APHELION

Progressive Metal • Italy
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APHELION is an all instrumental project formed on 2004 by Alessandro (keyboards),Sebastiano (bass),Matteo (guitars),and featuring a mixture of technical progressive and fusion/jazz styles.

After the recording of a previous two tracks demo CD called "Demonstructive", excellently reviewed from press up in the world.On 2006 the band signed for the Italian label Lizard Records and a new drummer ,Enrico Pintonello, joined the group.

Keeping up the hard work and pushing the envelope higher and higher, finally on late 2007,the band records a 7 tracks full length album "Franticode" - coming out on May 2008 - at the Majestic Studio (Venice ,Italy) and mixed by the keyboard-god Derek Sherinian (PLANET X, BILLY IDOL, DREAM THEATER) in his own studio in Los Angeles. Italian guitarist Alex Stornello also features on one track of the CD.

APHELION is NOT another, useless, "hipertechnicalsoulless" band, instead, the main goal is to reach an unique, signature and groovy sound encompassing progressive,
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APHELION Franticode album cover 3.67 | 2 ratings
Franticode
Progressive Metal 2008

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APHELION Reviews

APHELION Franticode

Album · 2008 · Progressive Metal
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Windhawk
Instrumental progressive metal is a genre offering more variety to it's listeners than one might surmise, and Italian band Aphelion presents a strong example of one take on this genre on this initial effort of theirs.

Mixed by a certain Derek Sherinian, we're treated to a beautiful album from a technical point of view. The sound is excellent throughout, and "Franticode" is a shining example of just how good an album can sound if handled by the right people.

Musically we're served 7 compositions, quirky and shifting constructions with a plethora of details and nuances to get familiar with. The opening three numbers are pretty distinct jazz-tinged numbers, with the bass most central in adding jazzy elements to the quirky progressive metal soundscapes. The last four numbers have more of a space-tinged atmosphere to them, and while the nods towards jazzrock and fusion are still present they do take more of a back seat on these excursions.

While arguably not a true classic this is a strong effort, and those looking for a good example of brilliantly produced, quirky instrumental progressive metal should seek out this production.

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