Earendil I had high expectations for this album, between the comparisons to Porcupine Tree and the interesting use of binaural tones, but I was ultimately disappointed. The album is certainly not bad, but there is no new ground broken here, even with the special recording techniques. The album is fairly uniform and static, hovering between straightforward and progressive rock. The euphoric experience the album is meant to induce is over-hyped to say the least. If he uses the imagination, the listener can notice the special feel of the sound, but what it actually does can't really be said. Here's a description of the album from Amazon: "JOLLY is the summation of four minds set out to revolutionize the art of sound. Under the guise of rock music, JOLLY has devised a therapeutic auditory experience scientifically designed to bring the brain to a state of pure happiness. By combining sophisticated arrangements, ambient textures, aggressive dynamics, and infectious melodies with binaural brain wave technology, a new medium is born. JOLLY's latest release, The Audio Guide to Happiness (Part 1), is a self-reflective sonic journey scientifically tailored to guide the listener through the strata of his/her own emotional make-up. The listener is subjected to musical mood dynamics and key lyrical triggers while the brain is fed corresponding binaural tones. These tones are carefully and deliberately interwoven within the music to support all appropriate peaks and valleys throughout the experience."

I feel that it's no different than when someone says how dark chocolate is a miracle food because it fights heart disease, is loaded with antioxidants, and gives you longer life. Such claims may have some small basis, but to claim that the difference is actually noticeable is dubious.

However, much of this could definitely be mental that some people are feeling. After such buildup about the relaxing sound waves, one's mind will exaggerate what it feels and create a stronger reaction in the listener. Whatever the band's opinion is, I don't think heavy rock is generally listened to for deep relaxation.

Overall, the album is by no means essential, and its primary appeal is with the creative recording processes used.

Rating: 5/10

J-Man New York's Jolly is a band that really popped on my radar after hearing 2011's The Audio Guide to Happiness, Part One, as their unique mix of progressive rock, alternative, metal, and pop sensibility immediately set them apart from other progressive acts I was hearing at the time. Two years later, and Jolly have left me with a similar impression on their second (and final) installment in the series; Jolly conjures a one-of-a-kind atmosphere with their music, and they also posses the compositional and technical finesse to make the unique ambiance of their sound damn enjoyable to listen to. If anyone was unsure how this band was able to capture touring spots with acts like Riverside and Flying Colors, The Audio Guide to Happiness, Part Two provides a sufficient explanation why - a masterful expression of mood, atmosphere, and attention to detail, this is one of 2013's early musical highlights in my mind.

The style of music heard on The Audio Guide to Happiness, Part Two could best be described as progressive metal, although Jolly hardly resembles 'traditional' prog metal acts like Dream Theater or Fates Warning. The focus is largely geared towards moody and intense atmospheres not too dissimilar from recent Porcupine Tree or Marillion efforts, albeit with more deviations into alternative pop, metal, and even electronic territory. Jolly aren't afraid to incorporate some damn heavy guitar grooves into their music (there are even some harsh vocals in the dynamic "Firewall"!), as well as plenty of catchy melodies and strong hooks; while Jolly are perhaps not the most traditionally 'prog' band out there, their complex, eclectic, and highly atmospheric sound should grab the attention of most progressive metal listeners.

Fortunately, Jolly's excellence transcends their stylistic originality, as their talent as composers and performers is apparent throughout all of The Audio Guide to Happiness, Part Two. Although their playing styles are not particularly flashy, Jolly demonstrates their talents through detailed compositions and professional musicianship across the board - things like the atmospheric build in "Despite the Shell" (and the magnificent guitar solo that soon follows!) or the strong dynamic variation in "Firewall" are the mark of some truly skilled composers. What perhaps amazes me most about Jolly is that, even though their music is quite complex when closely analyzed, it manages to come across as accessible and almost pop-like to the more casual listener; the result is an album that is enjoyable on first listen, but still reveals new details with each new listening session.

As enthusiastic as I was (and still am) about The Audio Guide to Happiness, Part One, this installment is more mature and refined than its already superb predecessor. If compelling atmospheres, tasteful musicianship, and strong melodies are what you crave from progressive metal, Jolly should be on your radar - this album proves that they are part of the genre's upper echelon without a doubt!

J-Man The Audio Guide to Awesomeness

It's not every day that you hear a progressive metal album based on the idea of binaural therapy and meditation - which is exactly what New York-based quartet Jolly have done here. The Audio Guide to Happiness Part 1, the band's second full-length and first for the prestigious Inside Out label, is an album that intends on bringing the listener to a meditative state - whether or not that's actually the case depends on the listener. All I know is that Jolly have created a concept album that is masterfully crafted and seldom disappoints. The Audio Guide to Happiness Part 1 is filled with excellent compositions, tight musicianship, a stellar production, and a unique take on the progressive metal genre; there's not much more I can ask for! My only complaint (and it's a fairly small one) is that the spoken word portions can sometimes interrupt the flow of the songs, but it's a minute and "nitpicky" issue when one considers the general quality of the material here.

The Audio Guide to Happiness Part 1 is a pretty unique album - I can't say I've ever heard anything like it. Aside from the obvious influences from binaural therapy, the music is a unique blend of pop-prog, metal, and atmospheric rock. The album title is misleading, to say the least - this music is not particularly "happy", and often very dark and atmospheric. I'm often reminded of bands like Porcupine Tree, Opeth (minus the death growls), Happiness Is the Road-era Marillion, and even tads of Pain of Salvation. This may not sound revolutionary on the surface, but it actually does come across as one-of-a-kind and extremely eclectic. All of the songs are well-composed and memorable; there's no weak link here. A few of my favorites are "Joy", "Storytime", "Radiae" (the vocals in this one are breathtaking), and "Where Everything's Perfect".

The "technical" aspect of The Audio Guide to Happiness Part 1 is excellent and a major asset to the release. The musicianship is excellent across the board, and the production is equally terrific. Heavy riffs blend seamlessly with atmospheric and hypnotic sections thanks to the stellar production.

Conclusion:

I didn't really know what to expect when diving into Jolly's latest effort, but multiple repeated listens have left me highly impressed by The Audio Guide to Happiness Part 1. I really didn't "get it" the first two times around; this is a case where giving it a few more shots really pays off. I'd recommend any fan of atmospheric progressive rock/metal to give this top-notch effort a spin. My rating here will be a big 4 stars (maybe even 4.5 stars in time). If you like concept albums and plenty of killer material to go along with them, I have no doubt that this album will blow you away!

AtomicCrimsonRush A therapeutic auditory experience.

Jolly's latest album is a strange curio by a quartet who is interested in experimenting with the aural sensory brain mechanism. To quote their bio, "Under the guise of rock music, (they have) devised a therapeutic auditory experience scientifically designed to bring the brain to a state of pure happiness. By combining sophisticated arrangements, ambient textures, aggressive dynamics, and infectious melodies with binaural brain wave technology, a new medium is born." Whether or not the band achieve this or not is open to interpretation, however what they have produced here is a very uneven but compelling listen. Parts of the album are ambient and experimental, other parts are heavy metal.

There is a strange intro with a voice telling us we are phasing into the first section; "welcome to the audio guide to happiness dynamic sound treatment. Close your eyes. Breathe. And fly". It reminds me of Ayreon's intros. Then we launch immediately into a cool metal riff, with off beat time sig with Abramson's drums and Rondinone's very strong bass. A great track with effective raspy vocals from Anadale and an infectious melody. Joy, Pretty Darlin', and The Pattern continue the heavy treatment of the material, awesome riffing metal chords and solid vocals with Reilly's keyboards. After this the album settles into a quieter mood, soft slow chords with some rock nuances, but a remarkably different feel. After the next phase is introduced to the aural experience, Radiae brings the mood up with a heavier approach and terrific instrumentation. The wall of sound is dynamic and this track has a wonderful chugging riff in the instrumental break, bringing the mood back to the more aggressive side of Jolly heard earlier. This is when they are at their best. The female voice explains, "You are now experiencing a cerebral shift, it is natural for your body to resist this transition. This will define you a candidate for true happiness."

The next track Where Everything's Perfect has a heavy power riff and great vocals from Anadale. The lyrics are quite intriguing, "leave your fears behind. I have what you want." It is a very heavy riff that propels this and then we are back to experimentation, with children's voices and jazz scatting to a piano. It finally ends with a monstrous crunching riff that sounds dark and ominous like Opeth. Dorothy's Lament follows, a much more ambient piece with a lengthy melancholy interlude, atmospheric and foreboding. "This concludes part one, please insert disk 2", the voice says. Of course at this stage there is no disk 2 so it is fun to think what may be on its way in the future.

Overall, it was a wondrous journey, with some shining moments, though not consistently great for my ears. I would still recommend this for fans of Opeth or Riverside who like heavy metal blended with soft ambience. .