PAIN OF SALVATION — BE (review)

PAIN OF SALVATION — BE album cover Album · 2004 · Progressive Metal Buy this album from MMA partners
5/5 ·
Conor Fynes
'Be' - Pain of Salvation (10/10)

This is quite simply one of the best albums ever made. Daniel Gildenlow has once again transcended the boundaries of his musical parameter and tackled a project which is nothing short of massive. Pain of Salvation has composed an album that is close to being perfect, and might as well be considered as such. 'Be' has a little bit of everything. There are folk-influenced pieces, a minimalistic (and very beautiful) classically styled piece, songs reminiscent of their 'Remedy Lane' effort, and even a song that wouldn't sound out of place on Broadway! The culmination of all of these magical elements is rendered even more splendid with the addition of a 9 piece Orchestra (The Orchestra of Eternity.) While other bands have used orchestras before (Metallica's 'S&M', Dream Theater's 'Score'), never before has there been such a perfect mixture between the rock based and symphonic based instruments. The orchestra is at the forefront of the action throughout the work, and compliments the music greatly.

I've always wondered what genre to truly consider this album. It's certainly not metal, despite the fact that many consider Pain of Salvation to be a progressive metal band. In fact, metal is the least represented genre on this album! That's not to say that there's less progression on this album however. Many have said that this record takes a long time to appreciate. While I can see where they're coming from (it's incredibly musically dense and unique) I personally fell in love with the music from first spin on. However, I would give a warning to those who aren't used to such avant-garde leanings.

If the music itself wasn't enough to sell 'Be' off as a masterpiece, the concept of the album fortifies the album a hundredfold. This is one of the most epic, ambitious concept albums ever produced. 'Be' tries to answer the questions that mankind has posed ever since it's inauguration. Who is god, and does he exist? What does he want? This divine element is contrasted by a human plot, of the future 'richest man in the world' (named in the script as Mr. Money) attempting to seek immortality through cryogenics. When waking up, he finds himself in a world of desolation and emptiness (apparently after some sort of apocalypse) and realizes that his all of his money was, in the end totally meaningless. Summarizing this shouldn't spoil any of the enjoyment, as it is the way it is told that is worth so much praise.

Daniel Gildenlow is a musical genius, and if ever there was a perfect representation of the man's brilliance, this is it. 'Be' is not only one of the best progressive albums of all time, but one of the greatest pieces of music ever to be composed. A masterpiece, and possibly my favourite album ever.
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