CRIMSON GLORY — Crimson Glory (review)

CRIMSON GLORY — Crimson Glory album cover Album · 1986 · US Power Metal Buy this album from MMA partners
3/5 ·
Stephen
Crimson Glory came to the scene offering a heavy metal sound with a handful of progressive element. Many compared them to Queensryche and Fates Warning, and I did smell a similar scent between them, only Crimson Glory's riffage was adapted from Iron Maiden's twin harmonic rhythm style. The singer Midnight's vocal also on the same level as Geoff Tate, especially on the screeching aspect. You can find out how crazy he wails on "Mayday", defeating the high frequency of Drenning's shredding guitar sound. For an 1986 release, the sound production is highly applauding and that's a rewarding value of the album.

Several standout tracks here are the opener, "Valhalla", flowing in a midtempo groove and packed with a thick Maiden-esque riffs; the rushing "Dragon Lady" with a beautiful harmonic chorus and Midnight's windows-cracking scream; the melodic heavy metal track "Azrael" which is my best pick of the album; and the gloomy epilogue of "Lost Reflections" that was driven by a sorrowful acoustic guitar before exploded big at 3.10 and faded out with Midnight's wicked laugh, a truly spine-chilling moment.

Tracks like "Heart of Steel" also can be considered a good one with many acrobatic fill and commercial bite, or "Angels of War" that has a large melodic proportion but unfortunately the overkill scream somewhat ruined the song. For an eight-tracks album, Crimson Glory's debut luckily didn't contain any filler though couple of songs aren't that great either, but the annoying problem is Midnight's scream galore that's a bit too much here and there. I know that he's one of rare singer with stretchy pipes and high range, but he should just put that shriek once in a while and I'll be okay with that. However, Crimson Glory's eponymous debut deserved to be heard and appraised as they're one of the pioneers of prog/heavy metal, and they do have some amazing tracks here.
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