Warthur
Novembre's Novembrine Waltz straddles the borderline between gothic metal and symphonic metal - the symphonic aspect of their music manifesting in the band's tendency to to cover classical music standards in the middle of their songs. This, of course, is an approach which was previously taken by the first generation of symphonic prog bands in the 1970s, but on the whole I find it (with a few exceptions) the least interesting approach to symphonic rock or metal, turning what can be a fascinating approach to composing new and original material into a dull exercise in "rocking the classics". Novembre's take on the old, old exercise is no different to my ears. It's a fun listen at points, but the juxtaposition of gothic metal cliche and classical music cliche is too much for me.