Stephen I was intrigued with Rhode Island Red as they pointed out that the music is a combination of The Cult and Garbage. Though I was never really a fan of those two, stumbling to bands with a strange combination like this isn't happening everyday, so after 'Kerosene' arrived, I quickly pull out the player's tray to spin this EP urgently.

My first impression is 'hmmm', well vocally, Lyla D'Souza is truly great. She has the range, the quality. The rhythm section is also good, but the songs are making me wondering, if these are the strongest tracks, I found it's hard for them to penetrate the market easily. That's because the commercial grip on the arrangement aren't huge enough to grab casual fans' attention, except maybe slightly seen on the power ballad, "Stalemate", which I think is the best track.

"Kerosene" is a good midtempo track and "Beige" is even better, but both songs are struggling to find their way to reach above-average stature. The comparison of 80s hard rock and 90s alternative rock is spot on, but I'm expecting a more hook-laden songs, monstrous compositions, catchier licks, in their full-length album later on. Good album anyway.

Windhawk This initial three track EP by UK act RHODE ISLAND RED bears testimony of a band with rather sharply honed commercial instincts. This isn't a band that seems to look for any true metal badge to proudly present to a handful of followers. At least musically the material on hand here seems to be made with the charts in mind. Having a female lead vocalist is always a good thing if you plan for success, in particular if she's a talented. And Lyla fits that description rather well I believe.

As far as the music goes, Rhode Island Red comes across as a bastard child sired by late 80's The Cult and early 90's alternative rockers Garbage. Opening effort Kerosene kicks off with dampened verse passages sporting a dark, slightly distorted bass, energetic rhythms and vocals, while just prior to the chorus section massive, compact riffs hits the speakers big time, continuing onwards into the chorus itself which is of the melodic singalong variety. The contrast between the melody, lead vocals and massive guitar sound is a feature the band explore rather well, and in particular on Kerosene the lead on back to the verse with a slightly less massive riff cascade supported by a gentle, light and clean guitar motif is stunning. And most likely familiar sounding to any Garbage fans that encounter it.

Second track Beige is the one I noted down as the most promising item. Not yet realized in my opinion, cutting off some atmospheric laden inserts and an elongated outro would transform this into a killer tune in my amateur, non-expert opinion. Other than that the contrasting elements previously described has been utilized on this song too, and with a real tasty guitar solo detail attached to the chorus which suits it perfectly.

Final effort Stalemate is another good effort, this time around with a gentler, ballad oriented verse followed by an aggressive yet melodic riff dominated chorus with a strong emotional emphasis on vocal delivery. Good stuff.

Those with a taste for metal with a strong commercial sheen and female lead vocals should find plenty to enjoy on this EP. Comparisons towards The Cult have already been mentioned, and if the sound they explored on an album such as "Sonic Temple" is to your liking Rhode Island Red is band I suggest you spend a few minutes investigating.