heavy riffs with blues-rock influences. Moreover, Under the Sun / Every Day Comes and Goes is another classic from this album. The energetic and powerful ending that this album deserves.

Conclusion: Vol. 4 is one of my Sabbath's favorites. It is not so groundbreaking as the first two albums and not so damn good as Master of Reality, but apart from FX it's almost a flawless album, which shows a band succeeding in their attempt to expand their sound with keyboards and orchestral arrangements. In addition, it has a dirty and muddy production, which professed a capital influenced through the years, especially for Stoner Metal bands.

However, if you are searching the more Heavy Metal side of Black Sabbath, I recommend you to start with albums like Sabbath Bloody Sabbath or Heaven and Hell.

My rating: ****

This review was originally written for ProgArchives.com
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