Death Metal

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Death metal is an extreme subgenre of heavy metal. It typically employs heavily distorted guitars, deep growling vocals, blast beat drumming, and complex song structures with multiple tempo changes.

Building from the musical structure of thrash metal, death metal emerged during the mid 1980s. It was mainly inspired by thrash metal acts like Slayer, Kreator and Celtic Frost. Along with the band Death and its frontman Chuck Schuldiner (who is often referred to as "the father of death metal"), bands like Possessed and Morbid Angel are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular record labels like Earache and Roadrunner began to sign death metal bands at a rapid rate. Since then, death metal has diversified, spawning a rich variety of subgenres.

Inclusive death metal music subgenres:

  • Brutal death metal See: http://www.metalmusicarchives.com/subgenre/brutal-death-metal
  • Melodic death metal See: http://www.metalmusicarchives.com/subgenre/melodic-death-metal
  • Swedish death metal, also referred to as Scandinavian death metal, should not be confused with melodeath. This genre is characterized by its focus on raw energy and aggression. The guitars are typically extremely distorted and downtuned, and, in addition to traditional death metal elements, artists within this subgenre also draw on hardcore punk and early thrash metal. While not restricted to Sweden, the genre is called death metal because it was largely popularized by death metal artists from Sweden, such as Carnage, Nihilist, early Entombed, Dismember, Grave, and Unleashed. Seeing that many of the prominent artists within this genre were located in around Stockholm, it is sometimes referred to as the Stockholm sound in contrast with the Gothenburg sound. While big in the 1990s, the popularity of this genre waned in the 2000s, as melodeath became more popular, but recently a number of bands based in Eastern Europe, such as Brutally Deceased and Morbider, have taken up the Stockholm sound and are bringing it back onto the scene.
  • Death-grind combines elements from death metal with element of grindcore. From grindcore, the genre inherits song brevity (with the average length being 2:30), emphasis on fast picking and blastbeating as well as the lyrical content (which means that a lot of death-grind deals with gore, pornography or socio-politics). From death metal, it inherits song complexity and focus on performance and technique, although guitar solos are not as common as in other styles of death metal. When Napalm Death started to gravitate towards death metal from pure grindcore, they developed a death-grind sound, and they are probably the most influential band in the death-grind genre. Other death-grind acts are Lock Up, Terrorizer, and Pig Destroyer. On MMA, those death-grind artists and releases that lean more towards grindcore are included under grindcore, while those that lean more towards death metal are included under death metal.
  • Technical/progressive (or tech/prog) death metal See: http://www.metalmusicarchives.com/subgenre/technical-death-metal
  • Blackened death metal combines death metal and black metal, of lyrically the focus is typically on Satanism, occultism and anti-religion. Behemoth is considered one of the most influential blackened death metal bands.
  • Death ‘n’ roll See: http://www.metalmusicarchives.com/subgenre/death-n-roll


The following subgenres are NOT listed under death metal in the MMA:

  • Grindcore: has its own sugbenre section.
  • Death-thrash: included under thrash metal.
  • Deathcore: included under metalcore.
  • Doom-death: included under doom metal.


Source: http://en.wikipedia.org/wiki/Death_metal

Written by Time Signature.

Sub-genre collaborators:
  • Nightfly (leader)
  • Vim Fuego
  • TheHeavyMetalCat

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death metal Music Reviews

DISINTER Exitus Letalis

Demo · 1993 · Death Metal
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UMUR
"Exitus Letalis" is the first demo recording by Finnish death metal act Disinter. The demo was indpendently released in February 1993. It was recorded on a 4-track recorder at the band´s rehearsal space in February 1993. It´s the only item released by Disinter before they disbanded.

Considering that this is more or less a self-produced effort and it´s not recorded on professional studio recording equipment, Disinter have managed to produce a both powerful and well sounding demo. Of course it´s not a professional sounding release, but the rawness of the sound production perfectly fits with the brutality of the music...

...and brutal this is. Which isn´t surprising given that many contemporary Finnish death metal artists were also quite brutal in nature, but what is more surprising is that the material on "Exitus Letalis" doesn´t sound Finnish at all. Instead Disinter have gone for a brutal and technically well played US, Florida influenced death metal sound, which is strongly influenced by Deicide in particular. Disinter have two vocalists. One performs brutal deep growling, while the other performs higher pitched snarling vocals (often doubled), and together they mimmick Glen Benton pretty well.

So it´s fans of Deicide and their ilk who should find "Exitus Letalis" an entertaining release, rather than fans of the more traditional Finnish death metal sound. That doesn´t make it any better or worse than most other contemporary Finnish death metal demos, and although it´s certainly not the most original sounding demo from 1993, it´s both well performed, well composed, and decently produced. A 3 star (60%) rating is warranted.

CANCER Ballcutter

EP · 2019 · Death Metal
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UMUR
"Ballcutter" is an EP release by UK death/thrash metal act Cancer. The EP was released through Peaceville Records in July 2019. It´s a follow-up- and companion release to Cancer´s 2018 sixth full-length studio album "Shadow Gripped".

The EP features five tracks and opens with an alternate master version of "Ballcutter" from "Shadow Gripped". It´s a nice heavy death metal track, but I´m not sure I needed another version of that song. "All the Curses" and "Crocodile Itch" are new original songs, which are outtakes from the "Shadow Gripped" sessions. Both are consistent in style and quality to the material found on that album. The two closing tracks of the EP are demo versions of "Garrotte" and "organ Snatcher", which are both songs which appeared in their studio versions on "Shadow Gripped". The demos are actually pretty powerful and feature a well sounding production job.

"Ballcutter" is well produced and well performed but if you cut away the fat the only tracks of real interest here are "All the Curses" and "Crocodile Itch", which granted are really good death metal tunes, but unless you just couldn´t get enough of the sound and style of music found on "Shadow Gripped" this EP shouldn´t be your first buy. The quality of the material is fine though and a 3 star (60%) rating is warranted.

CANCER Corporation$

EP · 2004 · Death Metal
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UMUR
"Corporation$" is an EP release by UK death/thrash metal act Cancer. The EP was released through Copro Records in May 2004. It bridges the gap between Cancer´s fourth- and fifth full-length studio albums "Black Faith" (1995) and "Spirit in Flames" (2005). Cancer originally formed in 1987 and disbanded in 1996 after releasing four full-length studio albums. They reunited and were active in the 2003-2006 period, but no new releases came out in that period. They reunited again in 2013 and "Corporation$" is their first release after reforming the band.

You won´t however get much new original material on this EP. "Oil" opens the EP and it´s a new track showing the more thrash oriented new direction of Cancer. "With Hunt" is a 2003 live in the studio cover of the track which originally appeared on Cancer´s debut full-length studio album "To the Gory End" (1990). "Dethroned Emperor" is a Celtic Frost cover (also recorded live in the studio) and the two closing tracks on the EP are remixes of "Oxygen Thieves" and "Oil". The first three mentioned tracks are worth the price of admission, although none are in the excellent catagory, while the two latter are pretty redundant industrial tinged remixes.

So upon conclusion "Corporation$" left Cancer´s fans guessing what they could expect on their forthcoming full-length studio comeback release, and as it turns out "Oil" pretty much showed how that would sound. "Corporation$" is a both well performed and well produced release and while it doesn´t exactly make my blood boil a 3 star (60%) rating is still warranted.

CANCER Demo #2

Demo · 1989 · Death Metal
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UMUR
"Demo #2" is the second demo recording by UK death metal act Cancer. The demo was independently released in 1989. It´s the successor to the 1988 "No Fuckin Cover" demo.

There´s been some obvious musical development from the first demo to this one. Cancer are now more brutal and heavy, and lead vocalist/guitarist John Walker has changed his voice and vocal style to a caustic sounding aggressive snarling. Five out of the seven songs on the 28:09 minutes long demo would be re-recorded and included on Cancer´s May 1990 debut full-length studio album "To the Gory End". Cancer always had a lot of brutal and aggressive thrash metal riffs and rhythms in their music, so in that respect they never been 100% pure death metal, and that´s of course also the case on this early release by the band.

It´s a relatively lo-fi recorded demo, and I wouldn´t be surprised if it is a rehearsal demo recorded in one take. No matter the circumstances of the recording process, Cancer more than proves why they would soon be signed for the release of their debut album...they simply sound ready. A 2.5 star (50%) rating is warranted.

CANCER No Fuckin Cover

Demo · 1988 · Death Metal
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UMUR
"No Fuckin Cover" is the first demo recording by UK death metal act Cancer. The demo was independently released in 1988. Cancer formed in 1987 and is one of the earliest death metal acts from the UK.

The two tracks on the 7:33 minutes long demo are both influenced by the most aggressive and brutal contemporary thrash metal but a band like Death probably had a great influence on Cancer too. So the music style on the demo is somewhere in the middle of brutal thrash metal and early death metal. John Walker deliver brutal raspy vocals, which aren´t really growling but closer in style to the most brutal sounding thrash metal vocalists.

"No Fuckin Cover" sounds a lot like a rehearsal demo recorded in one take, and while I´m not sure about it, it´s my most qualified guess. So this is raw, savage, and lo-fi recorded music. It´s murky, noisy, and it´s not always possible to make out what all instruments are doing, but you´re able to hear the general direction of Cancer´s music. A 2 star (40%) rating is warranted.

death metal movie reviews

NAPALM DEATH Punishment in Capitals

Movie · 2003 · Death Metal
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Kingcrimsonprog
Punishment In Capitals is a 2002 live DVD (also available on CD) by British extreme metal icons Napalm Death, released after their triumphant Enemy Of The Music Business album won back the praise of fans and critics after their experimental string of records in the nineties.

The band play a mixture of every era in their career up to that point, the catchy nineties singles ‘Breed To Breathe,’ and ‘Greed Killing,’ sit side by side with mid era death inspired fare such as ‘Suffer The Children,’ and ‘World Keeps Turning,’ which blends against the band’s early grindcore material era like ‘Scum,’ ‘Lucid Fairy Tale,’ and the famous ‘You Suffer,’ in a set list which also leans heavily on the band’s then newest, and still arguably best album Enemy Of The Music Business.

Standout tracks include an energetic version of ‘Hung,’ as well as ‘Can’t Play Won’t Play,’ and ‘Narcoleptic,’ which was as yet unreleased at the time of recording. With a set-list of this caliber, Punishment In Capitals should be a rewarding viewing experience for most Napalm Death fans and would serve well as an introduction to the band for potential fans as well.

Interestingly, the DVD recording retains all the dead air, waiting out-of-breathe and other non-musical moments in between tracks, presenting you the gig as it actually happened and not inter-cutting the show with outside material to create some false sense of professionalism or excitement. This is a double edged sword as it is commendable but may still irritate viewers raised on slicker, fast paced major label DVD releases.

The production is fairly good in terms of audio recording quality and mix, with simple camera work and editing covering the visual side of things. Although not the most impressive looking DVD ever released, it serves well for Napalm Death to deliver an energetic a sweaty performance. My only major gripe is that for the first half of the show shots of drummer Danny Herrera are very few and far between, but this is remedied later on.

There are a fair amount of extras too, including two bootleg quality recordings in Tokyo from 1996, a six track selection from a Chilean gig in 1997 as well as a hidden Easter Egg (a live-in-a-TV-studio version of ‘If The Truth Be Known,’ accessible by making the image’s eyes glow red my navigating the menu.) In addition to the musical extras there is also a documentary, which while not masterfully crafted is worth at least one watch, covering topics such as Barney’s haircut, the effect of foreign food on the bowels and the charity for which this gig was in aide of.

Overall, Punishment In Capitals is a worthwhile DVD purchase that will give you a good selection of Napalm Death material, both in the concert itself and with a nice selection of extras. Definitely recommended viewing for fans of the band.

ZYKLON Storm Detonation Live

Movie · 2006 · Death Metal
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Kingcrimsonprog
This DVD captures Norwegian death metal band Zyklon on their 'Aeon,' era tour Live; the tracklisting on the wonderful but slightly short DVD is made up of tracks from the bands excellent first two albums.

The band are on top form and deliver the material fantastically live, They never miss a step, and are ruthlessly professional.

Song's from the band's debut album are much better here with new singer Tony 'SecthDamon,' Ingebrigtsen. Who has a better voice to match the material than Daemon did.

Furthermore the audio and visual quality is great, and apart from a little intro interrupting the first 20 seconds of fan favorite 'Core Solution,' there's very little to complain about whatsoever.

Indeed, with such a brilliant performance, a good production and an excellent track listing, this DVD is a real must-have for any Zyklon fan.

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

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