ASTARTE — Sirens

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ASTARTE - Sirens cover
4.43 | 4 ratings | 2 reviews
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Album · 2004

Tracklist

1. Dark Infected Circles (Outbreak) (4:40)
2. Black Mighty Gods (5:37)
3. Lloth (2:38)
4. Bitterness of Mortality (Mecoman) (4:52)
5. Deviate (4:31)
6. Oceanus Procellarum (Liquid Tomb) (6:30)
7. The Ring (of Sorrow) (6:50)
8. Twist, Nail, Torture (4:31)
9. Sirens (3:57)
10. Underwater Persephone (1:31)

Total Time: 45:41

Line-up/Musicians

- Tristessa / vocals, bass guitar, guitars
- Hybris / guitars
- Katharsis / keyboards

with

- Ivar / drums
- Nicolas S.I.C. Maiis / vocals
- Sakis Tolis / vocals
- Shagrath / vocals

About this release

Released by Avantgarde Music.

Some versions featured the artwork with an orange hue rather than blue.

Thanks to adg211288 for the updates

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666sharon666
Astarte's fourth album Sirens marks significant line-up changes within the group as after Quod Superius Sicut Inferius two of the three core musicians had parted ways with band leader Tristessa. On Sirens Tristessa takes over lead vocal duties while Hybris joins on guitars and Katharsis on keyboards. The album features guest appearances from both Shagrath (Dimmu Borgir) and Sakis Tolis (Rotting Christ).

Sirens moves even further in the melodic black metal direction started on Quod Superius Sicut Inferius, fully taking Astarte away from the rawer sound of their first two albums. Compared to former vocalist Kinthia Tristessa's voice is a bit less of a typical black metal rasp and it's easily to follow her lyrics. That said I think maybe her vocals here are more of an acquired taste. The music is generally more direct in nature and in some ways it isn't many steps away from turning into melodic death metal. As is usual for an Astarte release there's really good use of both keyboards and acoustic guitar, though there is an issue on this one that a few too many of the melodies used sound quite similar to each other, but it's decent enough Astarte album overall, more interesting than Rise From Within was but a step down following their career best that was Quod Superius Sicut Inferius.

Attribution: http://metaltube.freeforums.org/astarte-sirens-t3765.html
adg211288
I must say first of all that Sirens is one of the more accessible black metal albums I’ve come across, mainly because of its top notch production, where many black metal bands insist on having a raw, under produced sound. As such this album may not be of an appeal to black metal’s devotees, but I have to say, they’d be really missing out if they did turn their noses up at this.

The vocals on Sirens are of course going to have a slightly different sound to most black metal because Astarte is an all female band (excluding session drummer Ivar). The vocals are also different from the band’s previous releases as bassist/guitarist Tristessa is now filling the vocalist role as well as playing her instruments. Her growl has the strength required to lift an album to great heights, and on Sirens, Tristessa has succeeded. In fact she puts all three of the album guest vocalists (Shagrath - Dimmu Borgir, Sakis - Rotting Christ, and Nicolas Maiis - Lloth/S.I.C. Team) to shame with her brutally powerful voice, which she occasionally varies into a softly spoken clean vocal, which while not actually singing, adds an extra depth to the songs she uses it on.

Speaking of the songs, the writing skill displayed is extremely good, with little or no faults in each of these ten songs. One may question Tristessa’s decision to include the same lead melody in several of the songs (albeit with some variation), but Sirens is an album where the music is just so damn good that it doesn’t matter. Song highlights are Dark Infected Circles (Outbreak), Black Mighty Gods, Bitterness of Mortality (Mecoman), Oceanus Procellarum (Liquid Tomb) and The Ring (Of Sorrow). Tristessa wrote Sirens entirely on her own, and in mind proves herself to be an extraordinary talent, one that is devilishly underrated.

The album features three vocal duets as mentioned above. By having such well known names as Shagrath and Sakis on their album, Astarte could easily get accused on trying to use the reputation of others to get themselves noticed more, but I can assure you, this is not the case. The collaborations have been done for the music’s gain, not a financial gain. Each duet works in its own way, and each manages to sound distinct.

It's not quite their best album to date, I still consider their previous effort to this one, 2002's Quod Superius Sicut Inferius to be the group's masterpiece, but this is definitely up there with it in a nice No. 02 position.

(Review originally written for Heavy Metal Haven)

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