THE WHO — My Generation (review)

THE WHO — My Generation album cover Album · 1965 · Proto-Metal Buy this album from MMA partners
2.5/5 ·
Warthur
The Who's debut sees them still in the shadow of other British Invasion bands such as the Beatles, the Kinks, and - more than any other influence - the Rolling Stones. But from a few unusual Townsend guitar departures towards the end, opening song Out in the Street could be a Stones off-cut, as could I Don't Mind (which seems to lift more than a little from the Stones' own Heart of Stone), and The Good's Gone... and, to be honest, most of the album.

The two songs which feel most like the Who on here - My Generation and The Kids Are Alright - are of course excellent, though marred by cheap production standards. But those are readily available on various compilations; as far as the rest of the album goes, it's mostly filler which is pleasant enough if you like mid-60s R&B, but the Stones did it better.

The worst songs on the album are probably the Bo Diddley cover I'm a Man and James Brown cover Please, Please, Please, which present renditions that could have been knocked out by any half-decent covers band at the time. It's hard to work out what part of these song is the worst, but particularly embarrassing is Roger Daltery's vocal delivery - maybe the production quality doesn't help, but even so nobody should try to out-soul James Brown, it just isn't possible and you end up looking silly. Best song - aside from My Generation and The Kids Are Alright - is probably The Ox, an instrumental jam which suggests that there might be more to this maximum R&B than just R&B, though even that outstays its welcome (as jams often do).
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